My personal view is that interconnects are usually:
1. To short (less than 1.5m)
2. To smaller gauge (16 gauge, or smaller)
To have a massive impact on sound quality, so I try to find interconnect that have been properly terminated, and shielded. I also avoid buying interconnects over one meter in length. I don’t really mind if the interconnect is made from OFC, OCC, or Silver be it multistrand or solid. Nor do I mind the use of a Teflon or PE dielectric.
Obviously this is a trade off with price, cause we would all like 14 gauge solid sterling silver interconnects wrapped in the vacuum of space.
I like to think I have bought quality interconnect, but the truth is they are middle of the road or even low end of the market interconnects. And my reason for doing so, is simply that high-end cable manufactures do not publish the specification of their cables. Atlas, Wireworld and QED, publish more than most, but even then I don’t think it is enough.
So at this point you’re probably saying one of two things:
- Cables don’t make a difference.
- You need to listen to each cable for yourself.
If you are in the first camp, stay with us it might help you formulate more compelling arguments in future.
If you are in the second camp, your input is now required and here’s why:
For most of us, it is difficult to get our hands on lot of high-end cables. For instance, my Hi-Fi dealers do not stock interconnects costing more than £150. So I would have to purchase them online or order it though them, again making a purchase before I had heard it. Also we don’t have the time to goto different Hi-Fi shops around the country just to listen to a cable.
So we are forced to buy what we think is the best value for money, and will give us the best from our systems. Bearing in mind it may be a waste of money and not improve our system at all. Which means, we can only spend what we can afford to loose, as it is a gamble.
I myself have three RCA interconnects costing £30 (CA), £50 (Atlas), £110 (QED). The Atlas seems to carry more reverberations off the top hat than the other two, but on my system that’s all I noticed.
Now with speaker cable, I find observing differences should much easier between gauges. I can also appreciate things like:
i. Skin effect on gauge 14 and bigger
ii. Resistance due to runs over 2 meters
iii. Impedance (although for most cable it is very high in the audio range).
iv. Termination types (bare, soldered, cold weld).
So when I look at speaker cables I can be fairly objctive (within my budget), but there is so much more to cables, such as capacity and dielectic charge. Tieing up which characteristc effect which part of the sound is beyond me but I can appricate that on mid-rage and better system the difference can be heard.
So here come the questions:
1. What technical specifications do you look for in a cable? Where possible please explain how this impacts the sound quality and signal.
2. How you go about sampling (listen testing) cables? Borrow from friend etc.
3. What is your preferred speaker and interconnect cable?
4. What is your budget for cables?
5. How long is your interconnects/speaker cables?
1. To short (less than 1.5m)
2. To smaller gauge (16 gauge, or smaller)
To have a massive impact on sound quality, so I try to find interconnect that have been properly terminated, and shielded. I also avoid buying interconnects over one meter in length. I don’t really mind if the interconnect is made from OFC, OCC, or Silver be it multistrand or solid. Nor do I mind the use of a Teflon or PE dielectric.
Obviously this is a trade off with price, cause we would all like 14 gauge solid sterling silver interconnects wrapped in the vacuum of space.
I like to think I have bought quality interconnect, but the truth is they are middle of the road or even low end of the market interconnects. And my reason for doing so, is simply that high-end cable manufactures do not publish the specification of their cables. Atlas, Wireworld and QED, publish more than most, but even then I don’t think it is enough.
So at this point you’re probably saying one of two things:
- Cables don’t make a difference.
- You need to listen to each cable for yourself.
If you are in the first camp, stay with us it might help you formulate more compelling arguments in future.
If you are in the second camp, your input is now required and here’s why:
For most of us, it is difficult to get our hands on lot of high-end cables. For instance, my Hi-Fi dealers do not stock interconnects costing more than £150. So I would have to purchase them online or order it though them, again making a purchase before I had heard it. Also we don’t have the time to goto different Hi-Fi shops around the country just to listen to a cable.
So we are forced to buy what we think is the best value for money, and will give us the best from our systems. Bearing in mind it may be a waste of money and not improve our system at all. Which means, we can only spend what we can afford to loose, as it is a gamble.
I myself have three RCA interconnects costing £30 (CA), £50 (Atlas), £110 (QED). The Atlas seems to carry more reverberations off the top hat than the other two, but on my system that’s all I noticed.
Now with speaker cable, I find observing differences should much easier between gauges. I can also appreciate things like:
i. Skin effect on gauge 14 and bigger
ii. Resistance due to runs over 2 meters
iii. Impedance (although for most cable it is very high in the audio range).
iv. Termination types (bare, soldered, cold weld).
So when I look at speaker cables I can be fairly objctive (within my budget), but there is so much more to cables, such as capacity and dielectic charge. Tieing up which characteristc effect which part of the sound is beyond me but I can appricate that on mid-rage and better system the difference can be heard.
So here come the questions:
1. What technical specifications do you look for in a cable? Where possible please explain how this impacts the sound quality and signal.
2. How you go about sampling (listen testing) cables? Borrow from friend etc.
3. What is your preferred speaker and interconnect cable?
4. What is your budget for cables?
5. How long is your interconnects/speaker cables?