the record spot:You know, I lose count recently of the number of times that I've openly said in this forum that - hey! - I have an iPod! I use a laptop for iTunes!
Well done, that's more than I've got, I'll just have to apologise for not having taken the time to read every thread you've written or to remember, along with all the other people here, everything you've said.
I'm anti-CBM??? LOL, you've led a sheltered life if you think I'm anti-iPod and the like.
Alright, don't get dramatic, far from sheltered life, I'm too busy to note down the details of every forum member, as I suspect most people are. I mean can you name all the equipment I've got? Doubt it, and I'd be seriously worried if you could!
I don't use it at home for several reasons - I already get excellent sound quality from my existing hifi (see signature line below), I don't want additional boxes with attendant wires and a laptop running all day with the babies now getting active,
Don't need a laptop running all day, I have one additional box on my rack and it's the smallest one of the lot, none of the cables are visible.
plus I enjoy having the product - CD or vinyl to hand - along with the physical act of putting stuff on, selecting it from the rack, etc. Personally, I think those make valid reasons for my choice.
Yes they are and I've never tried to deny anyone that choice, but the same doesn't seem to be forthcoming from people on the other side of the fence, maybe I'm so "confrontational" on the subject because every time CBM users try to talk about the subject we have to put up with all the anti-CBM people slating us for OUR choice saying that it's inferior sound quality too inconvenient, expensive (please!), etc etc, rather than just saying "ah, it's not for me" and letting us get on with it.
As for my comments re: Ashley's previous posts, AVI have gone down the road to produce products that are geared towards that market. Hell, Ashley posts to the effect that all you need are a laptop, a DAC and away you go, whilst berating audiophiles (conveniently forgetting those who stumped up for his company's Lab Series kit at £1500 a pop would probably have been just that in some cases). Yep, sure, away you go, the route to great music.
I have to say at this point I'm NOT a big fan of Ashley's posts, no comment on his products as I've never heard them but I disagree with a lot of his statements, and I DON'T believe that plugging a laptop or PC straight into a DAC is the way to go, there's too many other things that can distract the PC and cause a glitch, network streaming is the only way I'd do it, hence my choice with Sonos, you let the network carry the data, the Sonos buffers it and that ensures uninterrupted delivery, especially if you have a NAS (I don't yet, but it's next on the list). That also gives me easy multi-room capabilities as well of course, if that's of interest (which it is to me, obviously).
Er, no, pitches like that only serve to remind me of the old CD strapline "perfect sound forever". Moreso with digital you need a decent mastering and production.
Again, why moreso? You no more need it with digital than you do with analogue. You need decent mastering and production, end of. Something I wish more producers and mastering engineers would remember...
Anyway, to my point - why are you being so confrontational?
See above, I got a bit ahead of myself and answered this already.
Are you so blinkered by your view you've no width to accommodate mine?
Up until now I had no idea what your view was, just a seemingly random comment about mastering that I couldn't see had any direct relevance to CBM. Incidentally, I should probably mention here that I have two turntables (both in use, yes) and no CD player, so I'm certainly not anti-analogue, if that's what you're thinking.
"Make up negatives out of thin air"? LOL, please...
Do point out, incidentally, where I said the issues affecting digital were applicable in isolation to any other format.
I'm not sure I ever said you did? What issues affect digital alone? Error correction, that's about all I can think of, certainly doesn't apply to mastering and production, as I said above, that's just as relevant to analogue formats.
Having been listening to music on a variety of formats since the late 1960s I think I'm reasonably well versed to work out that we're supplied with the means to enjoy music to a higher standard now than ever before.
I don't have the benefit of your experience because I'm not that old, but I can't argue with that statement.
The convenience and degree of quality open to us now is unparalleled.
Agreed.
All I'm saying is it won't make the difference you hope for unless you have a decent recording to start off with.
And again I'm saying:
1) I don't know what "difference" you're talking about, nobody's ever said that CBM will be massively better quality than CD (I certainly haven't anyway), there might be a marginal improvement if you believe the error-correction line but all I expect is that it's at least as good as CD, with the convenience of being able to play any track I want, in any order. If you're talking about 96khz/24-bit stuff then fine that should sound better, but that's down to the resolution of the recording (and yes the original mastering and production makes a difference but see point 2), rather than any magical CBM trickery.
2) Again, you need a decent recording whatever you're listening to, vinyl, CD, SACD, cbm, direct cranial transmission, it makes no difference, if you put sh*t in, you get sh*t out
It's not difficult.
No need to be patronising.
Unless that's what you're trying to do of course - you don't need to defend CBM to me.
In my view, it is horses for courses, play what you like on what you like. Doesn't mean one can't offer up a criticism on some aspects of the medium however, particularly when it is being pitched in the way it often is.
This is what I'm saying though, so far I don't even know what your criticism of the medium is, ensuring you have a decent recording certainly isn't one as that applies to all media, that's why I'm questioning what you said, because I don't know why you said it.