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Apologies, if this is a stupid question but as the PS3 only has 1 HDMI port, how does it deliver audio to an amp and video to a TV at the same time?
New HD lossless audio formats:
In addition to HDMI's current ability to support high-bandwidth
uncompressed digital audio and all currently-available compressed
formats (such as Dolby Digital and DTS), HDMI 1.3 adds additional
support for new lossless compressed digital audio formats Dolby TrueHD
and DTS-HD Master Audio.
Perhaps the single most confusing aspect of HDMI 1.3 is its support for
high-resolution audio formats such as Dolby Digital Plus, Dolby TrueHD,
and DTS-HD, all of which require more bandwidth (and copy protection)
than can be transmitted over the old digital coaxial or Toslink optical
audio connections that were sufficient for Standard-Def DVD. If using
one of those cable types, the HD DVD or Blu-ray player will downconvert
the DD+, TrueHD, or DTS-HD signal to standard Dolby Digital or DTS
quality. In order to benefit from the full high-resolution quality of
these formats, the player must be connected by either HDMI or
multi-channel analog. For the purposes of this article, we're obviously
going to focus on the HDMI transmission method.
As I sat down to write out a detailed explanation of how the audio
formats are handled on both Blu-ray and HD DVD, I realized that I would
probably never be able to summarize the situation nearly as concisely
or eloquently as this description from AVSForum member Sanjay Durani,
which is reprinted here with permission:
First let's clarify some nomenclature. Dolby and DTS have both
introduced new audio codecs. The lossy ones are DD+ (Dolby Digital
Plus) and DTS-HD (High Definition). The lossless codecs are Dolby
TrueHD and DTS-HD MA (Master Audio).
Think of Dolby TrueHD and DTS-HD MA as zipping a computer file to save
space. None of the data is discarded, just packed more efficiently to
take up less storage space. When you unzip the file, 100% of the data
is still there, and you get a bit-for-bit copy of the original.
If you had a zipped document that you wanted to send me on disc, you
would have two choices. You could unzip it on your computer before
putting it on the disc. Or you could send it to me as a zipped file
(would take up less space on the disc) and I could unzip it on my
computer. Either way, I end up with the exact same document, down to
the last letter.
Likewise, decoding (unpacking) a soundtrack in the player or in the
receiver will yield the exact same results. It's not like high end
receivers have a special secret version of TrueHD decoding reserved for
them that cheap players aren't allowed to have. It's just format
decoding. If certain audio data is flagged for the left front channel,
then decoding in the worlds most expensive receiver won't place that
data somehow "more" into the left front channel than decoding in the
world's cheapest player.
Going back to the zipped document analogy. If you wanted to change
anything in the document, from simple correction of spelling mistakes
to complex re-formatting for a better look, you would first need to
unzip that document. You wouldn't be able to manipulate it while it was
still zipped.
Similarly, everything a receiver does to the soundtrack, up to and
including D/A conversion, requires the soundtrack to be in uncompressed
PCM form. In fact, when you send your receiver a DD or DTS bitstream,
the first thing it does is decompress the soundtrack to linear PCM.
Only then can it apply things like bass management, time alignment,
etc.
Soundtracks on HD DVD (and eventually on Blu-ray, when it goes
interactive) operate very differently than they do on DVD. With current
DVDs, you need entirely separate soundtracks for things like foreign
languages and filmmaker's commentary. This is actually a pretty
wasteful approach.
With HD DVD, soundtracks can be authored in the 'Advanced' mode, which
allows multiple content streams to be live-mixed (mixed in real time).
You don't need another soundtrack for foreign languages. Just swap out
the English centre channel stream with one of the foreign centre
channel streams. You don't need another soundtrack for commentary. Just
reduce the level of the main soundtrack and mix in the commentary
stream. Same with button sounds and other interactive features, like
picture-in-picture.
Just like editing the document requires unzipping the file first, doing
any of this live-mixing to the soundtrack requires decoding it to
linear PCM first. This is why it has to be done in the player. They're
not going to transmit every option to your receiver, just one
soundtrack. You choose what you want to hear, it is mixed in the player
(i.e. the soundtrack you want to hear is literally built in real time
inside the player) and transmitted as a final mix to your receiver.
Current HDMI allows 8 channels of 96/24 PCM to be transmitted (more
than enough resolution for any soundtrack), but not the new codecs in
their native form. When HDMI 1.3 arrives, it will allow the new codecs
mentioned above to be transmitted in their native bitstream, but only
if they were authored in 'Basic' mode (no interactivity). If the
soundtrack was authored in Advanced mode, then it cannot be transmitted
in undecoded form; decoding in the player is mandatory because of live
mixing.
So far, all HD DVD soundtracks have been authored in Advanced mode.
Which means nothing will change when new receivers arrive on the
market. Despite having HDMI 1.3 transmission and decoders built into
the receiver, decoding will still have to take place in the player.
Currently, Blu-ray discs are authored in Basic mode, since they haven't
gotten interactivity yet. As soon as BD Java is up and working, they'll
all be authored in Advanced mode too. At that point, what are the
decoders in the receivers going to do? Decode the relatively few BD
titles that were released before interactivity? Most of those titles
will be re-issued anyway.
Personally, I'm glad that decoding is shifting to the player. I wish it
had always been that way. Since receivers need the data in PCM form
anyway, that's what every player should be outputting (irrespective of
what format is used to store the data on the disc). As mentioned
before, when new audio codecs and formats arrive, you'll have to buy a
new player. But as long as the players keep outputting the audio in PCM
form, current receivers will always remain compatible with anything
that shows up in the future. How elegant is that!
Once again, marketing material from the hardware manufacturers is
misleading. Onkyo outright claims that their upcoming DV-HD805 HD DVD
player offers "streaming of the new lossless surround sound formats,
Dolby TrueHD and DTS-HD Master Audio, as well as two 'lossy' formats,
Dolby Digital Plus and DTS©-HD High Resolution Audio." Sure, the player
will be able to transmit the bitstreams of those formats, but only if
the disc is authored in Basic mode, which no HD DVDs are, a fact they
conveniently neglect to mention.
So, after all that, what does HDMI 1.3 truly gain the HD DVD or Blu-ray
consumer that couldn't be gotten from any of the previous existing
versions of HDMI? Frankly, not a lot. 1.3 offers the ability to
transmit extended color ranges that don't even exist in the source, and
makes available the delivery of raw audio bitstreams that are better
off decoded inside the player first anyway, after which they can be
(and currently are with great success) transmitted as uncompressed PCM
by any version of HDMI. Honestly, the only real innovation that HDMI
1.3 allows for is the enhanced lip sync correction feature, and there's
no indication of when or how that might be implemented.
If you were buying a new HDTV or A/V receiver right now and wanted to
feel thoroughly future-proofed, it certainly couldn't hurt to make sure
that they're HDMI 1.3 compliant, but there's no reason to feel nervous
or cheated if they aren't. At the present time, for all practical
applications, any version of HDMI is perfectly capable of transmitting
the best that Blu-ray or HD DVD offers just as well as any other.
Unfortunately, HDMI 1.3 is more hype than substance.