Yeah, the point of the NAIT 50 I think is to strip back everything and focus on the amplification circuit and quality of components only at the expense of all surplus added extras.
Steve Sells piece here is interesting:
A fifth and final product highlight for Sells is the limited-edition Nait 50, a recent reimagining of the iconic, 1983-released original Nait 1, which, as Sells rightly recognises, “holds a special place in Naim folklore as one of the most magical amplifiers ever made”.
“Tampering with that reputation was not something to take lightly, and designing the Nait 50 came with responsibilities just as significant as those tied to high-end products,” he says.
Naturally, Naim couldn’t simply release a facsimile clone of the Nait 1 – compliance laws and consumer expectations have, after all, moved on since the ‘80s; Sells and his team had to deviate.
“The design process used modern tools, materials and circuits, and incorporated mandatory music sensing with 0.5W auto-off, quiet standby transitions, and soft-start circuits – all while keeping the system free of software,” says Sells.
They created miniaturised versions of amplifier stages from Naim’s classic range, borrowed the volume control foundations from the NAC 552 preamp (albeit without motorisation), and used modern semiconductors to give the Nait 50 extra power and sonic punch.
But there was also an opportunity to recapture the Nait 1’s spirit in more faithful ways. Sells gives one example: “The Nait 1 had a deliberate low-frequency hump in its RIAA curve, and though technically inaccurate, it gave the sound a pleasant aesthetic; we faithfully recreated that in the Nait 50.”
Another is in the input selection. “The Nait 50’s input switch was custom-made to replicate the original’s distinctive ‘clong’ sound when pressed, though behind the scenes the switch activates high-quality reed relays placed next to the input sockets, improving sound quality and minimising input-to-input crosstalk,” says Sells.
And then, perhaps surprisingly, the Nait 50 further aligns with the Nait 1 by also omitting RCA sockets and a remote control.
“Did we make the right decision by leaving them out? I’m not sure. Once nostalgia wears off, convenience tends to call,” Sells admits.
We guess even engineers with CVs as enviable as Steve Sells' can question their judgment at times