Darker areas require more bandwidth. Films set in bright daylight (comedies etc) usually look pretty good on streaming/terrestrial TV, but darker films gtreatly suffer. This is one reason I won’t give up on physical media.The 2020 remake of The Invisible Man. Pretty good and genuinely unnerving in places, though some plot elements were rushed a little, I felt. Recorded from the Light Channel in HD, not that you'd know it - poor picture quality, and blacks that would best be described as murky, ill defined grey/brown.
Why is the Invisible Man always portrayed as a complete
He does always kill the kestrel though, doesn't he? Mrs 12th nicknamed I, Daniel Blake as I, Daniel Bleak!I'm not really a big film fan. But I am a fan of Ken Loaches dramas. The other night I watched "Kes". It's quite old now but still a cracker.
His dramas are dark. When I watched the re-run of "Cathy Come Home" years ago, it was thought-provoking, bordering on depressing.He does always kill the kestrel though, doesn't he? Mrs 12th nicknamed I, Daniel Blake as I, Daniel Bleak!
Yes, we saw it when Beeb4 repeated in not long ago.His dramas are dark. When I watched the re-run of "Cathy Come Home" years ago, it was thought-provoking, bordering on depressing.
I’ve debated with myself many times with regards to the performances. Nicholson is a little OTT, and I’ve never liked Shelley Duvall’s performance in the film. But Kubrick was a genius. That’s not up for debate. He did many, many takes for scenes until he got what he wanted, sometimes pushing the actors to the limit, so he must have been happy with what the actors provided him, otherwise he’d have booted them off the set and got someone else in. Whatever we see on screen was presumably good enough for Kubrick, so why the ’far from ’perfect’ performances? I’ve come to the conclusion that the story/message of the film, and what he is trying to convey is more important than the performance of any of the actors.The Shining on 4k - I like it rather more than I used to, but it still doesn't feel right to me. The music and sound effects are jarringly unsubtle, and iconic though it is, Jack Nicholson's performance seems too OTT for too long. I'm sure this is not a popular opinion.
The opening sequence is genuinely stunning.Another thing I used to debate with a friend, was whether Kubrick would’ve ambraced IMAX, at least for scenes like the opening scene, which is perfect IMAX fodder. And would he have also embraced modern 3D? Much of The Shining involves long shots, and shots with plenty of depth, and I think it would’ve been really interesting to see it in 3D.
I’d love to see it at the cinema.The opening sequence is genuinely stunning.
I spend far more time watching films than listening to music - hoping that when I retire the balance will be more equitable.I'm wondering how many hours (weeks / months / years?) that people here have spent watching films.
...and how that compares with total time (so far) spent listening to music.
Half as much maybe?
Most films are longer than most full albums aren't they? 🤔
Last year I spent just over 1,600 hours watching films - on top of that would’ve been extras and commentaries, so in excess of 2,000 hours taking that into account. Only about 1,000 so far this year.I'm wondering how many hours (weeks / months / years?) that people here have spent watching films.
...and how that compares with total time (so far) spent listening to music.
Half as much maybe?
Most films are longer than most full albums aren't they? 🤔
I didn't expect anyone would keep count.in excess of 2,000 hours
It’s all logged on my Letterboxd account, so it tells me how many films, how many hours, most watched films and actors etc etc.I didn't expect anyone would keep count.
That's around 3 months solid 😳
I'm not counting the time ive spent on this forum 😱
I thought that this was a smashing movie tbh.Gattaca - one of my favourite science fiction films, set in a near future where a person's genetic inheritance is the basis of a deeply uneven society. I can see why it was a flop, though - too thoughtful, slow-paced, wordy and lacking any crash bang wallop.