Audiolab MDAC Appreciation and tweaking

pkerai

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Im discussing the compnent that does so much and is top for buck.... Audiolab MDAC.
I just wanted to know if there are any problems (or not!), experiences, pairing, tweaking, upgrade and all others that can be shared on a dedicated thread..........................
 

pkerai

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Here are a few comments to get started...
Audiolab MDAC vs. 8200CD
After having owned the 8200CD non-OLED version (which was bought before the MDAC was around). I kinda felt gutted when it arrived.
I wont go into the obvious difference in spec, unless it changes the sound experience in comparison.
Some people say there is a huge difference, others disagree (I mean through experience, we can all point to spec differences).
This is just one of the points of discussion about this excellent product.

There is just so much to say.... so I will try to be concise yet comprehensive (if that makes sense!).
 

pkerai

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After gaining so much information through reviews, experiences and advice, I thought I might post some of my findings.

The problem with (music in particular) is that it is subjective.

This is often brought up in many reviews, much of the time to present the image of knowing the limits of their experience(s!).

An overused admission of contraversy. But something that full time commercial reviewers do not spend enough time analysing and improving upon. Given that many people have only this to go on, to make a purchase, its daunting.

To explain this part is fairly simple.

Anything from lacking time to demo appropriate equipment, to not knowing what they want, not knowing what is out there and factoring other factors into the purchase decision which can distort a review of the sound experience without a frame of reference that can be measured.

We often find reviews which constantly switch between a setup's sound experience (which is more perceptually difficult to measure) to its price/quality ratio which they then relate back to their experiences (how ever exhaustive that is) and rank accordingly.

This is nothing new, and has been around for ages. I shouldnt even post this part in the MDAC appreciation thread, but I feel it is important is understanding how someone arrives at a product, with all the accumulated bagguage.
 

pkerai

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Following the scientific method would mean constant testing, filtering data and re-testing in order to gain what could be said as a more statistically accurate conclusions. Something anyone who went to school should understand.

PLEASE NOTE: I am assuming that a decision is solely down to perceptual sound experience of the product at a point in time.
As a scientist we should acknowledge that measurement is important.
 

pkerai

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I dont want to write a phd thesis, what I have said shouldnt be difficult to follow yet.

So the most accurate method would be to include as many variables into analysis while isolating and retesting as appropriate to identification, and finally measure. When I say measure, it is just how we label our experience given a set of identical stimuli.
For example, words such as warm, clinical etc....

Ok, for the contraversial variables (for example, using a digital interconnect lead over short distances) can then be measured to personal preference, and so on.
I have found that most of the confusion arises when some people claim A makes a difference, while B disagrees, and what we have is an argument which has no clear solution. Alot of this is due to the differences in Personality: experience, ability to detect specific stimuli, attention to detail etc... I dont buy into the argument of superhuman difference, although there can be clear differences between any two people.
For those who do not agree, I think a repeated and statistically verified experiment can show otherwise.
There is much subtlety in sensation depending on biological differences, experiences, nature vs. nurture etc...

So far, we can try and explain the differences in opinion through these methods, otherwise what we get is one party claiming the other has had some sort of hallucination.
So, how does this apply to me the buyer. Stick with me........
Ok, it helps in:
Identifying variables that may have not been considered or been overlooked.
Providing a perceptual experience from which to decide priorities (remembering its a matter of taste combined with ability to recognise stimuli differences which can be tested- ie. not a hallucination).
[This is where the problems start........]

People begin their listening as a combination of this nature and nurture factors and have a conditioned response which varies with time.
So its not simply a matter of gaining analytic skills over time, but having been conditioned to your experiences.
Why, this is the very nature of music, its about taste which is accumulated over time.
 

pkerai

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In summary....
fancy digital cables, digital signals, and all other controversial factors do make a difference, depending on the person at a point in time ie. they may get more/less sensitive to this over time.
But understanding how much of a difference could be better explained depending on partnering equipment, music choice, music recording, experience etc....
AND,
Many reviews do not include sufficient information for the reader to be able to simulate even the conditions the reviewer experienced, never mind the buyer experiencing it in an identical setup elsewhere!
Im sure these people could put more detail into their reviews. (By the way, identification of detail in music is a very good (if not only) indicator of sensitivity). This is something What Hifi reviews are (I think) awful at in particular.
 

pkerai

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Im gonna be writing some more on this, its just that it needs to presented in a manner you understand.

