Covenanter
Well-known member
chebby said:1000th post
Blast you beat me to it!
However let me summarise what we have learnt from this thread (apart from the informative posts by our friend from Kef).
Chris
chebby said:1000th post
lindsayt said:I vote for LS50's over CM1's.
?
It's not even close. CM1's are too sleep inducingly boring for me to get any pleasure from listening to them.
Vladimir said:The Blutack was to keep your speakers planted well on the stands. As for the sibilance, are the new stands taller than the old ones?
shkumar4963 said:Vladimir said:The Blutack was to keep your speakers planted well on the stands. As for the sibilance, are the new stands taller than the old ones?
Yes the old stands were shorter by about 12 inch.
On further analysis I see that the sibilance is only pronounced in one song ( so far that I have tested) and not in others. So I decided to live with it.
But now I am curious about sibilance. Where it comes from and why it is in some songs and that in others. I will try to read more about it.
Vladimir said:If I was in the US I would not choose a KEF LS50 over a Magnepan for £800.
shkumar4963 said:Vladimir said:If I was in the US I would not choose a KEF LS50 over a Magnepan for £800.
Magnepan are two big and not in consideration in this. Let's stay with similar size and similar price.
shkumar4963 said:It seems that my set up the following makes little or no difference in the overall sound quality of the system. Or i am too old to notice
Here is what does make a big difference that us clearly observable :
Music recording quality speaker quality (big difference) Pre amp settings like tone control, EQ and dsp settings etc
Not tested: low voltage interconnects, different amps, different pre amps.
Welcome other's observations.
Vladimir said:How about CM5? They cost the same as the LS50.
Vladimir said:shkumar4963 said:Vladimir said:If I was in the US I would not choose a KEF LS50 over a Magnepan for £800.
Magnepan are two big and not in consideration in this. Let's stay with similar size and similar price.
Just saying that if space is no issue, much better can be had for the same price. The Maggies will blow away the LS50 for sonic details, imaging, transient response... everything.
Why are we considering the CM1 btw? The CM5 is the same price as LS50 and both with aprox. 6.5L cabinets, +/-0.2L.
BigH said:Well from what I have heard, Maggies need a fairly large room and the right shape? Also need powerful amp. Maggies in USA are good option as LS50s cost $1500 there.
BigH said:Vladimir said:How about CM5? They cost the same as the LS50.
I don't know the CM5s, never heard them. But if they are similar to CM1s no thanks.
Vladimir said:shkumar4963 said:It seems that my set up the following makes little or no difference in the overall sound quality of the system. Or i am too old to notice
Here is what does make a big difference that us clearly observable :
Music recording quality speaker quality (big difference) Pre amp settings like tone control, EQ and dsp settings etc
Not tested: low voltage interconnects, different amps, different pre amps.
Welcome other's observations.
Same here. Maybe this is why people move to horns, electrostats, fullrange drivers and planars. They are utterly bored with conventional loudspeaker design and how much money it costs to get little improvements. Seing the forest and not the trees gives that eureka moment when new neuron connections in your brain are created.
Vladimir said:If I was in the US I would not choose a KEF LS50 over a Magnepan for £800.
dim_span said:Vladimir said:shkumar4963 said:It seems that my set up the following makes little or no difference in the overall sound quality of the system. Or i am too old to notice
Here is what does make a big difference that us clearly observable :
Music recording quality speaker quality (big difference) Pre amp settings like tone control, EQ and dsp settings etc
Not tested: low voltage interconnects, different amps, different pre amps.
Welcome other's observations.
Same here. Maybe this is why people move to horns, electrostats, fullrange drivers and planars. They are utterly bored with conventional loudspeaker design and how much money it costs to get little improvements. Seing the forest and not the trees gives that eureka moment when new neuron connections in your brain are created.
£120 get you old B&W DM2 transmission speakers
£250-300 gets you IMF TLS80 transmission speakers
£500-£650 gets you Quad electrostatics
£800 gets you Yamaha NS1000M?
so many bargains when it comes to older speakers ...
shkumar4963 said:And look what happened when I auditioned more than 5 speakers. If I had not, I would have always thought I made a mistake in choosing speakers.