I wanted to derail the discussion on the topic of Mark Levinson HQD (the ones with stacked 4 x Quad ESL57, 2 x Decca ribbon tweeters and 2x24" Hartley woofers). But shkumar kept asking for more questions about the 4" 2-way bookshelf LS50. *biggrin*
Freddy58 said:CnoEvil said:Freddy58 said:Oh for goodness sake! If you like them, buy them. If not, don't.
That's far too sensible and would have stopped this thread 900 posts ago...so a real killjoy attitude.
If you want to know how bad the LS50s are, listen to somebody who hasn't lived with them...or better still, somebody who hasn't heard them. *scratch_one-s_head*
*biggrin*
Gazzip said:Freddy58 said:CnoEvil said:Freddy58 said:Oh for goodness sake! If you like them, buy them. If not, don't.
That's far too sensible and would have stopped this thread 900 posts ago...so a real killjoy attitude.
If you want to know how bad the LS50s are, listen to somebody who hasn't lived with them...or better still, somebody who hasn't heard them. *scratch_one-s_head*
*biggrin*
I have seen them. Well a photograph of them which is just as good. They don't look like they would sound great to me. *pardon*
CnoEvil said:Gazzip said:Freddy58 said:CnoEvil said:Freddy58 said:Oh for goodness sake! If you like them, buy them. If not, don't.
That's far too sensible and would have stopped this thread 900 posts ago...so a real killjoy attitude.
If you want to know how bad the LS50s are, listen to somebody who hasn't lived with them...or better still, somebody who hasn't heard them. *scratch_one-s_head*
*biggrin*
I have seen them. Well a photograph of them which is just as good. They don't look like they would sound great to me. *pardon*
You're a veerry funnny boy! *wink*
BigH said:Well someone voted for them, won the readers product of the year 2 or 3 years running? I think the problem with any hyped up product there will people out to knock them. I would say they are one of the better standmounts around £800 I heard. No speaker will suit everyone.
BigH said:shkumar4963 said:Quote: Again if 70% of people dnt like the sound of any speaker, it matters not if stereophile likes it or not. People from stereophile are humans like any other person. Stereophile has its own opinion. Stereophile saying its a superior speaker as you say, does not mean people will then automatically like the sound of the LS50's
End of Quote
That is fine if Stereophile actually felt that LS50 were Class A speakers. What I want to make sure that it was not part of a KEF funded marketing campaign.
I hope not.
Stereophile love British speakers. How many bad reviews do you see in stereophile?
BigH said:shkumar4963 said:Quote: Again if 70% of people dnt like the sound of any speaker, it matters not if stereophile likes it or not. People from stereophile are humans like any other person. Stereophile has its own opinion. Stereophile saying its a superior speaker as you say, does not mean people will then automatically like the sound of the LS50's
End of Quote
That is fine if Stereophile actually felt that LS50 were Class A speakers. What I want to make sure that it was not part of a KEF funded marketing campaign.
I hope not.
Stereophile love British speakers. How many bad reviews do you see in stereophile?
Vladimir said:What interests me what are the thoughts on:
1) KEF LS50 + R400B vs. R500/R700/R900 floorstanders
2) KEF LS50 + 2xR400B vs. KEF Reference 1/3/5
What is the best sound quality?
shkumar4963 said:So let's see how many would like CM5 or CM1 or 685s2 compared with LS50 for their main speakers.
They are similarly priced and of similar size.
Let's here from all of yoy not based on theory but based real side by side audition.
Animesh Ghose said:Heard the ls50 with mf m3i a couple of years ago didn't think much of them bw cm1 sounded a lot better TBH. PMC 21s, however are in complete different league once you get them properly run in.
David@FrankHarvey said:Reference.
CnoEvil said:Define "best"....
- Subjectively sounding better (who decides)?
- Measuring better?
- What amplification?
CnoEvil said:- What amplification?
MUSICRAFT said:CnoEvil said:- What amplification?
Hi CnE
Surely only the one that does the job properly.
All the best
Rick @ Musicraft
CnoEvil said:MUSICRAFT said:CnoEvil said:- What amplification?
Hi CnE
Surely only the one that does the job properly.
All the best
Rick @ Musicraft
..and how often is this got wrong? *smile*
MUSICRAFT said:CnoEvil said:MUSICRAFT said:CnoEvil said:- What amplification?
Hi CnE
Surely only the one that does the job properly.
All the best
Rick @ Musicraft
..and how often is this got wrong? *smile*
Hi CnE
It's saved for only when it suits. Otherwise almost any amp will do *biggrin*
All the best
Rick @ Musicraft
We designed our valve (tube) amplifier, manufactured it, and put it on the market, and never actually listened to it. In fact, the same applies to the 303 and the 405. People say, "Well that's disgusting, you ought to have listened to it." However, we do a certain amount of listening tests, but they are for specific things. We listen to the differential distortion - does a certain thing matter? You've got to have a listening test to sort out whether it matters. You've got to do tests to sort out whether rumble is likely to overload pickup inputs, or whether very high frequency stuff coming out of the pickup due to record scratch is going to disturb the control unit. But we aren't sitting down listening to Beethoven's Fifth and saying, "That amplifier sounds better, let's change a resistor or two. Oh yes, that's now better still." We never sit down and listen to a music record through an amplifier in the design stage. We listen to funny noises, funny distortions, and see whether these things are going to matter, to get a subjective assessment. But we don't actually listen to program material at all.
Covenanter said:I think it is beholden on us to make another 64, sorry 63, more posts to round this up to the 1000 it deserves.
Chris