Charlie Jefferson said:
stevebrock said:
Well I've the last 3 nights, settling down with my new TT
so far......
New Order - 1987 Substance
Gerry Raferty - Night Owl
Roxy Music - Flesh & Blood
10000 Maniacs - Our Tribe
The Smiths - Hatful of Hollow
on my third glass of Rioja and plenty more records to play
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Two of those LPs (The Smiths and New Order) are two of my favourites of all-time, and they really sound great on vinyl, don't they?
I had a night out last night, but it's back to vinyl tonight. I've been to a record fair today and purchased Todd Rundgren's Something/Anything, so I'll give that a blast tonight along with a clutch of Elvis Costello LPs.
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They do indeed!
Can you recommend a first Elvis Costello album ? See if I can a used one and give it a listen
Tricky one that.
Elvis' LPs are many in number and stylistic turns. Post-punk/new wave is probably his best known period but not exclusively or necessarily his only great music. My current favourites are:
Early, early period, This Year's Model - (venomous, spiky and pretty poppy in 1978 sense, sounds great) and the follw-up Armed Forces (more of the same, with no slack moments and a few hits too).
Early Middle period: the majestic baroque pop of Imperial Bedroom takes some beating. Sound-wise it's a completely different beast to the two LPs mentioned above. It's a tour de force of all things brilliant about EC, for me. Wit, anger, bathos in both words and music. It always makes me think of The Bealtes' music in its entire range from '62-70. An incredible listen on vinyl.
Mid-period: two LPs from 1986 are essentials, at least in my collection: garage-y in places and full of great raucous playing, Blood & Chocolate, then also another about turn in style, the wondrously roots-y (in the sense of American styles: county, rockabilly, rock and roll, blues), King Of America. Spike is also worth an honourable mention. Lots of hints to what he was to move onto, stylistically but still in accessible song form.
There's stacks of good and interesting stuff after this, but possibly more of an acquired taste. He's done all sorts. Operatic scores, torch song balladry, string quartet arrangements, jazz and swing, death metal. (Not really the last one, but all the others and more).
Sorry for the convoluted reply. I love Costello in most of his incarnations and often think his proliferate output across the years and genres puts people off.
Spotify may be a good first port of call.