Yes most modern (last 10 years or so) cds (pop) have less DR than vinyl
marou said:http://www.pstracks.com/pauls-posts/when-less-is-more-2/12290/
oldric_naubhoff said:marou said:http://www.pstracks.com/pauls-posts/when-less-is-more-2/12290/
no offence mate but this article is one big load of BS. the guy is clearly clueless about what he's writing. live music has 120dB dynamic range? I'd like to see an example.
marou said:No offence taken - I don't really have a view, having never compared vinyl and digital under test conditions. What does interest me is the number of people (including friends whose views I'm reluctant to dismiss) who prefer vinyl to digital despite evidence to the contrary which I find quite persuasive. Paul McGowan is a hifi designer and enthusiast whose views should not be easily discounted. So tell me, why does a legacy device with an inferior dynamic range which with every play corrupts the vinyl on which it depends still command the loyalty of so many?
CnoEvil said:marou said:No offence taken - I don't really have a view, having never compared vinyl and digital under test conditions. What does interest me is the number of people (including friends whose views I'm reluctant to dismiss) who prefer vinyl to digital despite evidence to the contrary which I find quite persuasive. Paul McGowan is a hifi designer and enthusiast whose views should not be easily discounted. So tell me, why does a legacy device with an inferior dynamic range which with every play corrupts the vinyl on which it depends still command the loyalty of so many?
I suspect it may depend on the quality of the mastering on the CDs that they've listened to, as well as the source they have used for the comparison.
I have been lucky enough to have gone from decent TTs, to a great CDP to a very good streamer,......which has given me reasonable insight into how they all compare.
marou said:No offence taken - I don't really have a view, having never compared vinyl and digital under test conditions. What does interest me is the number of people (including friends whose views I'm reluctant to dismiss) who prefer vinyl to digital despite evidence to the contrary which I find quite persuasive. Paul McGowan is a hifi designer and enthusiast whose views should not be easily discounted. So tell me, why does a legacy device with an inferior dynamic range which with every play corrupts the vinyl on which it depends still command the loyalty of so many?
marou said:McGowan says that a cd recording of a vinyl record is indistinguishable thus confirming there is no inherent superiority in analogue - interesting if true.
oldric_naubhoff said:No offence mate but this article is one big load of BS. the guy is clearly clueless about what he's writing. live music has 120dB dynamic range? I'd like to see an example.marou said:http://www.pstracks.com/pauls-posts/when-less-is-more-2/12290/
Overdose said:marou said:No offence taken - I don't really have a view, having never compared vinyl and digital under test conditions. What does interest me is the number of people (including friends whose views I'm reluctant to dismiss) who prefer vinyl to digital despite evidence to the contrary which I find quite persuasive. Paul McGowan is a hifi designer and enthusiast whose views should not be easily discounted. So tell me, why does a legacy device with an inferior dynamic range which with every play corrupts the vinyl on which it depends still command the loyalty of so many?
Define 'so many'.
Only a very small percentage of music consumed is vinyl.
Nostalgia is your answer.
Johnno2 said:surely a cd 'rip' of a vinyl recording is only sampling the waveform with digital steps, then converted with a dac. is some information lost? should it sound slightly less warm for example
matt49 said:Am I right in thinking that people who listen predominantly to classical music tend to express a preference for vinyl over CD much less often? It's just an impression I've formed, and it may be quite wrong.
If it's right, I can think of two possible explanations. 1. compression on classical CDs isn't really an issue; sure it's used, but much more sensitively, presumably because there's a tradition of selling classical CDs to an "audiophile" (dread word!) market and not for listening via iPods/earbuds. 2. vinyl is by its nature less bright (because it's less transparent), and the softer sound of vinyl is appealing with pop/rock, which with its prominent percussion and electronic instruments can tend towards harshness.
davedotco said:CnoEvil said:marou said:No offence taken - I don't really have a view, having never compared vinyl and digital under test conditions. What does interest me is the number of people (including friends whose views I'm reluctant to dismiss) who prefer vinyl to digital despite evidence to the contrary which I find quite persuasive. Paul McGowan is a hifi designer and enthusiast whose views should not be easily discounted. So tell me, why does a legacy device with an inferior dynamic range which with every play corrupts the vinyl on which it depends still command the loyalty of so many?
I suspect it may depend on the quality of the mastering on the CDs that they've listened to, as well as the source they have used for the comparison.
I have been lucky enough to have gone from decent TTs, to a great CDP to a very good streamer,......which has given me reasonable insight into how they all compare.
Very much to the point Cno.
The truly crazy thing is that most of the people I see and hear extolling the virtues of vinyl have pretty poor players, often third rate or worse.
My own experience was simply that the better the CD player and the better the record player the closer together they sounded in terms of sound quality.
For a brief period I was able to compare my own player, an SME20A/Red signature with the comparibly priced Wadia 860 and on some recordings the differences were actually difficult to hear, some modern, for the time, Deutsche Grammaphon DDD and DDA releases for example.
Edit for spelling.
drummerman said:I have another theory. Often, the noise floor of records is much higher than that of a good digital recording.
This 'fills' the gaps between notes, making for a more cohesive 'whole'. The brain has to work less hard to decipher and piece together the information.
Look at equipment like Cambridge Audio's 840's and other, very good measuring stuff. All the detail you could want but somehow it doesn't come together into a musical whole (for some people). Other equipment, perhaps not so acurate measuring, sounds more cohesive.
I am broadly generalising and I myself err on the side of accuracy for preference but could it be that there can be to much detail, to much stereo separation etc?
A point in case was a recent swap of cartridges on one of my TT's. I replaced a Ortofon with a shibata tipped AT. More separation, better highs ... more musical? No.
regards