davidf
Well-known member
There are many speakers on the market that have been designed to be immediately impressive. This gives them the edge in auditions, much like having a CD player with a slightly higher voltage output - Marantz were the pioneers of that. This causes people to prematurely dismiss speakers that either sound better, or could suit the listener‘s space at home better. Some speakers need time in order for you to acclimatise to what they’re doing. Amphion are a prime example. A quick listen and they’re nothing special, but longer listening sessions reveal their strengths, which are some of the most widely requested benefits from listeners looking for new speakers!
As for the standmount p/floorstander thing mentioned by Dom, despite liking floorstanders for their depth of bass with electronic music, I prefer to listen to standmounts as they move away from emphasising/over-emphasising bass to the detriment of detail. If you have an amplifier with bass/treble controls, slowly turn the bass up. Apart from the bass increasing, you’ll notice midrange and HF detail disappearing, becoming softer, evolving into a warm mush of sound. Standmounts generally avoid this, and sound punchy and dynamic, revealing more detail in the music across the whole frequency range, particularly detail in the bass which can be completely overlooked by a floorstander. The trick with a standmount speaker is not to try and force it to go as low as it can - just roll it off just before the bass starts to sound unnatural. One of the most informative speakers I’ve ever listened to are the Eclipse speakers.
As for the standmount p/floorstander thing mentioned by Dom, despite liking floorstanders for their depth of bass with electronic music, I prefer to listen to standmounts as they move away from emphasising/over-emphasising bass to the detriment of detail. If you have an amplifier with bass/treble controls, slowly turn the bass up. Apart from the bass increasing, you’ll notice midrange and HF detail disappearing, becoming softer, evolving into a warm mush of sound. Standmounts generally avoid this, and sound punchy and dynamic, revealing more detail in the music across the whole frequency range, particularly detail in the bass which can be completely overlooked by a floorstander. The trick with a standmount speaker is not to try and force it to go as low as it can - just roll it off just before the bass starts to sound unnatural. One of the most informative speakers I’ve ever listened to are the Eclipse speakers.