Then I can go back to discussing the MDAC, (which was what this thread was originally for!)
 

pkerai

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The applications of these changes can be good too.
For example, the relationship between music and musical reproduction is interlinked.
Much of mainstream music (if you can call it that) is conditioned by the equipment we hear it from.
Just imagine a world where certain qualities were more prominent then less desirable ones.
This would then have a circular effect on the type of equipment that is manufactured and more importantly, advertised to listen to it from.
Many audiophile's complain and often feel great virtue in discarding the mainstream views or sales figures for a reason.

Most importantly, sound reproduction can be more accurate to what the artist has chosen, or so we believe.
 

pkerai

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All those wasted natural resources on inefficient design and production could be saved, as well as giving the consumer a more accurate review and better testing/comparison methods for themselves.

Back to the MDAC.

I havent tested it as much as I would have liked. And as the number of changes in setup increase, the number of permutations of possible testing increase many fold.

Furthermore, it needs to be tested many times over to get a more statistically accurate conclusion.

An important point I read elsewhere is how the filters for the MDAC are better/worse for certain recordings for a track.

I could hear exactly what was meant to the point at which this became apparent when listening to any DAC.

Once I developed this attention to certain frequencies and suppresion/reduction in others, I could then use detail as a clearer descriminant in comparing DAC's (given a certain recording and output equipment is fixed). This is where the issue of synergy between equipment occurs.

I also think this is a clearer definition for what is meant by 'Synergy' when using it to describe an appealing combination of equipment in space/time experience.

The crucial difference being that synergy retains detail while providing an appealing sound to the listener, as apposed to just sounding good.

Once you have an understanding and ability to differentiate between meanings, alot of equipment that is highly rated no longer meets this criteria and vice versa. Whether or not the total sound observed is preferable is a matter of choice.

For example, when comparing the MDAC headphone amplifier with Musical Fidelity HPA1 Headphone amp (keeping the headphones and music source fixed) I was suprised.

The MF HPA1 on close inspection, does not reproduce certain details in comparison to the MDAC. But instead places emphasis on certain sounds/freqeuncies. Not only this, but nearly all DAC's provide a different signature when reproducing sound. Sometimes its easier to identify by changing around partnering equipment in accordance to something like the scientific mathod previously described in this thread.

In summary, Its a combination of accuracy, personal preference and how much you can identify.

This is an important point in itself. Understanding that certain frequencies on the hearing spectrum can be produced (not necesarily emitted) means that the environment of testing is as important as the output.
 

pkerai

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Alot of this is to ensure that people understand the background to their own listening experiences.

An error checking process to methodically identify variables to price cost, in making a relative purchasing decision.

And to to appeal to those who claim to be able to hear these subtle differences as a method of guaging their experiences for further personal use.
 
A

Anonymous

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I've got the Audiolab M-DAC, fantastic product, adds great improvements to any mid level or low end HiFi system.

Just in case people don't know or have forgotton in the excitement of using this product, you can update the firmware from Audiolab's website.To tell what version firmware you currently:

From the Audiolab M-DAC being powered off, keep the the control knob pressed and power it back on. Firmware version is displayed.

If you bought it anytime before October 2012, the chances are you have older firmware.

http://www.audiolab.co.uk/Downloading.aspx?Lang=En&Tab2=Software
 

robsoup

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I think this goes someway to explain why the MDAC sounds so good - the ESS DAC seems to have some pretty neat design ideas in there: http://www.youtube.com/watch?v=JYjHKv2_OqQ
 

matt49

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I'm saying goodbye to my trusty MDAC tomorrow. :wave:

It's heading off to the Czech Republic to have a level 2 upgrade from the maestro himself, John Westlake. The fortnight's absence will be tough. :boohoo:

As for the outcome ... :pray:

Matt
 

matt49

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john dolan said:
Ive got a Audiolab M-DAC Regulated Linear PSU fitted on mine made a nice upgrade as i got tired of waiting for JW to bring out his Mpax.

John,

I'm sure the PSU was a good idea. How has it worked out?

I think John W has an awful lot on his plate, what with his design work for Creek, the new Lakewest products (MIMP etc), and the MDAC upgrades.

I'll let you know how the upgraded MDAC sounds once it's back in London.

Matt
 

Green Bow

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I am wondering about the M-DAC. I have a Chord Mojo with me at the moment but not sure about it. It has a few issues and so I was googling to see if the M-DAC has any.

