TrevC
Well-known member
drummerman said:A fact;
Tellurium's Black interconnect 'sounds' different because it has a miniature 10kohm resistor soldered between signal and return at the destination end.
Not a good idea.
drummerman said:A fact;
Tellurium's Black interconnect 'sounds' different because it has a miniature 10kohm resistor soldered between signal and return at the destination end.
lindsayt said:There's expectation bias with car brands. If I test drive a Merc followed bt a BMW and prefer one over the other, was that because of expectation bias? Or was it because I prefered driving one car over the other?
There's expectation bias with beer. If I try a Stella followed by a Gambrinus (at the same temperature) and prefer the taste of one of them, would that be because of expectation bias? Or was it because one beer tasted better to me?
If I try 2 different cables and prefer one over the other, is that really necessarily because of expectation bias? I don't think so.
lindsayt said:There's expectation bias with car brands. If I test drive a Merc followed by a BMW and prefer one over the other, was that because of expectation bias? Or was it because I prefered driving one car over the other?
There's expectation bias with beer. If I try a Stella followed by a Gambrinus (at the same temperature) and prefer the taste of one of them, would that be because of expectation bias? Or was it because one beer tasted better to me?
If I try 2 different cables and prefer one over the other, is that really necessarily because of expectation bias? I don't think so.
+1ellisdj said:Dave.co will be along to say the reason you heard a difference is because you changed the cable in sight of doing it - that is why you heard a difference so its purely expectation bias regardless of better or worse.
But if that difference is consistent i.e. every time I listen I hear the same thing and I like it who gives a toss - Shallow Hal effect.
At the end of the day audiphiles sit down to actually Listen to the music being played back and if it sounds good its an enjoyable experience, one the audiophile will repeat time again. So that is what the task at hand is for the audiphile.
People say Audiophiles listen to systems not music, | agree and disagree with that statement.
Its the Audiophiles job to get the overall system out of the way so all they hear is the music - sadly I feel this is seldom the case so the audiophile hears the shortcomings of the system overall and is accused of not listening to the music.
TomSawyer said:Forgive me Keeper, I know I can be hard work, but I genuinely can't get over the £6,000 cost of your interconnect. I note on another post that you use a Cambridge 540p phono stage which obviously needs a cable either side of it. I think my brain melted at that point - surely you don't have £12,000 of cables hanging off a £50 phono stage?
well? First off my esteemed friend the hifi guru gave them to me..he was a big wig in the hifi industry and got a lot of bits of kit to evaluate..he in fact gave me three sets of LFD interconnects..top of range, middle of range and cheap ones (£170 pair) he also gave me a set of LFD speaker cables too! I do have a 540p but yes my 640p with my Linn..im now getting near trev c territory...my friend uses a 640p as a back up with his SME turntable and koetsu cartridge..when his boutique valve phono stage needs a service..he says they are very good? This into 30k approx turntable, 5k cart 7k phono stage and 50k boutique Japanese valve amp...so? Looks like 640p pretty good! I won't mention his speakers...but they are 1930s made with modern single drivers from Germany handmade..i can never hope to emulate the sound..all I can say the feeling of the music is so intense it's a little frightening....theres nothing can compare and all of us here are no where near to that sound..my esteemed friend..wont have a cd in the house it's all vinyl or reel to reel...he is a dude..makes a horrible cup of tea though..really stewed! Lol...so in answer to your question my cables are over specified for my equipment! But they sound great and if I had a krell amp? Who knows what that sound would be..ribbon cables notwithstanding..TomSawyer said:Forgive me Keeper, I know I can be hard work, but I genuinely can't get over the £6,000 cost of your interconnect. I note on another post that you use a Cambridge 540p phono stage which obviously needs a cable either side of it. I think my brain melted at that point - surely you don't have £12,000 of cables hanging off a £50 phono stage?
