The budget stereo amplifier market has dwindled to a point where it's time to worry.
Whatever happened to the budget stereo amplifier market? : Read more
Whatever happened to the budget stereo amplifier market? : Read more
Not sure I agree. At the turn of the century, an entry level Marantz was about £150 with a Sony, or Cambridge Audio a little less and a NAD a little more. Ajust that for inflation and you have abut £250 to £300 in todays money, what can you get for that? Cambridge Audio AXA25, Yamaha RS202D or AS201, WiiM Amp, Sony STR DH190, and the fantastic Merantz PM6007 is only £50 over budget at £349 and worth saving up for if you are in the market for something a little cheaper.The budget stereo amplifier market has dwindled to a point where it's time to worry.
Whatever happened to the budget stereo amplifier market? : Read more
What seems to have changed (and mentioned by the article writer) is that you used to be able to walk into a hifi dealer and listen to a variety of budget amps before choosing the one that you preferred. Those days seem gone, instead having to rely on YouTube gurus and a lot of mail order before you get to listen to anything yourself. I can see many people not willing to climb that ladder.I don't mean to be rude but the author and other readers seem to be out of touch with the market. You only have to watch cheap audio man on YouTube to realise that the budget amp market is thriving. You have the WiiM Amp but also loads of other brands like Fosi Audio, Aiyima and then a step up brands like Emotiva. It would pay to do a but of research rather than assume that the same brands would always be the best.
I have a WiiM Pro Plus feeding my Kef KC62 Sub that feeds a high pass filter to two Aiyima A07 Max running in mono that then feed on above 80hz to my Kef LS50 Meta. Two £65 mono block amps driving £1100 speakers!
100%! A lot of bang for r buck. I actually purchased a 301 some years ago, no regrets. Very pure and neutral, but lively.Yamaha A-S501 (not even the entry model) was £320 in amazon, Elac DBR62 can be found for under £500 and a Wiim pro for £150. Problem solved. Real hifi at sensible prices with plenty of power to fill a room and build quality to last for years.
Came here to say pretty much exactly this. In addition to the article and author being out of touch it also points to the legacy manufactures being guilty of the same. Amps like the Fosi V3 have made several sub $1,000 best of amps list. I picked up the V3 and SMSL AL200 (based on an Infineon chipset unlike the Fosi's TI) after a 10 year hiatus and both of those amps are better than the 20 year old class AB amps I've picked up used or barrowed to test. They are also better than a much more expensive IcePower amp that I built which is probably 10 year old technology at this point so there really has been a lot of progress in class D in the last 5 - 10 years. Those two amps are stellar, (the SMSL even has a good DAC, remote, and EQ profiles) and would easily scale with speakers in the four figure range and setup someone with the foundation of a great sounding system.I don't mean to be rude but the author and other readers seem to be out of touch with the market. You only have to watch cheap audio man on YouTube to realise that the budget amp market is thriving. You have the WiiM Amp but also loads of other brands like Fosi Audio, Aiyima and then a step up brands like Emotiva. It would pay to do a but of research rather than assume that the same brands would always be the best.
I have a WiiM Pro Plus feeding my Kef KC62 Sub that feeds a high pass filter to two Aiyima A07 Max running in mono that then feed on above 80hz to my Kef LS50 Meta. Two £65 mono block amps driving £1100 speakers!
Came here to say exactly the same! The cheapo separates market is thriving!An article making good points. Whether it is because far fewer people buy hifi separates nowadays compared to the 80s or not, it seems the traditional U.K. brands have decided to aim for a higher margin on the products that they do sell. Just look at the nostalgia premium there seems to be with the Naim Nait 50 (a barely believable £2699 despite it having usability flaws) and the £1500 Musical Fidelity A1.
The music streamer market was going in a similar direction until the likes of WiiM completely disrupted it, leaving many of the U.K. premium priced streamers appearing high and dry. The concern is that similar disrupters could fill comparable gaps now found with other separates, including amplifiers, leaving the U.K. brands to chase a more rarified, and presumably much smaller, market.
