paradiziac said:
CnoEvil said:
In case its of any interest, here is a little more insight: http://forums.linn.co.uk/bb/showthread.php?tid=15456 and http://forums.linn.co.uk/bb/showthread.php?tid=15686
So basically Linn have a little computer in front of the DAC chip with their own custom filters tuned by their golden ears that (understandably) do a better upsampling job than those built into the WM8741 DAC chip that I believe is used in the Linn range.
Or another approach is, as one poster in the second thread suggested, upsample first if your upsampling algorithm is good enough. That makes it quite easy to use something like a PC/Mac mini and feed a suitable (filterless) DAC.
Interesting times...
I don't fully understand what Linn do with their DS, but for my taste, they are the ones to beat at each price bracket.....I even prefer their new Klimax DS to some very highend DCS gear, though I admit at that level, it's very subjective.
I tried an Audio Note Dac (2.1x Signature), which sounds glorius in an AN system, but it didn't sound as good as my Majik (through my system).....I think it might be a lot better through a Jadis + SF, as (surprisingly) it was a bit too forward (though highly detailed).
I was told the Black Gate Capacitors take an age to sound right (2/3 months), but I couldn't hold onto it long enough to find out (2 weeks continuous play made little difference)....it also couldn't handle 24/192, at which resolution I have a few albums.
In my case, I'm not interested in the Akurate, as the Majik is so talented; and a good step up from the Sneaky, due in no small part to the Dynamik (switch mode) power supply.
If I ever change, it will be for a Klimax DS (out of the question for the foreseeable), or something from Pathos....I wish they would come up with a Streamer, rather than their all in one solution (Musiteca), which I don't need. Their Dac will need a good transport, which will leave that too expensive.