One last post on this subject - reason of doing so if someone reads this thread, gets bored and skips to the end this will hopefully help them make a decision. This is my subjective reasoning for upgrading to the Pioneer and for saying everything I have thus far.
I have owned both of these and used them a lot - I have NO sound from my TV, all my sound at all times goes through my AV - so we are talking all TV, Music and Films.
The Yamaha Z7 is a fantastic everyday amp, great to own as its reliable and gives through design a warm and airy sound and its performance was improved toward the end of my owning with a firmware update (new algorithms or something) - all good news, maybe improved again since, I dont know. It does an excellent job of up scaling - good old anchor bay.
To me the downside of the amp - which were not apparent until I heard and owned the Pioneer is the settings choice, the limitation of its YPAO and their impact on the overall sound. Once you have run a calibration (which is basic) you can choose from memory 3 options - flat, natural and another one?
I wanted to use flat as it seemed to have the most life to the sound (flat curve is what you want), however when turned up the composure was not there, especially by comparison to the Pioneer - will explain what I mean / why after - the scene that really showed this to me was in the Blu Ray Hulk, near the end where the guy is firing at the bad Hulk from the Chopper - that whole scene on the Pioneer was alive and buzzing - with every gun shot crisp - where as on the Yamaha it was there but lost by comparison - airy in that instance is not what you are supposed to be getting...
On the Natural Setting which is Yamahas recommended - which is basically a curve with a lot of X Curve added I would guess about -2.0db from the graph it plots on GUI, at the time this seemed too flat for my liking - I actually know now Yamaha recommend it as I think X Curve is essential in a standard living room/ non treated listening room. There is so many reflective surfaces that the treble will bounce around causing it to peak and its masks the upper mid and true treble detail - you may not realise this is what you are most likely currently hearing if you dont have any X Curve on. However using the Natural setting when turned up was even more airy and laid back and again that not what the sound I wanted, especially for big action films.
The end result was a warm airy sound overall, that I was never quite satisfied with - I could never get the right balance between the limited settings and once I heard how the Pioneer bettered it, despite trying all manner of settings and adjustments I could not get it to compete at all. While enjoyable the Yamaha sound is, it gets muddled and lost when it needs to be tight and crisp for both music and films - now this is driving B&W N805 and HTM4s Speakers, these are demanding, but I dont think the amp lacks power, but for these speakers it was not enough. This effect might likely be lessened driving small more efficient satellites - but I still dont think even in this instance it would better the Pioneer as I now know that the YPAO in the Z7 is a basic Parametric Equalizer by comparison to the Advanced MCCAC in the Pioneer LX 83
The reason I say the Pioneer betters the Yamaha in every area is because it truly does (power consumption aside).
Starting with Advanced MCCAC - this is a far more advanced setup than the Z7 YPAO and takes about 3 times as long for starters and thats not because its slow, its because its more in depth. You also need to run it at least twice to get it setup properly and I wonder how many people do this? You have to run setup A - then manually change your crossover 80htz and speaker size to small then run setup B selecting to keep those settings first. I think most people would run it once Setup A, change the speaker size and crossover and leave it thinking that is right – its not! All Channel adjust I have found should be selected because every speaker is in a different part of an untreated room so needs to be equalised independently.
The EQ of MCCAC is very effective and very accurate – it gets you close to a reference curve, but tends to run the upper mids a touch hot – giving a forward sound
You can run a reverb measurement with MCCAC and look at your in room speakers response on free software - you can then manually adjust the eq to improve the sound if you know how (its easy). This is all advanced stuff that a calibrator would do at additional cost and its made easy and available without spending anymore money. This is way more advanced and better than the YPAO in the Z7 but the difference doesn’t finish there.
The other technologies within the calibration are Full Band Phase Correction and Standing Wave Correction. These are both different ways of cleaning up the sound and combating negative room effects. Full Band Phase helps align the speaker drivers / tweeter output of all speakers so that the listener receives the correct sound in phase from all 5 or 7 speakers at all times. You can turn this on and off but with it on the sound is 100% cleaner and you can hear what the tech does. This is one of the main contributors to why the sound is so much cleaner than the Yamaha, and is most noted when its loud and all kicking off – the sound is always composed. Standing Wave Correction helps integrate the bass of the speakers with your sub, it get bass dips up and peaks out to match the flat curve you want and it does it fantastically well , I have tested this using proper bass/ room calibration software – this is especially beneficial and clear to hear with music, as its essential to get a smooth curve through the cross over point. The Yamaha did nothing like this and does not compete in this area either – this is where the Pioneer is the next level on.
The remote on the Pioneer is better – it works off Radio or Infra Red so that you point it anywhere it works – the menus / remote / GUI are cleaner, clearer and faster than on the Yamaha. I always found the D Pad on the Yamaha remote very slow and hard to work as was the menus, slow I mean. The remote also has a screen that displays everything you do so you could easily control the amp from anywhere – you don’t need to look at it.
The amplification in the Pioneer I would argue as better – I know ICE drives harder loads better and this has been commented by several guys in the trade in this very thread. It drives my speakers better and I am sure is another contributory factor of the cleaner sound. Its rated as more powerful and seriously is a beast – I say its better in this department.
Build Quality is of at least equal if not higher – I think higher. I prefer the look the colouring Display colour etc – Yamaha have just changed the colour from orange so they must do too.
Video Up scaling is an area I expected to take a hit when I upgraded – its initially a different look at first I wasn’t sure – but even in this area the Pioneer is better – the image I find crisper, with better movement.
I don’t use web radio, streaming or other such inclusions so I cannot comment on how these compare.
To Surmise as this is long.
Out of the box – using Pioneers auto Cal you get a far more upfront lively sound than the Yamaha – they have set it to be that way. Its certainly more exciting because its so clean and close to reference so you are hearing it very close to how you are supposed to. Its exciting when its supposed to be and laid back when its supposed to be.
Reference is not always preference, I have mentioned before that if its different to what you are used to then it may appear initially as wrong – However if Reference is how it is supposed to be How Can It Be Wrong?
Now if you prefer a laid back sound all the time and are worried about moving to the Pioneer because of its bright reputation – you can make Pioneer mega laid back by easily changing a few settings, adding X Curve and adjusting the EQ based on easy to read graphical information. However that would be negative to its magic really so maybe its not for you but consider this
With the Pioneer you can make it laid back – however with the Yamaha you Cant inject the pazazz that the Pioneer possesses. It Simply does not have the tech. It will not do what the Pioneer does, but the Pioneer does everthing that the Z7 does and it does it all as good if not better. Its never tiring and never too much no matter how loud you push her – the tech keeps the sound composed at all times now to me this is likely the main reason why they are the Award winners every year – because the sound is the most composed / clear in the competition.
Now I have tried to fully explain why the Pioneer betters the Z7 and I have only touched the surface of it – highlighting the main features. With the Pioneer you can find the balance you want and can have your cake and eat it – it is a stunning amp the never ceases to impress. If you are looking to upgrade you obviously feel similar to me that you are struggling to settle for the Z7 sound.
Apologies for any offence caused while posting on here - it was never my intention Big Boss and the other chap, however my feelings are so strong. These feelings are not based on mere speculation or the fact one is award winner they are based on pure facts / experience / the learning curve / the final end result of owning both.
I want the best sound possible - to me thats getting it as close to the initial recording as possible - thats what Air Studios want, thats what Hi Fi is all about and as I have said the Pioneer gets you a lot closer to this end result