BenLaw
Well-known member
bigboss said:BenLaw said:These are panasonic's setting for the kuro? I'm not sure it's as clear cut that they're being naughty as is suggested, and may be a lesson in personal taste. The middle pic is more washed out but look at the contrast between the purple tuby things and the pink flowery things in the bottom left. The colours themselves have changed a lot in the bottom pic but there is less contrast, which doesn't look right. The top looks most unnatural.
Then the plants in the bottom centre - they look very samey in both the top and bottom pics. They also all look very purple. Whereas the middle pic reveals a lot of variation, pinks (!), turquoise, light blue, dark blue. Can you show us a pic with same setting but colour in the middle at 0?
The pics on the WHF blog also seemed to show some advantages to me with the kuro. The reds seemed weird (too weird) but the top left strawberry had a lot more detail in it and the detail in the blacks of the car seemed a lot more.
As you say, it shows settings are very important and much of it may be subjective. I'd trust a detailed review with measurements such as on avforums to see which can get objectively closest to the 'best' picture, ie most faithful to the source material. But I'm guessing both will be stunningly good and the main reason for spending £4k if you have a ninth gen kuro will be as a periodic update or for features rather than a quantum leap in performance. I also agree PJ will be the best move for many at this price.
Yes, they are Panasonic settings for the Kuro. I thought the middle pic colours look unnatural and washed out. I'll click some more pics in the next couple of days with Panasonic's settings & colour at 0. It is difficult to,say what's natural & what's unnatural with an animated image!
We all have different taste, I thought there was more detail on the 1st pic, especially the blue flowers on bottom left, and I preferred the last pic but with more sharpness.
It definitely looks more washed out and less sharp, but there seem to be compromises elsewhere. The detail on the shards of light coming through the water seems much improved on the middle pic compared to the top and the extra colours in the middle flowers on the middle pic is remarkable. Just wondering if you can get 'best of both' with a zero colour setting, ie get the sharpness and warmth back but retain the colour contrast and detail. Pro calibration may be the best way, tho expensive!