Ps your not hard work..to quote 'his mind is not for rent to any god or government ' I think you know this quote..is cool..you made short work of Trev c...brilliant! I think he realised you were having none of his nonsense and I think he gave up and scuttled away! Lol...bro you rock!keeper of the quays said:well? First off my esteemed friend the hifi guru gave them to me..he was a big wig in the hifi industry and got a lot of bits of kit to evaluate..he in fact gave me three sets of LFD interconnects..top of range, middle of range and cheap ones (£170 pair) he also gave me a set of LFD speaker cables too! I do have a 540p but yes my 640p with my Linn..im now getting near trev c territory...my friend uses a 640p as a back up with his SME turntable and koetsu cartridge..when his boutique valve phono stage needs a service..he says they are very good? This into 30k approx turntable, 5k cart 7k phono stage and 50k boutique Japanese valve amp...so? Looks like 640p pretty good! I won't mention his speakers...but they are 1930s made with modern single drivers from Germany handmade..i can never hope to emulate the sound..all I can say the feeling of the music is so intense it's a little frightening....theres nothing can compare and all of us here are no where near to that sound..my esteemed friend..wont have a cd in the house it's all vinyl or reel to reel...he is a dude..makes a horrible cup of tea though..really stewed! Lol...so in answer to your question my cables are over specified for my equipment! But they sound great and if I had a krell amp? Who knows what that sound would be..ribbon cables notwithstanding..TomSawyer said:Forgive me Keeper, I know I can be hard work, but I genuinely can't get over the £6,000 cost of your interconnect. I note on another post that you use a Cambridge 540p phono stage which obviously needs a cable either side of it. I think my brain melted at that point - surely you don't have £12,000 of cables hanging off a £50 phono stage?
keeper of the quays said:...my esteemed friend the hifi guru gave them to me..he was a big wig in the hifi industry and got a lot of bits of kit to evaluate..he in fact gave me three sets of LFD interconnects..top of range, middle of range and cheap ones (£170 pair) he also gave me a set of LFD speaker cables too! I do have a 540p but yes my 640p with my Linn..
keeper of the quays said:Ps your not hard work..to quote 'his mind is not for rent to any god or government ' I think you know this quote..is cool..you made short work of Trev c...brilliant! I think he realised you were having none of his nonsense and I think he gave up and scuttled away! Lol...bro you rock!keeper of the quays said:well? First off my esteemed friend the hifi guru gave them to me..he was a big wig in the hifi industry and got a lot of bits of kit to evaluate..he in fact gave me three sets of LFD interconnects..top of range, middle of range and cheap ones (£170 pair) he also gave me a set of LFD speaker cables too! I do have a 540p but yes my 640p with my Linn..im now getting near trev c territory...my friend uses a 640p as a back up with his SME turntable and koetsu cartridge..when his boutique valve phono stage needs a service..he says they are very good? This into 30k approx turntable, 5k cart 7k phono stage and 50k boutique Japanese valve amp...so? Looks like 640p pretty good! I won't mention his speakers...but they are 1930s made with modern single drivers from Germany handmade..i can never hope to emulate the sound..all I can say the feeling of the music is so intense it's a little frightening....theres nothing can compare and all of us here are no where near to that sound..my esteemed friend..wont have a cd in the house it's all vinyl or reel to reel...he is a dude..makes a horrible cup of tea though..really stewed! Lol...so in answer to your question my cables are over specified for my equipment! But they sound great and if I had a krell amp? Who knows what that sound would be..ribbon cables notwithstanding..TomSawyer said:Forgive me Keeper, I know I can be hard work, but I genuinely can't get over the £6,000 cost of your interconnect. I note on another post that you use a Cambridge 540p phono stage which obviously needs a cable either side of it. I think my brain melted at that point - surely you don't have £12,000 of cables hanging off a £50 phono stage?
TomSawyer said:keeper of the quays said:...my esteemed friend the hifi guru gave them to me..he was a big wig in the hifi industry and got a lot of bits of kit to evaluate..he in fact gave me three sets of LFD interconnects..top of range, middle of range and cheap ones (£170 pair) he also gave me a set of LFD speaker cables too! I do have a 540p but yes my 640p with my Linn..
