Yamyam said:Ah ha, so you'd think the LS50s would be better sounding? >)
Yamyam said:Sonos Connect -> Audiolab 8200DQ with 8200P biwired to (old, and therefore on the upgrade list) Ruark Prelude II / Grado RS2i for the twilight hours. Also have a B&K XLS200 which might take care of the bass distortion lindsayt mentioned?
Yamyam said:Sonos Connect -> Audiolab 8200DQ with 8200P biwired to (old, and therefore on the upgrade list) Ruark Prelude II / Grado RS2i for the twilight hours. Also have a B&K XLS200 which might take care of the bass distortion lindsayt mentioned?
damonster said:I don't think it matters what is technically better out of the two.Its a case of what will match your system better or what you like the sound of better .unless you go and demo both you are not going to know.there is nothing worse than buying blind or going on technical specs.i demoed ls50 against Pmc db1i .The ls50 were technically better but i loved the tonal qualities of the pmcs .majority of people on here prefered the ls50 .better is only something you can decide by demoing.Its personal tastes.
Supreme said:How do the LS50s cope with music like reggae and hip hop?
CnoEvil said:Supreme said:How do the LS50s cope with music like reggae and hip hop?
I suppose that depends if they produce enough bass for the individual taste of the person considering them.....the room and the ancillary equipment in which they find themselves, will have a pronounced effect.