chris_bates1974 said:
OK, I'm not knowledgeable on this at all... My power cables came with the boxes, my interconnects were hand-made by the guy who owned the hifi shop the amp came from, and the speaker cables were recommended by him when I bought my first "proper" system.
I'm a scientist by profesison, and so I do undertsand the matra of "it transmits current, and therefore all will sound the same,if they transmit the required current" but I also live with musicians. Despite their bows (for cello), and reeds (for oboes and bassoons) all appearing pretty much identical, I do know they are all different, even if only slightly.
Surely then, if different materials are used in the construction of various cables, they would be able to have an effect?
Whether that effect is noticeable/good/bad/large/small is the question. I've seen nothing from either of the warring parties on here to convince me either way.
And as for those demanding "measurements" (which as I scientist I would, in theory, be very happy about).... how does one measure "that sounds good"?
I'm sure some of you will now take great pleasure in ripping apart some of things I've said. I'd remind you of this. I've not stated that I know anything for sure, and I've not insulted anyone. So please, keep it nice!
Chris,
As you have rightly pointed out, measuring 'good' is a problem. However science is very good at measuring a difference.
This cable debate has been going on for years. So much so, a few years ago a paper was presented the to AES describing 'audiodiffmaker', software that would accutately compare 'before' and 'after', and produce a difference file that could be played.
In the case of cables, one would play a piece of music (it had to be a CD or digitally sourced, turntables are too flaky to be repeatable) through the equipment under test and record the output. The cable in question was then substituted and the same piece of music played again and recorded.
The software would time align and amplitude match the two recordings, producing a difference file. No difference, then the difference file would be silent.
A great idea, and the hope was that it would be generally accepted across the HiFi world. It turned out that an objective, repeatable, incontrovertible test was the last thing the industry or magazines wanted.
What if the emperor had no clothes?