grimharry
New member
Like I said earlier not best set up and maybe trying too hard to place plus it doesn't sound to me constant but either way seems we are getting some placement
Happy Birthday!!!grimharry said:52 next week and this is the first time I've ever played dire straits
Some find it too anal but for purposes of this thread it's only right to mention them.grimharry said:Just for you I will. I vaguely remember liking something by them when I was a schoolboy
insider9 said:Ok, I've got.
Synths in intro in line with speakers. Vocals in background and slightly higher than the rest with the guitar picked in front of it though lower.
When toms come in on both sides they're most forward of all instruments. Snare drum is central and back. These give a rather nice contour to soundstage. Main guitar riff is in left channel quite forward but behind were the toms were. Reverb from the guitar is stretching through the centre all the way to the right. Bass is behind the guitar and lower than both the guitar and vocals. Backing vocals are furthest into the mix off centre to the right. Main vocal is the highest and bass drum the lowest with bass guitar nicely filling in above that.
What did you get Gaz?
insider9 said:Happy Birthday!!!grimharry said:52 next week and this is the first time I've ever played dire straits
Try some Steely Dan while you're at it
nopiano said:Crumbs, that takes me back, Vlad. I had all those HiFi Choice books, when they reviewed a huge number of products and published about quarterly. Martin Colloms did many reviews. The square wave performance was one highlight of the Harman/kardon amps I used to favour, and owned. It shows a lot, if you use the 10kHz you showed and, say, 40Hz. Most Bristish amp were very weedy!Vladimir said:Leif said:I do wish that equipment reviews would present the sort of information given above. Knowing the frequency response and square wave reproduction does tell you something very useful albeit not the complete picture e.g. is there an enhanced bass, and high resolution, or a sudden treble drop off and a muddiness. So much of this audio world is flim flam, and smoke and mirrors with claims and counter claims rife.
This is how UK hifi reviews were done back in the 70's. Download PDF scans from my Google Drive* You can see the graphs are included, no subjective reviewer talk at all.
*Courtesy of Hyperion, member at Audiokarma.
That really does show up today's marketing. That was the stuff I grew up on, so still expect some decent specs and engineering.Vladimir said:nopiano said:Crumbs, that takes me back, Vlad. I had all those HiFi Choice books, when they reviewed a huge number of products and published about quarterly. Martin Colloms did many reviews. The square wave performance was one highlight of the Harman/kardon amps I used to favour, and owned. It shows a lot, if you use the 10kHz you showed and, say, 40Hz. Most Bristish amp were very weedy!Vladimir said:Leif said:I do wish that equipment reviews would present the sort of information given above. Knowing the frequency response and square wave reproduction does tell you something very useful albeit not the complete picture e.g. is there an enhanced bass, and high resolution, or a sudden treble drop off and a muddiness. So much of this audio world is flim flam, and smoke and mirrors with claims and counter claims rife.
This is how UK hifi reviews were done back in the 70's. Download PDF scans from my Google Drive* You can see the graphs are included, no subjective reviewer talk at all.
*Courtesy of Hyperion, member at Audiokarma.
BTW
Download this Marantz brochure from 1975 and tell me how many classical instruments, beautiful living spaces, concert halls and hot female models in Peter Dinklage sized dresses are in it.
How times are changing...
Electro said:Try a bit of Gaucho *good*
A fantastic album with a top notch dynamic recording quality !
And plenty of 3Dness *yes3*
https://open.spotify.com/album/5OtaRmEFDEDWIwxpqOgf03
grimharry said:Nothing wrong with abit of me myself i
Infiniteloop said:grimharry said:Nothing wrong with abit of me myself i
Zackly. Beautifully recorded too. 'The weakness in me' still has the power to bring a lump to my throat after all these years.
Al ears said:Infiniteloop said:grimharry said:Nothing wrong with abit of me myself i
Zackly. Beautifully recorded too. 'The weakness in me' still has the power to bring a lump to my throat after all these years.
Soppy (over 50 year old) sod.....
Infiniteloop said:Al ears said:Infiniteloop said:grimharry said:Nothing wrong with abit of me myself i
Zackly. Beautifully recorded too. 'The weakness in me' still has the power to bring a lump to my throat after all these years.
Soppy (over 50 year old) sod.....
Yup!
the bass guitar is coming from my left speaker just above the drums then lead guitar right speakerGaz37 said:Inspired by commennts in another thread I'm carrying out an experiment on perception of 3D soundstage.
I'd like everbody to listen to Money for Nothing by Dire Straits and post where they perceive the position of the bass guitar in relation to the other instruments. For example- to the left of and in front of the drummer.
Lets do it.........
Blacksabbath25 said:the bass guitar is coming from my left speaker just above the drums then lead guitar right speakerGaz37 said:Inspired by commennts in another thread I'm carrying out an experiment on perception of 3D soundstage.
I'd like everbody to listen to Money for Nothing by Dire Straits and post where they perceive the position of the bass guitar in relation to the other instruments. For example- to the left of and in front of the drummer.
Lets do it.........
the question was were can you hear the bass guitar on the song money for nothing I've just give a answer *smile* yes you get sound from both speakers but normally you can tell where instruments are placed in a song well I can anyway .Gazzip said:Blacksabbath25 said:the bass guitar is coming from my left speaker just above the drums then lead guitar right speakerGaz37 said:Inspired by commennts in another thread I'm carrying out an experiment on perception of 3D soundstage.
I'd like everbody to listen to Money for Nothing by Dire Straits and post where they perceive the position of the bass guitar in relation to the other instruments. For example- to the left of and in front of the drummer.
Lets do it.........
Just an observation BS, but surely none of the sound should be perceivable as coming from either speaker if you have created a soundstage?
Blacksabbath25 said:the question was were can you hear the bass guitar on the song money for nothing I've just give a answer *smile* yes you get sound from both speakers but normally you can tell where instruments are placed in a song well I can anyway .Gazzip said:Blacksabbath25 said:the bass guitar is coming from my left speaker just above the drums then lead guitar right speakerGaz37 said:Inspired by commennts in another thread I'm carrying out an experiment on perception of 3D soundstage.
I'd like everbody to listen to Money for Nothing by Dire Straits and post where they perceive the position of the bass guitar in relation to the other instruments. For example- to the left of and in front of the drummer.
Lets do it.........
Just an observation BS, but surely none of the sound should be perceivable as coming from either speaker if you have created a soundstage?
i think it's how well your speakers can project sound in a sound field as your speakers can trick your brain to think the band is spread out were your speakers are that's the best way I can explain it