The budget stereo amplifier market has dwindled to a point where it's time to worry.
Whatever happened to the budget stereo amplifier market? : Read more
The WiiM Amp is a small and powerful integrated amp with a built in DAC that delivers 60 watts per channel of sound, supports various music streaming services and connects to your TV and hold your breath! Costs approx. £299I think we are forgetting inflation. I bought my first Yamaha based system in 1988. $300US = $800 today. Today 3 components would run around $2400.
So really, there are more then a few components that would fit into $2400.
Integrated Amp with DAC and streamer? $1200 is possible. Speakers? You have $900 to get what you want. $100 for cables?
-T-
So true, you've stolen my thunder. I was going to say exactly the same thing!Can I have a job at What HiFi please because someone like me is quite lowly when it comes to HiFi and it looks like you might be needing my ears. For the last 10 years the Chinese have been outpacing most of the western implementation of budget pieces via chip amps. Small companies like Aiyima, SMSL, Fosi Audio, DouK Audio and Nobsound have been churning out small class d chip amps and DACs at a fairly rapid pace. Over the last 2 years they have really bitten into the meat of the budget market and are hungry enough to finish the plate and come back for seconds. The sound quality for the masses with the Aiyima Max, Fosi V3, and now the ZA3 for example has captured their ears and at a price that almost anyone on the planet would be impressed with. Tie that with today's sources like smartphones, tablet, laptops and PCs which again are not expensive if you shop clever and you have a system that if you took back to the 80s would have blown your mates away! I personally still prefer today's class A/B entry level stuff like the Marantz PM6007 series but the convenience of the Chinese chips amp is far more accessible and practical for a lot more people. The western idea of 'budget' or at least here in dear ol' blighty seems a very insular perspective imo. The budget crown belongs to the Chinese now and has done for at least the last 5 straight years and deservedly so.
It's a case of Modus Operandi with traditional Hifi manufacturers and main stream HiFi media outletsCame here to say pretty much exactly this. In addition to the article and author being out of touch it also points to the legacy manufactures being guilty of the same. Amps like the Fosi V3 have made several sub $1,000 best of amps list. I picked up the V3 and SMSL AL200 (based on an Infineon chipset unlike the Fosi's TI) after a 10 year hiatus and both of those amps are better than the 20 year old class AB amps I've picked up used or barrowed to test. They are also better than a much more expensive IcePower amp that I built which is probably 10 year old technology at this point so there really has been a lot of progress in class D in the last 5 - 10 years. Those two amps are stellar, (the SMSL even has a good DAC, remote, and EQ profiles) and would easily scale with speakers in the four figure range and setup someone with the foundation of a great sounding system.
Legacy media and legacy manufactures alike are both dropping the ball here. Fosi and SMSL, Topping, ect. are all building better sounding budget friendly gear than that displaces much more expensive gear from 10-20 years ago the legacy brands were making. Marantz, NAD, (whoever) can just as easily use the same TI and Infineon chipsets that Fosi and SMSL are using and I'm sure make a more compelling package for not much more money but none of them seem willing to do so. Most likely they are just protecting their existing product stack and margins but they are ignoring a changing market at their own peril in my opinion.
You're applying a broad brush. Some lowly priced class D amps may not be as good A/B solutions priced at many folds than the ubiquitous WiiM amp but there are many premium Class D amps NAD D3045 · Hegel H95 · Bel Canto C5i · Heaven 11 Billie · Lyngdorf TDAI 1120 that sound better than many folds cheaper A/B solutions.wiim amp is class d and not as good as class a/b
GasYou're applying a broad brush. Some lowly priced class D amps may not be as good A/B solutions priced at many folds than the ubiquitous WiiM amp but there are many premium Class D amps NAD D3045 · Hegel H95 · Bel Canto C5i · Heaven 11 Billie · Lyngdorf TDAI 1120 that sound better than many folds cheaper A/B solutions.
It really isn't about D vs A/B per se, but more about design and quality of the com...............................