Ah, I understand, I would probably also use £6k cables if someone gave them to me! But hang on a minute, doesn't that make them freebies, making you firmly on the side of freebies sound good? *biggrin*
TrevC said:TomSawyer said:keeper of the quays said:...my esteemed friend the hifi guru gave them to me..he was a big wig in the hifi industry and got a lot of bits of kit to evaluate..he in fact gave me three sets of LFD interconnects..top of range, middle of range and cheap ones (£170 pair) he also gave me a set of LFD speaker cables too! I do have a 540p but yes my 640p with my Linn..
Ah, I understand, I would probably also use £6k cables if someone gave them to me! But hang on a minute, doesn't that make them freebies, making you firmly on the side of freebies sound good? *biggrin*
I wouldn't use them, I would ebay them. There are plenty of mugs out there.
TrevC said:I realised the truth of that old expression "you can't fix stupid" which is why I'm no longer trying!
ah ok Trev..honourable withdraw then? Any chance of playing another tune on your penny flute? What about a review of your leak tuner? Or maybe a indepth review of your Waltham music centre? Lol...did you keep the same speakers? Or did you push the boat (oracle)out and go for some top notch akai ones? HahaTrevC said:keeper of the quays said:Ps your not hard work..to quote 'his mind is not for rent to any god or government ' I think you know this quote..is cool..you made short work of Trev c...brilliant! I think he realised you were having none of his nonsense and I think he gave up and scuttled away! Lol...bro you rock!keeper of the quays said:well? First off my esteemed friend the hifi guru gave them to me..he was a big wig in the hifi industry and got a lot of bits of kit to evaluate..he in fact gave me three sets of LFD interconnects..top of range, middle of range and cheap ones (£170 pair) he also gave me a set of LFD speaker cables too! I do have a 540p but yes my 640p with my Linn..im now getting near trev c territory...my friend uses a 640p as a back up with his SME turntable and koetsu cartridge..when his boutique valve phono stage needs a service..he says they are very good? This into 30k approx turntable, 5k cart 7k phono stage and 50k boutique Japanese valve amp...so? Looks like 640p pretty good! I won't mention his speakers...but they are 1930s made with modern single drivers from Germany handmade..i can never hope to emulate the sound..all I can say the feeling of the music is so intense it's a little frightening....theres nothing can compare and all of us here are no where near to that sound..my esteemed friend..wont have a cd in the house it's all vinyl or reel to reel...he is a dude..makes a horrible cup of tea though..really stewed! Lol...so in answer to your question my cables are over specified for my equipment! But they sound great and if I had a krell amp? Who knows what that sound would be..ribbon cables notwithstanding..TomSawyer said:Forgive me Keeper, I know I can be hard work, but I genuinely can't get over the £6,000 cost of your interconnect. I note on another post that you use a Cambridge 540p phono stage which obviously needs a cable either side of it. I think my brain melted at that point - surely you don't have £12,000 of cables hanging off a £50 phono stage?
I realised the truth of that old expression "you can't fix stupid" which is why I'm no longer trying!
ellisdj said:Dave.co - take a breath for starters and wind your neck in - if its too much trouble to write on this forum dont bother. If your patience is wearing thin again dont bother writing anything or reading, noone is asking for any information or any lessons from you in anything.
So again in the nicest possible way wind your neck right in. Your tone of writing is arrogant and whether your right or wrong or mean it to be I feel there is no need for it
Why dont you go back and read what I wrote - I said you would be back to say expectation bias is why Electro heard a difference between the cables - and guess what thats exactly what you did. My expectation bias was proved right on that one - that is a joke BTW
You cant seem to grasp most people dont give a hoot - if they like the sound of something consistently and even if there is any bias in the buying decision they dont care - there is in most purchases in life.
Your expectation of the average audio enthusiast to do severe testing before they buy anythig is simply ludicrous, even if its the scientifically correct way to do it or think about it. If to you its vitally important fair play - but if I make a recommendation to someone for something that has improved my system performance to me, then there is a good chance it will improve that persons system also or it is at least worth trying.
Improved Performance = Increased Enjoyment of time spent listening to it or watching it or whatever - That is What It Is All About!!
