I'm horny for these. (pun intended) Measurements for the fellow nerds.
And some classical for the tape lovers.
And some classical for the tape lovers.
Gazzip said:Ding dong!
Vladimir said:Gazzip said:Ding dong!
Is that you Santa? Will you be able to fit the 4367s through the chimney mate?
Vladimir said:Gazzip said:Ding dong!
Is that you Santa? Will you be able to fit the 4367s through the chimney mate?
The networks also employ DC voltage bias to operate the capacitors effectively in a Class A mode. DC Bias for the 4367 Studio Monitor is accomplished using a diode charging circuit internal to the crossover network and driven by the applied signal, so no additional external power is needed for this feature. The biasing of the capacitors is done through a diode that creates DC voltage from the input signal, and a large value resistor to isolate the diode from the input and limit the current drawn. This keeps the charging circuitry from affecting the audio signal in any way.
Each capacitor position is actually made up of two capacitors connected in series. The voltage generated from the resistor and diode combination is applied to the center connection of the two capacitors. This produces a voltage potential between the two plates within the capacitor. When the two parts are taken as a whole, there is no DC voltage that appears across them, but individually they are each biased. The sonic result of the biasing yields an increase in detail, increased smoothness and considerably more natural decay of sounds within the music.
The terminal cup carries two red and two black 5-way gold-plated binding posts for input to each of the crossover boards. The 4367 is shipped with large effective gauge jumper wires; one between the two red terminals and one between the two black terminals. In this configuration, the 4367 can be driven by a single amplifier channel. However, should it be desired, these jumpers can be removed and wires can be run to each input from a single amplifier channel (biwire operation) or wires can be run to each from two separate amplifier channels (bi-amp operation) can be employed. Since each crossover carries its own capacitor DC bias circuitry, use of the 4367 in either bi-wire or bi-amp operation modes does not defeat the capacitor DC bias feature. The bi-amp and bi-wire operations work with the applied amplifier(s) powering the drivers through the crossover boards.
Andrewjvt said:I've looked into these about 2 years ago
What's the price? And if they are really expensive, what's a cheaper alternative?
insider9 said:Love Stevie Ray Vaughan. Tin Pan Alley is one of my test tracks. Size of sound stage and the way he caresses the guitar are just great.
Not sure if you're aware but this song was recorded in one take *shok*
stereoman said:Vladimir said:Gazzip said:Ding dong!
Is that you Santa? Will you be able to fit the 4367s through the chimney mate?
Yes it's me, no worries Vlad I will shove it down in parts...you'll put them together by Xmas tree...don't forget to clean the soot by the way...
davedotco said:Just another 'bin and horn' speaker system.
Vladimir said:davedotco said:Just another 'bin and horn' speaker system.
It's like Rocco Siffredi talking about sex to teenagers. You're too desensitized about these things.