matthewpiano said:One of my very favourite pianists, Murray Perahia, playing both sets of Chopin Etudes.
I'm also a big Perahia fan. I really rate his Bach. I've just taken delivery of this, which I plan to spin over the weekend:
matthewpiano said:One of my very favourite pianists, Murray Perahia, playing both sets of Chopin Etudes.
matt49 said:matthewpiano said:Freddy58 said:Freddy58 said:See, I don't 'get' Mozart. The man ain't got no soul
No comeback?
Depends on the work in question, and who is performing it. The Requiem is one of the most 'soulful' works in the entire repertoire. Listen to the 'Hostias'. If that doesn't stir your soul...
The later Mozart orchestral and operatic works have soul and emotion in spades. The Requiem is one, as Matthew says. Don Giovanni is great, also Symphonies 39 thro' 41. I'm a big fan of the Sinfonia Concertante, which gives a sense of what the mature Mozart could have done with the violin concerto. The recording by David and Igor Oistrakh is wonderful, and this disk, including a great recording of the clarinet concerto, is a gem:
MrReaper182 said:Concerto for flute & harp in C major, 2nd Movement by Mozart is very beautiful indeed.
Freddy58 said:Ok, I get it, you find me tiresome. I won't bother you again...
Freddy58 said:Ok, I get it, you find me tiresome. I won't bother you again...
matthewpiano said:I've been listening to Scarlatti piano sonatas and the Mozart Rondo in A Minor KV511 in several different recordings as I'm currently preparing for a concert where I'll be playing Scarlatti L14 and the Rondo (amongst other things) and I always find it useful to hear various interpretations in the later stages of working.
I particularly love Brendel in the Mozart which is even more fitting as I attended a lecture he gave at the RNCM on Wednesday evening. What an inspiring man!
MrReaper182 said:matthewpiano said:I've been listening to Scarlatti piano sonatas and the Mozart Rondo in A Minor KV511 in several different recordings as I'm currently preparing for a concert where I'll be playing Scarlatti L14 and the Rondo (amongst other things) and I always find it useful to hear various interpretations in the later stages of working.
I particularly love Brendel in the Mozart which is even more fitting as I attended a lecture he gave at the RNCM on Wednesday evening. What an inspiring man!
I wish you all the best for your concert .
MrReaper182 said:I am now listening to the 1812 overture by Tchaikovsky on Vinyl. Tchaikovsky was a Russian musical genius.
matthewpiano said:MrReaper182 said:I am now listening to the 1812 overture by Tchaikovsky on Vinyl. Tchaikovsky was a Russian musical genius.
Absolutely. I love his piano concertos and also the 6th symphony. Some of the ballet music is also gorgeous, and the Romeo & Juliet Fantasy Overture was one of the works that got me into orchestral music as a youngster.
Freddy58 said:matthewpiano said:Freddy58 said:Freddy58 said:See, I don't 'get' Mozart. The man ain't got no soul
No comeback?
Depends on the work in question, and who is performing it. The Requiem is one of the most 'soulful' works in the entire repertoire. Listen to the 'Hostias'. If that doesn't stir your soul...
Thanks for the reply Matthew
The thing is, I've always found (from what I've heard) that Mozart was/is just a flood of notes. Very clever no doubt, but dispalaying no emotion. I will however try what you have suggested