EDIT - I apologise if this has come across as rude also - buttons pushed when typing
keeper of the quays said:ah ok Trev..honourable withdraw then? Any chance of playing another tune on your penny flute? What about a review of your leak tuner? Or maybe a indepth review of your Waltham music centre? Lol...did you keep the same speakers? Or did you push the boat (oracle)out and go for some top notch akai ones? HahaTrevC said:keeper of the quays said:Ps your not hard work..to quote 'his mind is not for rent to any god or government ' I think you know this quote..is cool..you made short work of Trev c...brilliant! I think he realised you were having none of his nonsense and I think he gave up and scuttled away! Lol...bro you rock!keeper of the quays said:well? First off my esteemed friend the hifi guru gave them to me..he was a big wig in the hifi industry and got a lot of bits of kit to evaluate..he in fact gave me three sets of LFD interconnects..top of range, middle of range and cheap ones (£170 pair) he also gave me a set of LFD speaker cables too! I do have a 540p but yes my 640p with my Linn..im now getting near trev c territory...my friend uses a 640p as a back up with his SME turntable and koetsu cartridge..when his boutique valve phono stage needs a service..he says they are very good? This into 30k approx turntable, 5k cart 7k phono stage and 50k boutique Japanese valve amp...so? Looks like 640p pretty good! I won't mention his speakers...but they are 1930s made with modern single drivers from Germany handmade..i can never hope to emulate the sound..all I can say the feeling of the music is so intense it's a little frightening....theres nothing can compare and all of us here are no where near to that sound..my esteemed friend..wont have a cd in the house it's all vinyl or reel to reel...he is a dude..makes a horrible cup of tea though..really stewed! Lol...so in answer to your question my cables are over specified for my equipment! But they sound great and if I had a krell amp? Who knows what that sound would be..ribbon cables notwithstanding..TomSawyer said:Forgive me Keeper, I know I can be hard work, but I genuinely can't get over the £6,000 cost of your interconnect. I note on another post that you use a Cambridge 540p phono stage which obviously needs a cable either side of it. I think my brain melted at that point - surely you don't have £12,000 of cables hanging off a £50 phono stage?
I realised the truth of that old expression "you can't fix stupid" which is why I'm no longer trying!
years ago I had a leak stereo twenty and the leak tuner was very good I remember? Believe it was mono! Funny thing is? My little t amp blows it out of the water! All that engineering all those valves...all that metal!!! And a tripath chip wins hands down...mad is the modern world!TrevC said:keeper of the quays said:ah ok Trev..honourable withdraw then? Any chance of playing another tune on your penny flute? What about a review of your leak tuner? Or maybe a indepth review of your Waltham music centre? Lol...did you keep the same speakers? Or did you push the boat (oracle)out and go for some top notch akai ones? HahaTrevC said:keeper of the quays said:Ps your not hard work..to quote 'his mind is not for rent to any god or government ' I think you know this quote..is cool..you made short work of Trev c...brilliant! I think he realised you were having none of his nonsense and I think he gave up and scuttled away! Lol...bro you rock!keeper of the quays said:well? First off my esteemed friend the hifi guru gave them to me..he was a big wig in the hifi industry and got a lot of bits of kit to evaluate..he in fact gave me three sets of LFD interconnects..top of range, middle of range and cheap ones (£170 pair) he also gave me a set of LFD speaker cables too! I do have a 540p but yes my 640p with my Linn..im now getting near trev c territory...my friend uses a 640p as a back up with his SME turntable and koetsu cartridge..when his boutique valve phono stage needs a service..he says they are very good? This into 30k approx turntable, 5k cart 7k phono stage and 50k boutique Japanese valve amp...so? Looks like 640p pretty good! I won't mention his speakers...but they are 1930s made with modern single drivers from Germany handmade..i can never hope to emulate the sound..all I can say the feeling of the music is so intense it's a little frightening....theres nothing can compare and all of us here are no where near to that sound..my esteemed friend..wont have a cd in the house it's all vinyl or reel to reel...he is a dude..makes a horrible cup of tea though..really stewed! Lol...so in answer to your question my cables are over specified for my equipment! But they sound great and if I had a krell amp? Who knows what that sound would be..ribbon cables notwithstanding..TomSawyer said:Forgive me Keeper, I know I can be hard work, but I genuinely can't get over the £6,000 cost of your interconnect. I note on another post that you use a Cambridge 540p phono stage which obviously needs a cable either side of it. I think my brain melted at that point - surely you don't have £12,000 of cables hanging off a £50 phono stage?
