steve_1979
Well-known member
CnoEvil said:steve_1979 said:These two statements were mine.
First of all the Genelec 8260A speakers that I recommended are probably some of the most accurate and competent speakers available (although not nessessarly the most enjoyible depending on your taste). They may cost only £6000 but I bet that they'd give any of the other sugestions in this thread more than a run for their money when it comes to low distortion, detail, accuracy, frequency range, SPL, stereo imaging and all in one complete package.
Secondly, there's nothing wrong with the quality of Spotify Premium (provided you have the 'High quality streaming' checkbox ticked in the 'Preferences' menu). Spotify Premium streams Ogg Vorbis audio files at 320kbps. Try ripping an audio CD to both lossless FLAC and 320kbps Ogg Vorbis. The two files will sound identical to each other and I guarantee that if you ABX them in Foobar then you will never be able to tell them apart.
Like I said, it is not my intention to argue with your POV.
Of course there is nothing "wrong" with 320kbps per se, it's just my experience that as it's presented, there is a difference compared with 16 bit, which is increasingly highlighted as the system gets more expensive.
The same is true with 24 vs 16 bit, though I take your point on board that it could be down to different mastering.....but it's all academic, as you can't get the "24 bit mastering" on the 16 bit version, so if you want the difference the better mastering may give, you have to pay through the nose for the "Studio Master".
It wasn't taken as arguing at all. I was just explaining the rationalising behind the two comments that you highlighted.
Also (still not arguing just pointing out) the way a track is 'mastered' and whether it's a '16/24bit' file are two totally separate things. If you were to take a 24 bit studio master audio file and convert it to a 16 bit file it will still sound identical to the original 24 bit master version (remember the Linn music downloads threads).