WOW! Three pages of posts on this topic. I am very pleased to see this. HOWEVER, I can't see anyone getting to grips with why 'progress' in this particular instance is running in reverse. It is a unique situation in human development and deserves close attention I think. What is going on?
My first album purchase was the soundtrack to 2001 A space Odyssey in 1969 and I am still collecting. My first CD purchase was The Inner Mounting Flame by the Mahavishnu Orchestra and it contained the wrong master mix of some tracks - leaving in errors that had been mixed out for the LP. I gave the CD away and decided not to replace my record collection with CDs right then. A blessing in disguise.
To all of us hifi enthusiasts there is something I think we forget. No matter how good it is, recorded sound cannot sound at all like live sound, No Hey Banda! It is an illusion! MP3, CD, tape, records, wax cylinders, there is no orchestra and we know it. But we're still moved to tears -why?
We're somehow giving ourselves emotional permission to respond as if it were real. That's why the analogue/digital debate will run forever - it's not the format, it is your own disposition. But that's not the end of it - we're progressing in reverse, why?
For me music can be a lot about enjoying sound, sometimes more about enjoying skill, or ideas, there's a lot of different ways of listening. But if you're enjoying the actual vibrations I would understand why an analogue format is better than a digital one. Both a magnetic tape head and a record cartridge produce tiny vibrations and those vibrations are amplified massively. I think this is what people are saying when they refer to the 'organic' sound of records. It is working the same way any musical instrument works. So that is the 'warmth' you are hearing - even if it's a crap pressing.
There is no vibration in any digital format until it reaches your speaker. Sound is being re-synthesised from code by computers working very fast in real time. That is what gives it that startling immediacy and presence we all love(d). But it can never be real in the way the groove of a record or a magnetic, or optical trace is real. These things are 'prints' or 'impressions' made in physical material and the ear seems to love that quality.