I realised the truth of that old expression "you can't fix stupid" which is why I'm no longer trying!
I have the Leak tuner, currently I'm using a Sony budget amp with remote, A Pioneer CD recorder, A Philips 850 mk II CD player, an LG bluray, B&W 601 speakers, a BK sub and an antimode. Freebie interconnects and blue foo ones that I was given, Speaker cables are 2 runs of 79 strand in parallel. The tuner is the best sounding one I've heard.
davedotco said:ellisdj said:Dave.co - take a breath for starters and wind your neck in - if its too much trouble to write on this forum dont bother. If your patience is wearing thin again dont bother writing anything or reading, noone is asking for any information or any lessons from you in anything.
So again in the nicest possible way wind your neck right in. Your tone of writing is arrogant and whether your right or wrong or mean it to be I feel there is no need for it
Why dont you go back and read what I wrote - I said you would be back to say expectation bias is why Electro heard a difference between the cables - and guess what thats exactly what you did. My expectation bias was proved right on that one - that is a joke BTW
You cant seem to grasp most people dont give a hoot - if they like the sound of something consistently and even if there is any bias in the buying decision they dont care - there is in most purchases in life.
Your expectation of the average audio enthusiast to do severe testing before they buy anythig is simply ludicrous, even if its the scientifically correct way to do it or think about it. If to you its vitally important fair play - but if I make a recommendation to someone for something that has improved my system performance to me, then there is a good chance it will improve that persons system also or it is at least worth trying.
Improved Performance = Increased Enjoyment of time spent listening to it or watching it or whatever - That is What It Is All About!!
EDIT - I apologise if this has come across as rude also - buttons pushed when typing
No ellis, it is not at all rude but it is nonsense. Once again in this thread you have tried to take me to task for things I have clearly not said or implied.
Where have I ever said that people should audition equipment (for their own use) in a blind, scientific or "severe" manner? In reality I have said exactly the oposite on several occasions, look at my comments in posts 128, 139 and 247 for example.
In 247 I clearly state that auditioning is best done sighted when choosing equipment for normal use, of course people do not 'give a hoot' whether their listening is 'scientifically correct', they want to know how well the system works for them with their music in their home, so how on earth can you make the comments in your post above?
keeper of the quays said:Ps your not hard work..to quote 'his mind is not for rent to any god or government ' I think you know this quote..is cool..you made short work of Trev c...brilliant! I think he realised you were having none of his nonsense and I think he gave up and scuttled away! Lol...bro you rock!keeper of the quays said:well? First off my esteemed friend the hifi guru gave them to me..he was a big wig in the hifi industry and got a lot of bits of kit to evaluate..he in fact gave me three sets of LFD interconnects..top of range, middle of range and cheap ones (£170 pair) he also gave me a set of LFD speaker cables too! I do have a 540p but yes my 640p with my Linn..im now getting near trev c territory...my friend uses a 640p as a back up with his SME turntable and koetsu cartridge..when his boutique valve phono stage needs a service..he says they are very good? This into 30k approx turntable, 5k cart 7k phono stage and 50k boutique Japanese valve amp...so? Looks like 640p pretty good! I won't mention his speakers...but they are 1930s made with modern single drivers from Germany handmade..i can never hope to emulate the sound..all I can say the feeling of the music is so intense it's a little frightening....theres nothing can compare and all of us here are no where near to that sound..my esteemed friend..wont have a cd in the house it's all vinyl or reel to reel...he is a dude..makes a horrible cup of tea though..really stewed! Lol...so in answer to your question my cables are over specified for my equipment! But they sound great and if I had a krell amp? Who knows what that sound would be..ribbon cables notwithstanding..TomSawyer said:Forgive me Keeper, I know I can be hard work, but I genuinely can't get over the £6,000 cost of your interconnect. I note on another post that you use a Cambridge 540p phono stage which obviously needs a cable either side of it. I think my brain melted at that point - surely you don't have £12,000 of cables hanging off a £50 phono stage?