Vladimir said:
There is this notion about analogue audio, especially vinyl, that it has endless resolution and never ending musical information captured, unlike the "artificial" and "lego block" digital audio, especially CD. Therefore, you just need to pour money and time in the player in order to endlessly extract more and more music out of the records.
It's almost exactly like old films from the pre digital camera era. Just because they're old, people think they're low quality (some even think they're "standard definition"!), and it's going to look all soft and fuzzy, and generally look and sound bad. Yes they will, if the master tapes haven't been looked after, in the same way that vinyl will sound bad if it hasn't been looked after. But the quality on those reels of tape are far higher quality than people have seen on television over the decades, as well as on DVD and even Bluray - they were high definition before the term high definition was phrased. Many old movies are being rescanned to digital in resolutions of up to 8K, cleaned up, and re-released (and downscaled) on 1080p Bluray Discs - these look far superior to anything people have seen before, and we still have more scope to improve and see even more. It is surprising just how good old films do look, sometimes looking better than some newer films. But it is all down to how they're treated as to how they can ultimately look - it isn't their resolution holding them back. Just take a look at the remaster of Nosferatu from 1922.
It was the best they could come up with for mass distribution of music at a profit at that time. It's essentially a business model that people tend to romanticize.
Until CD came along - smaller, cheaper, to produce, more money for them.
After you buy a TT like the Technics SL-1210, the laws of diminishing returns really weigh in heavy and any further investment is in euphonics masked as "better take on the truth".
As good as a 1210 may be, a quick A/B demo will dispel the myth of diminishing returns sitting so low with turntables.
Let's say vinyl was replaced by CD not because of marketing and hype, but because of easily evident advantages of sound quality and practicality. Why is it back now?
Many people went for CD because of the practicality of it - no more record cleaning, you could handle the CDs how you like, play frisbees, let you kid chew on them, spread jam on them and they would still be perfect - a record will still play if you smear it with jam and
play the other side....
One could say because of the loudness wars that began in the pop and rock genre during the 90's and dominate still today. Are those two genres enough for a vinyl revival? Surely jazz, world music and classical still sound better on CD than vinyl like in the 80's?
Maybe it's the steady decrease in dynamic range that is doing it - but as I've said, I have some albums that score fairly low on the scale, and they still sound great.
Other alternative is Americans hoarding on vinyl because it was cheap, had the nostalgia and cool factor for the babyboomer generation, so the industry used this trend to blow it up in huge hype and marketing of vinyl comeback.
How do you make a comeback out of such a small resurgence though? And surely if vinyl is as bad as you say, why would people be moving back to it? most people are getting back into it AFTER hearing it, not to follow some trend.
So the general consensus seems to be that people massively switched to CD because of marketing and hype, and audiophiles have smartened up now and began a vinyl revival as the 'perfect sound forever' drug wore off. Vinyl is clearly the better format for sound quality and sonic immersion, and it's here to stay indefinitely. Also the weak link in a vinyl setup is the TT and the more money and time you invest in it, better your records will sound.
The switch to CD was a mixture of things - digital was all the rage in the 80s, it was new technology, it was more convenient both from a storage point of view as well as handling, it was pitched as being perfect, it was pitched as indestructible, many liked the lack of clicks and pops, and were more impressed by its more 'forthright' sounding nature. Most people had sub £500 midi systems with low quality turntables, so the difference for them was fairly big. Most "audiophiles" had a CD and a turntable.