hammill
New member
the record spot:gdavies09031977:
I have looked on the usual suspects (Amazon, Play etc), and maybe I'm being tight, but the prices seem a little high for the more mainstream stuff I would buy; E.g. Snow Patrol FInal Straw £39.50, MJ Thriller £59.99, Jamie Cullum Twenty Something £29.99, Genesis 1983-1998 £99.00 (ok, a multi disc set I know but...)
I don't mind paying £15-£20 for the increased sound quality...
I wouldn't touch the albums you mention with the prices they're offered at. In many cases, the original discs sound fine - as for Genesis, well, rest assured, you won't gain a whole lot from Nick Davis' treatment as his gifted touch went to lunch for these remixes.
Avoid by far the 76-82 box, that's dead in the water. Hopelessly EQ'd, hard pushed by compression, it's dire. I have them all and this is one of the worst examples of a mastering job I've heard yet. 83-89 isn't bad and you can get it for about £40-odd on Amazon just now. 70-75 is the best of the bunch (I think they'd learnt the craft by then...) but albums like Trespass, while enjoying greater clarity, lose out on the dynamics to some extent that the original discs had. I still prefer the US MCA release for that album and played it again yesterday for the first time in ages. Much better and as clear as a bell.
Yes, SACD can offer great potential. No guarantees that's what you'll get simply because it's a superior format if the work on the music's been botched.The multi channel versions of 70-75 are a revelation (no joke intended) I think that is where SACD really excels. I am not sure I would bother even if I was only listening in stereo - my only stereo only SACD (the wonderful Friday Night in San Francisco) is not much of an improvement on the original.
I have looked on the usual suspects (Amazon, Play etc), and maybe I'm being tight, but the prices seem a little high for the more mainstream stuff I would buy; E.g. Snow Patrol FInal Straw £39.50, MJ Thriller £59.99, Jamie Cullum Twenty Something £29.99, Genesis 1983-1998 £99.00 (ok, a multi disc set I know but...)
I don't mind paying £15-£20 for the increased sound quality...
I wouldn't touch the albums you mention with the prices they're offered at. In many cases, the original discs sound fine - as for Genesis, well, rest assured, you won't gain a whole lot from Nick Davis' treatment as his gifted touch went to lunch for these remixes.
Avoid by far the 76-82 box, that's dead in the water. Hopelessly EQ'd, hard pushed by compression, it's dire. I have them all and this is one of the worst examples of a mastering job I've heard yet. 83-89 isn't bad and you can get it for about £40-odd on Amazon just now. 70-75 is the best of the bunch (I think they'd learnt the craft by then...) but albums like Trespass, while enjoying greater clarity, lose out on the dynamics to some extent that the original discs had. I still prefer the US MCA release for that album and played it again yesterday for the first time in ages. Much better and as clear as a bell.
Yes, SACD can offer great potential. No guarantees that's what you'll get simply because it's a superior format if the work on the music's been botched.The multi channel versions of 70-75 are a revelation (no joke intended) I think that is where SACD really excels. I am not sure I would bother even if I was only listening in stereo - my only stereo only SACD (the wonderful Friday Night in San Francisco) is not much of an improvement on the original.