albireo said:Hi,
has anybody listened to/owned these two integrated amplifiers and would like to comment on their differences/strenghts/weaknesses?
In particular, would you feel the Leema Pulse represents an improvement over the Creek? Thanks a lot!
PP runs RS6s with his original Pulse as do I with a Pulse III.albireo said:Right sorry for the rambling, your suggestions/experiences about the Leema are greatly appreciated. It would be nice if somebody could comment on its synergy with MA speakers as well. Thanks a lot!
albireo said:Hi all, thanks a lot for your comments. Plastic Penguin, yes that's the Leema I meant.
I should have added more details to my original post. I already own a Creek Evolution, and I'm currently considering the Leema Pulse II as a potential replacement.
I am overall extremely satisfied with the Creek Evo: I use a pair of Monitor Audio GS10 with it, which I love. My impressions when I first purchased the Creek closely mirrored those of SSM: fantastic on the PRaT front - I auditioned it against a Rotel 06 and a Naim 5i and ended up preferring the Creek (equally engaging, but sweeter and more convincing in terms of spatial presentation to my ears). As some of you say, the build quality was also impressive: it has that metal feel and the knobs feel just "right".
Now why would I be looking for a replacement if I like the Creek so much? The problem is on the bass front. I feel that bass-wise, the MA GS10 might be needing something more behind. With some tracks and some genres, I feel the bass can be one or more of the following: slightly overpronounced, slightly loose/ woolly. Before owning the Creek I had a NAD C370. While the Creek completely destroys the NAD on many fronts imho (soundstage, 3D positioning, rhythm) I remember think the NAD was still marginally better in terms of bass rendition.
I DID consider the room placement factor: previously I had my speakers on the long dimension of a 16x10 rectangular room, firing across the short dimension: the problem was quite noticeable and I was able to use my GS10 only with the port bungs.
Then I completely changed everything - I read something about room placement techniques, etc. Now the speakers sit far from the walls, firing along the long dimension. Needless to say, this has had a huge influence on the sound - it sounds like a completely different system. No port bungs needed anymore - and on the vast majority of my music (jazz, classical, progressive rock) the bass is tight and right.
Still...Well you know, one always aims to improve on the little details I guess
Hence my question in the first post. I unfortunately cannot audition a pulse, I would have to buy blindly. I also heard good things about high-power Musical Fidelity amps connected to MA speakers, however I can't find any affordable ones (if one excludes used near-junk or overpriced mint used units surfacing on a popular auction site).
Right sorry for the rambling, your suggestions/experiences about the Leema are greatly appreciated. It would be nice if somebody could comment on its synergy with MA speakers as well. Thanks a lot!
albireo said:Hi PP what did you hear in the Pulse/PMC combo that was lacking in the Pulse/GS10 one?
plastic penguin said:albireo said:Hi PP what did you hear in the Pulse/PMC combo that was lacking in the Pulse/GS10 one?
When I auditioned the Pulse and GS10s I also heard a pair Spendor SA-1s which improved proceedings, although it wasn't 'night and day' different.
When I home trialled PMCs and Totem that was months later. Have to admit I love PMCs tonal qualities, albeit a little more 'hi-fi' sounding than Totem, which are equally as good but for different reasons.
I found the Spendors to be a little too smooth for my taste, although forum member Inter_Voice absolutely loved the combo.
Maybe this will help. http://www.whathifi.com/forum/hi-fi/oh-dear-ive-gone-and-done-it-now
plastic penguin said:albireo said:Hi PP what did you hear in the Pulse/PMC combo that was lacking in the Pulse/GS10 one?
When I auditioned the Pulse and GS10s I also heard a pair Spendor SA-1s which improved proceedings, although it wasn't 'night and day' different.
When I home trialled PMCs and Totem that was months later. Have to admit I love PMCs tonal qualities, albeit a little more 'hi-fi' sounding than Totem, which are equally as good but for different reasons.
I found the Spendors to be a little too smooth for my taste, although forum member Inter_Voice absolutely loved the combo.
Maybe this will help. http://www.whathifi.com/forum/hi-fi/oh-dear-ive-gone-and-done-it-now
Inter_Voice said:plastic penguin said:albireo said:Hi PP what did you hear in the Pulse/PMC combo that was lacking in the Pulse/GS10 one?
When I auditioned the Pulse and GS10s I also heard a pair Spendor SA-1s which improved proceedings, although it wasn't 'night and day' different.
When I home trialled PMCs and Totem that was months later. Have to admit I love PMCs tonal qualities, albeit a little more 'hi-fi' sounding than Totem, which are equally as good but for different reasons.
I found the Spendors to be a little too smooth for my taste, although forum member Inter_Voice absolutely loved the combo.
Maybe this will help. http://www.whathifi.com/forum/hi-fi/oh-dear-ive-gone-and-done-it-now
What pp said is absolutely correct. I loved the smooth and sweet sound generated from SA1 which matches exactly my tastesFor MA it is slightly too bright for me and my ears feel a bit fatigue on long hrs. of listening.
Though I have no experience with Creek I can fully agee with pp that you should seriously consider Pulse II. In simple terms it is fast, clear, no added favour and very dynamic indeed. Though someone might find the bass department a little bit lean nevertheless it can be overcome by coupling it with the right speakers. Most probably Pulse is one of the best integrated amplifier below 2000 pounds (and now you can buy one for 600 - what a great deal !!!).
You may wish to know that I have changed my Pulse II to Tucana II which has the same characteristics of Pulse II. TBH I cannot find any shorcomings in this amplifier and IMHO Tucana II is one of the best integrated amplifer under 4000 pounds and can be used as a reference amplifier.
Just a point to note I know that Pulse is designed according to the characteristics of its big brother Tucana and therefore the sound produced are very much alike.
As always mentioned by pp, don't just relie on our personal views, go and have an audition if you can (thought I bought my Pulse and Tucana as well as SA1 blinded without any audition).
plastic penguin said:
Just to point out though, I_V - I agree the Pulse can sound a little lean in comparison to the Caspian and Naim XS, but in isolation this slight shortfall pales into insignificance.
Inter_Voice said:plastic penguin said:
Just to point out though, I_V - I agree the Pulse can sound a little lean in comparison to the Caspian and Naim XS, but in isolation this slight shortfall pales into insignificance.
Agreed pp and that was why I said only SLIGHTLY lean which is not considered as significant as you have clarified.
albireo said:Thanks a lot for your contributions.
In going from the Creek Evo (85W) to the Pulse II (80W) I would be losing those 5W of power. Is this something that has any meaning in terms of potential sound quality? I mean can an amplifier providing less power be potentially worse than a more powerful one in some respects?
plastic penguin said:The Totem Arro are only 86dbs and the Pulse had no noticeable trouble.
albireo said:Now why would I be looking for a replacement if I like the Creek so much? The problem is on the bass front. I feel that bass-wise, the MA GS10 might be needing something more behind. With some tracks and some genres, I feel the bass can be one or more of the following: slightly overpronounced, slightly loose/ woolly. Before owning the Creek I had a NAD C370. While the Creek completely destroys the NAD on many fronts imho (soundstage, 3D positioning, rhythm) I remember think the NAD was still marginally better in terms of bass rendition.