Thanks for your helpful (and helpfully critical) comments, Cno, Mac, Doc, James, WishTree, Neuphonix. You’ve made the decision both harder and easier.
What have I been looking for?
In the first place, the best speakers I could find within budget. (OK, there’s been a bit of budget creep since I first posted here last April and said I was looking to spend £5-10K …)
One thing I’ve learnt is that all speakers – at least all the speakers I’ve heard – are compromised. They’re compromised in ways that sources and amps aren’t. (And I’ll admit that I feel a bit less confident about choosing speakers than I did about buying the Devialet.) There are always going to be trade-offs with speakers. So what does ‘best’ mean for me? What are the factors I don’t want to compromise on?
1. immediacy: the sense that the music is in the room and that I can see into it, can pick apart the instruments in a piano quintet or hear the tempi clearly in a symphony.
2. scale: I’ve always said opera was important to me. I want to hear the stage, from side to side and back to front.
3. drama: again in opera (and not only opera) the dynamics are so important. Quiet must be quiet and loud must be loud, and the transitions between loud and quiet must be fast.
4. lack of distortion: obvs.
There are other factors: a flat frequency response is one. But a wonky frequency response can be mended digitally. (That was one of my reasons for choosing the Devialet.) Poor transparency, scale, dynamics and distortion in speakers can’t be mended. Either a speaker can do them or it can’t, and if it can’t, no messing with sources or DSP is going to help.
Big scale and drama require big speakers. And the Martin Logans sound big. I’ve been doing some Wagner today: these speakers are immense and dramatic. The only speakers I’ve heard that have matched them for scale and dynamics have been huge Focals and Magicos, which are way beyond my budget.
As for transparency and distortion, I haven’t heard anything that beats the MLs. I was worried that the MLs would distort high frequencies when driven loud, but they don’t. In fact, the louder they’re driven, the better they sound. With good recordings they’re whistle clean.
So there you have my decision. The MLs aren’t perfect, but they satisfy my criteria better than anything else I’ve heard, and by quite a long way. To achieve better immediacy, scale, dynamics and smoothness, I think I’d have to spend well over £10K, and although Mrs49 has deep pockets, that’s not going to happen.
The last week has been strange. For most of it I’ve felt I’ve died and gone to heaven. But I've also had moments of doubt. The doubt's behind me now; only heaven from now on.
:cheers:
Matt