nopiano
Well-known member
About thirty years ago I heard the original Quads (now called ESL57s) in 3 or 4 domestic settings. They sounded pretty flat with Quad's own amps, the 33/405 being the typical pairing. With a grunty Marantz or Harman/Kardon receiver they came to life. They need more space than normal living rooms in Britain have to spare. At a few shows they were paired with subwoofers, ribbon tweeters, but best of all, stacked in pairs and with hefty valve amps (way beyond anything Quad ever made).
Later, I heard some ESL63s and they were more 'normal' sounding to me, but with the transparency still evident. Still a bit dull compared to the sparkly tweeters more typical of the day. Definitely not for rocking out to, but great for small scale acoustic stuff. It as rather easier to get, say, KEF 105 references sounding good in the same space (a customer switched from one to t'other).
I was actually madly in love with the dynamic driver'd Dalhquist DQ10 for a while, which looked almost identical to the ESL 57. But on reflection it was because they were partnered by the then new Naim 32/250 and a Linn/Grace/Supex MC combo, which was the best non-tape source I had ever heard. I then bought some UK-made speakers that sounded a bit like the Dalhquists - Nightingale NM1s.
Various Martin Logans, Maneplanars and Apogees at shows had me drooling for a panel speaker one day, and I'm thrilled to see MLs widely advertised again. But meanwhile I found Sonus fabers had beautiful boxes and musical sounds, and have rarely looked back.
Later, I heard some ESL63s and they were more 'normal' sounding to me, but with the transparency still evident. Still a bit dull compared to the sparkly tweeters more typical of the day. Definitely not for rocking out to, but great for small scale acoustic stuff. It as rather easier to get, say, KEF 105 references sounding good in the same space (a customer switched from one to t'other).
I was actually madly in love with the dynamic driver'd Dalhquist DQ10 for a while, which looked almost identical to the ESL 57. But on reflection it was because they were partnered by the then new Naim 32/250 and a Linn/Grace/Supex MC combo, which was the best non-tape source I had ever heard. I then bought some UK-made speakers that sounded a bit like the Dalhquists - Nightingale NM1s.
Various Martin Logans, Maneplanars and Apogees at shows had me drooling for a panel speaker one day, and I'm thrilled to see MLs widely advertised again. But meanwhile I found Sonus fabers had beautiful boxes and musical sounds, and have rarely looked back.