OK, no Devialet again in this report, but this is, I sincerely hope, my last Devialet-less demo.
On Friday 13th I headed down to Infidelity in Hampton.
It’s becoming a theme in my speaker demos that something in the set-up isn’t right and one of the speakers disappoints. In this case the thing that didn’t work was the Linn Akurate system that was meant to be driving the speakers. For some reason the dealer chappy wasn’t able to get the Akurate DS to play the files I’d brought along. So after 30 mins of faffing, we switched to an all Naim system (which was perfectly happy to play my files). So the system was ALAC files via USB into Naim NDX + NAC 252 + NAP 250 + Supercap.
First up …
Kudos Cardea Super 20
These sell for £4250. They’re a 2-way floorstanding design, bottom ported onto a black plinth. As such boxes go, these are attractive in their light oak veneer and very nicely finished.
On the plus side, I enjoyed their good dynamics and punchy, cohesive presentation. The soundstage was wide and precise. Plenty of atmosphere too. Nice fast response. The bass was sufficiently extended for my tastes, but also tuneful and tight. Very nice speakers.
On the minus side, I found a touch of muddiness in the top end, and some voices could sound slightly artificial and thin.
Next up the rather overwhelming …
Focal 1038be
These I found to be a mess of contradictions. On the one hand, they convey massive scale. The sound is as huge as the speakers themselves. Great soundstage and phenomenal dynamics.
BUT … all of this, impressive as it was, felt as if it were contained within a weirdly boxy stage. It was a bit like sitting at the back of the theatre watching some grippingly dramatic action on a distant rectangular proscenium arch stage. Great in a way, but unrealistic and uninvolving, because you’re separated from the action both by distance and by the stage’s ‘fourth wall’.
Well, I couldn’t listen to them for long. Not my thing at all.
Next up, a rematch with the Vivid V1s plus some Benesch-Wilson action – this time with a Devialet 170
:cheers:
Matt.
On Friday 13th I headed down to Infidelity in Hampton.
It’s becoming a theme in my speaker demos that something in the set-up isn’t right and one of the speakers disappoints. In this case the thing that didn’t work was the Linn Akurate system that was meant to be driving the speakers. For some reason the dealer chappy wasn’t able to get the Akurate DS to play the files I’d brought along. So after 30 mins of faffing, we switched to an all Naim system (which was perfectly happy to play my files). So the system was ALAC files via USB into Naim NDX + NAC 252 + NAP 250 + Supercap.
First up …
Kudos Cardea Super 20
These sell for £4250. They’re a 2-way floorstanding design, bottom ported onto a black plinth. As such boxes go, these are attractive in their light oak veneer and very nicely finished.
On the plus side, I enjoyed their good dynamics and punchy, cohesive presentation. The soundstage was wide and precise. Plenty of atmosphere too. Nice fast response. The bass was sufficiently extended for my tastes, but also tuneful and tight. Very nice speakers.
On the minus side, I found a touch of muddiness in the top end, and some voices could sound slightly artificial and thin.
Next up the rather overwhelming …
Focal 1038be
These I found to be a mess of contradictions. On the one hand, they convey massive scale. The sound is as huge as the speakers themselves. Great soundstage and phenomenal dynamics.
BUT … all of this, impressive as it was, felt as if it were contained within a weirdly boxy stage. It was a bit like sitting at the back of the theatre watching some grippingly dramatic action on a distant rectangular proscenium arch stage. Great in a way, but unrealistic and uninvolving, because you’re separated from the action both by distance and by the stage’s ‘fourth wall’.
Well, I couldn’t listen to them for long. Not my thing at all.
Next up, a rematch with the Vivid V1s plus some Benesch-Wilson action – this time with a Devialet 170
:cheers:
Matt.