plastic penguin said:
Okay I've decided. I've now narrowed it down to two tables. This is because of looks and sound, both should offer the required improvement over the Xpression 1.
Pro-ject Classic SB Super Pack, with the Ortofon Quintet Red MC cart.
ClearAudio Concept MC package.
However, this is where my logic stops: I've never ventured into the moving coil field. Can you please advise on the pros and cons of MCs? I know, from reading on this forum the basic rule of thumb is MCs are best above £300.
The Classic has the retro looks of old Thorens but with the latest technology. The ClearAudio looks quite quirky, which also appeals to me. I need a table that'll blow my current one away, wothout all the faffing about. I love the vinyl playback, but can't be doing with upgrading arms, motors, weights blah blah blah...
Sorry, didn't see this post - this forum is rubbish with regards to keeping track of threads.
MM vs MC. This is like active vs passive, valve vs SS, etc etc. Everyone will have their preferences.
The main drawback with Moving Coil, other than the fact they're usually more expensive, is that the whole cartridge is one piece - there's no option to change the stylus. Some places might rebuild/replace the stylus tip for you, but I have no experience of how well this works or how it compares to just buying a new cart. Moving Coil IS better - when it is done properly. A good moving coil cart will require better electronics to make the most of what it is capable of, which usualy means a bit more money. Your Leema is fine for the decks you're looking at, as I've used it before with the likes of Michell decks like the Gyro. Moving Coil sounds clearer - probably the sort of difference some describe when describing the difference between passive and active speakers. Moving Magnet can sound warm and fuzzy in comparison to MC, lacking that space and clarity that MC generally provides. Don't get me wrong, MC can still have a nice warmth to it, but in a way that doesn't fuzzy things up. As I'm typing, I'm listening to an Audio Technica AT-33sa - not cheap at £679 - but I'm listening to a soundstage and three dimensional detail that I'm not familiar with on the CD version of the album (Peace Orchestra's self titled album). This is on a Technics SL1200G through a Hegel Rost and (just) a pair of £1,000 Amphion Argon 1 speakers.
Moving Magnet is generally cheaper, and allows you to upgrade your stylus, and even move up the range when doing so, if you wish. Whilst the accompanying MM phono stage will still be important, it doesn't necessarily need to be as good as the MC one would be, but again, your Leema will be fine for whichever one you're looking at. There are some great MM carts around, but when you're talking high quality decks, MC carts really do take things up a level. Whilst I wouldn't necessarily go as far to say ignore MC carts, I would certainly recommend to avoid entry level ones - maybe £150-200 you'd be better off with a good Moving Magnet. As it has a user replceable stylus which is nice and easy, it's cheaper to do so if you have a little "accident".
As I've mentioned before, the MM cart that comes with the Clearaudio Concept sounds more like a Moving Coil cart to me - the whole thing just sounded clearer than the other decks it was compared to. The nearest any deck could get to it was the Project 2 Xperience SB, but it just couldn't match the tiny delicate details like gentle cymbal work - the other decks sounded like they were exaggerating the HF, 'smearing' I suppose you could say, losing that delicacy.
At this sort of price point PP, you won't be messing about with upgrades. Most decks at this price point nowadays are designed as a plug and play type solution (particularly the Concept), although one or two will allow some upgrades/tweaks if you every decided to go that route. Even just messing about with turntable mats can bring about quite a difference!
At the end of the day though, it's about getting out there and listening to some though, as only you can make the decision on just how good the decks you're looking at actually are, and whether they're worthy successors to your Project.
Every now and again I get a feeling I'd like to sell all my vinyl and just stick to digital - no faff. But then I sit down and listen to some well produced vinyl and it just sounds so good, I can't bring myself to do it - most of the time it seems to have something that digital just doesn't have (no quips about 'snap, crackle, and pop' please!). When I haven't listened to an album on vinyl for some time, or sometimes for the first time, you always hear something that sounds different, just little things. You know the CD should be technically better, but the vinyl just sounds "right". Anyway, long story short, I don't think I can bring myself to sell any of it, despite the overall figure that Discogs says my collection is worth!