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Personally, I was less concerned with plotholes and seemingly implausible character motivations. (Surely these are problems with all narrative cinema to a greater or lesser degree?)
Rather, I was vexed by Lindelhof, Scott and co.'s ham-fisted grappling with complex subjects. Besides, Lindelhof hardly has a good track record when it comes to resolving difficult narrative problems of his own making, which doesn't bode well for the sequels.
As I say, Prometheus looked wonderful, but I found the film metaphysically/existentially hollow. Sorry, I'll stop now...
Rather, I was vexed by Lindelhof, Scott and co.'s ham-fisted grappling with complex subjects. Besides, Lindelhof hardly has a good track record when it comes to resolving difficult narrative problems of his own making, which doesn't bode well for the sequels.
As I say, Prometheus looked wonderful, but I found the film metaphysically/existentially hollow. Sorry, I'll stop now...