This is what the Mojo does wrong:

It misses the first second of music sometimes. It happens when you change album or skip about in the tracks. Oddly it doesn't do it all the time. The reason the Mojo does this is because it is programmed to mute for a second when changing sampling frequency. Like changing from HD-audio to SD-audio. However there is more trouble. It happens as said even on the same album. It transpires that the Mojo mutes for a second also when the music player (e.g. JRiver) stops berielfy. It sees a break from say 44.1KHz to silence or no music input. Then when it starts playing again it sees 44.1KHz and mutes the first second.

Secondly the Mojo has just stopped playing on me three times in succession once. Then once about a five days later. The lights are still on, music is still being sent, but there is silence.

Basically does the M-DAC create a mute.

I also have the Meridian Explorer DAC and it works flawlessly. It never drops a mute in when switching albums or tracks of the same sampling frequency.

It tested it changing to music with different sampling frequency. The Meridian Explorer inserts a second of silence and then starts playing the music once it has adjusted. It doesn't do what the Mojo does and simply mute the first second.

PS A note for people using the M-DAC not on the USB input. If you a want asynchronous input, on the optical input. You could use a DAC like the Medridian Explorer to feed an optical asynchronous input to the M-DAC. The Meridian Explorer has three outputs; headphones, line-out, and optical out built into line-out. I email Meridian and they told me any signal coming out of the ME is clocked by the ME. Thus the optical out is.
 

matt49

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Green Bow said:
I am wondering about the M-DAC. I have a Chord Mojo with me at the moment but not sure about it. It has a few issues and so I was googling to see if the M-DAC has any.

[...] Basically does the M-DAC create a mute.

I can't help you with your M-DAC query, but I know a man who can. John Westlake, designer of the M-DAC, is active on the Pink Fish Media audio forum and is very helpful. you could post your query on this thread.
 

matt49

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Vladimir said:
Why is the M-DAC connected to the Meridian or the Chord at all? They should connect directly to your PC.

As I understand it, his idea was that the Meridian doesn't cause a pause, and so inserting the Meridian before the Chord (or M-DAC) would be a kludge to solve the pause problem.
 

Vladimir

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matt49 said:
Vladimir said:
Why is the M-DAC connected to the Meridian or the Chord at all? They should connect directly to your PC.

As I understand it, his idea was that the Meridian doesn't cause a pause, and so inserting the Meridian before the Chord (or M-DAC) would be a kludge to solve the pause problem.

I see. Thanks.
 

ChrisIRL

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Green Bow said:
I am wondering about the M-DAC. I have a Chord Mojo with me at the moment but not sure about it. It has a few issues and so I was googling to see if the M-DAC has any.

This is what the Mojo does wrong:

It misses the first second of music sometimes. It happens when you change album or skip about in the tracks. Oddly it doesn't do it all the time. The reason the Mojo does this is because it is programmed to mute for a second when changing sampling frequency. Like changing from HD-audio to SD-audio. However there is more trouble. It happens as said even on the same album. It transpires that the Mojo mutes for a second also when the music player (e.g. JRiver) stops berielfy. It sees a break from say 44.1KHz to silence or no music input. Then when it starts playing again it sees 44.1KHz and mutes the first second.

Secondly the Mojo has just stopped playing on me three times in succession once. Then once about a five days later. The lights are still on, music is still being sent, but there is silence.

Basically does the M-DAC create a mute.

I also have the Meridian Explorer DAC and it works flawlessly. It never drops a mute in when switching albums or tracks of the same sampling frequency.

It tested it changing to music with different sampling frequency. The Meridian Explorer inserts a second of silence and then starts playing the music once it has adjusted. It doesn't do what the Mojo does and simply mute the first second.

PS A note for people using the M-DAC not on the USB input. If you a want asynchronous input, on the optical input. You could use a DAC like the Medridian Explorer to feed an optical asynchronous input to the M-DAC. The Meridian Explorer has three outputs; headphones, line-out, and optical out built into line-out. I email Meridian and they told me any signal coming out of the ME is clocked by the ME. Thus the optical out is.

I have an Arcam iPod dock/ dac that does this muting the first second of a track. Only happens with my iPod though, if I use my iPad in the dock it doesn't happen at all. I have the dock connected to a mojo. If I connect the iPod directly to the mojo it doesn't happen. Connected the dock directly to the amp still has the same issue so it is the Arcam. I eliminated the mute pause of the Arcam by using a different music app. If I use the onkyo hf app it doesn't mute at all.

Point is I think this is a source software issue conflicting with some dacs rather than an issue with the Arcam or mojo.

As for the mojo not working at all I read somewhere of someone having a similar problem. I think It turned out that some other software or alerts or something running in the background was taking over the audio output causing the loss of audio to the mojo.
 

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