Ermm... output stage? Filtering? It’s not all about the chip.Vladimir said:Audiophile DACs is even funnier than Audiophile cables, but what can you do.
The current trend is evaluating the DAC chips like changing tubes or tonearm cartridges.Gazzip said:Ermm... output stage? Filtering? It’s not all about the chip.Vladimir said:Audiophile DACs is even funnier than Audiophile cables, but what can you do.
Yeah. Every class AB amp does few mW first in class A. That's why the amp gets a bit warm even when idle. Thx for the vid. I like these type of vids a lot.Blacksabbath25 said:Vladimir when your got a minute you might find this video of interest https://youtu.be/xbLcRrNfdvs
Its basically a 4 part video reviewing the Yamaha A-S1100 right though to looking at all of the components inside what they do and then testing the spec of the amplifier.... I mean a proper test I basically found out only a little bit of class A is used in a class A/B amplifier and the rest is mostly class B .
back on topic
there are 4 parts to watch that’s what I’ve watched tonight as it’s a bit quite on here today but I thought you would be interested .Vladimir said:Yeah. Every class AB amp does few mW first in class A. That's why the amp gets a bit warm even when idle. Thx for the vid. I like these type of vids a lot.Blacksabbath25 said:Vladimir when your got a minute you might find this video of interest https://youtu.be/xbLcRrNfdvs
Its basically a 4 part video reviewing the Yamaha A-S1100 right though to looking at all of the components inside what they do and then testing the spec of the amplifier.... I mean a proper test I basically found out only a little bit of class A is used in a class A/B amplifier and the rest is mostly class B .
back on topic
Not necessarily. HF hearing may diminish but hearing, especially through mid frequencies apparently gets better. To do with learning as well as hearing. (Latest edition HifiNews&RR).Rethep said:Take also in consideration that many of us are aged around 50 or something. Our hearing also damaged by a few (long ago?) concerts? For most of us 'lossy formats' will even do.
An analogy I always use for those who don't have production background knowledge: it's like how your maths teacher always told you to do your mid-sum calculations several DP greater than the final answer required to minimize the rounding errors. At its nuts and bolts, digital audio is just numbers, so it's quite relevant.Native_bon said:I have always know this, well most who produce music. I made mention of this year's ago on here. 24bit only makes sense for dynamic headroom when producing and mixing. Nothing new to me.
It's a hobby after all. Glad you liked the post.Rob G said:Gotta say Vladimir, your posts are always interesting and sometimes humorous too. Keep up the good work.