daveh75:
Interesting, I bought this, along with La Roux's album. I've never bought a chart album before in my life and then I went and bought two in the same day!
Quite interesting comparing them, I prefer Little Boots' songs, but I like the production on La Roux better, I found the kick-drum and hi-hat on Little Boots to be really soft, as if the edges had been rolled off, there's more of an edge to the sounds and tones on La Roux, purer if you like.
Philosophically La Roux are VERY 80's (there's still no excuse for bringing back the New Romantic hair-do though...), real early synth type stuff, a lot of it could have been played on old monophonic synths back then without too much trouble I should think, they reminded me a little of early Human League.
Little Boots by contrast uses the full whack of modern production techniques, generally to good effect, giving a much more modern feel, although, ironically (maybe), she's the one that has Phil Oakey guesting on a track (Symmetry, one of the strongest tracks on the album, hopefully it might prompt a resurgance of interest in Human League, currently unsigned, which is a proper crime...).
Despite the obvious female-led electro-pop comparisons, they're VERY different albums, if I had to choose a favourite it'd be La Roux for my ears (there are some great noises on this record) but Little Boots for my feet (arf!); song-wise I can't help feeling that La Roux are just a little too retro, they really hammer the early-80's feel to death, to the detriment of some of the songs at times. That said, current single, Bulletproof, is a cracker. If you want some decent songs that you can sing along to, buy Little Boots, if you want to wallow in 80's nostalgia, buy La Roux.