spockfish said:
The *only* difference that exists is that optical cables tend to suffer from jitter more. And although in general the idea is that people can not hear 'jitter' the latest experiments reveal otherwise above a certain level (measured in time).
Hmmn. Not sure what you mean by 'latest experiments'.
Jitter has been known about since the earliest digital systems were designed. At extreme levels it causes bit errors, for digital audio much lower levels of jitter (while not causing bit errors) are still audible.
Work was conducted by Bell Labs in the early 60's to establish the audibility threshold of jitter when they introduced the T1 PCM system in the US. This was for 'telephone grade' audio, so not directly applicable to HiFi.
More recently, the BBC research department published a paper in 1974 about the audibility threshold of jitter - they identified that it dependend on the type of jitter, not just its magnitude. One conclusion was that jitter below 35nS RMS was inaudible to 95% of the population - this I guess is an upper bound of jitter acceptability.
http://downloads.bbc.co.uk/rd/pubs/reports/1974-11.pdf
Various tests (available on the web if you google) have established that jitter correlated to the programme material is more objectionable and detectable at lower levels than random jitter. S/PDIF has a tendency to introduce correlated jitter.
Levels of jitter below 250pS RMS seem to be undetectable in all the studies I have read. Most modern sources are able to achieve levels far better than this. Tough to find published specs, but to put this in context, the Squeezebox Transporter (which made a virtue of its low jitter levels) was able to achieve jitter below 15pS RMS.