grimharry
New member
But if it's dodgy sound quality on Spotify it could possibly be Spotify's fault you might find Spotify hi res might sound fine it's really a case of wait and see, or at least that's what I am doing. Always hopeful.
grimharry said:But if it's dodgy sound quality on Spotify it could possibly be Spotify's fault you might find Spotify hi res might sound fine it's really a case of wait and see, or at least that's what I am doing. Always hopeful.
Mark Rose-Smith said:Dave the extra quality only matters if it matters to you and no one else.....
Also don't be afraid to go second hand with theses premium boxes from linn or naim....remember there is no moving parts and they tend to be very reliable..I got my superuniti second hand from a Glasgow dealership which was sold by them originally to a lovely mature couple from Aberdeen.£1400 less than the original price.And I know people say naim are marmite but the sound is very smooth,a bit like my previous nait xs but with more control.I think the sound that most on the forum aren't particularly fond of is maybe the entry level integrated and some of the pre/power combos from yesteryear as moving from arcam myself it really didn't sound like a negative step or so different,just better.
grimharry said:What I was trying to say was that if Spotify hi res did happen you may be happy with what you have.
davedotco said:Playing some Troels Hammer at the moment, beautiful ambient style to start the day, good recording too, it is hard to imagine what a Linn or Naim streamer could do to improve what I am hearing right now, and even if they could, would it matter?
davedotco said:I an not afraid to go down the secondhand route but Linn or Naim streamers are actually quite rare and quite expensive.
I see a Uniqute 2 as a relatively affordable option, though they still fetch the best part of £1k. I was hoping that the release of the Atom might bring a few 'qutes to the secondhand market but that is not the case as yet, maybe a bit early?
Mark Rose-Smith said:I'm sure a few unitiqute ii's and superuniti's will start to come up on the market due to the new uniti range gradually being released but the problem is that they still fetch decent money...a problem for the buyer but a nice sellers market,but Dave you have active speakers and the amp section would be wasted and irrelevant to you...and yes the nd5xs is still very expensive even used examples aren't far off the price I paid for the superuniti and it has everything on board.
The problem with active speakers is you can only take them so far in terms of upgrades and for me that's a good reason to own a set if you want or need to kerb that upgraditis that I used to suffer from terribly...I've just approached it from a different angle.
CnoEvil said:davedotco said:Playing some Troels Hammer at the moment, beautiful ambient style to start the day, good recording too, it is hard to imagine what a Linn or Naim streamer could do to improve what I am hearing right now, and even if they could, would it matter?
You more than most, should know the answer to that. *wink*
The number of times I've said that (or heard it on here), only to have my preconceptions blown appart....the Magik DS sounds brilliant - until you hear an Akurate; which sounds brilliant - until you hear a Klimax.
As I understand it, much of the imaging and ambient info is on the recording....and the better the Source, the more "real" it sounds.
davedotco said:I understand entirely.
This is why I am limiting my thoughts to the Linn and Naim products, better hi-fi is really not what I am looking for at this point.
I am now playing some vintage 1961, Miles Davis live and although it sounds pretty good, this is the kind of recording that might respond well to a higher level of resolution, it sounds just a tad flat at lower levels though it is fine if I turn it up a bit, which I have just done!
I am not sure how much I want to get into the whole comparitive dem/upgrade situation, as you say I know just how good some of this equipment can be but I really do not want to be distracted by the hi-fi, not again.
It is simply a question of lifting my current setup a level or two in the areas I have described, then stopping. Remember, this is all from spotify, I am not looking to stream audiophile recordings (in fact I would rather stear well clear) so I am not expecting the ultimate, just an improvement as discussed.
CnoEvil said:davedotco said:I understand entirely.
This is why I am limiting my thoughts to the Linn and Naim products, better hi-fi is really not what I am looking for at this point.
I am now playing some vintage 1961, Miles Davis live and although it sounds pretty good, this is the kind of recording that might respond well to a higher level of resolution, it sounds just a tad flat at lower levels though it is fine if I turn it up a bit, which I have just done!
I am not sure how much I want to get into the whole comparitive dem/upgrade situation, as you say I know just how good some of this equipment can be but I really do not want to be distracted by the hi-fi, not again.
It is simply a question of lifting my current setup a level or two in the areas I have described, then stopping. Remember, this is all from spotify, I am not looking to stream audiophile recordings (in fact I would rather stear well clear) so I am not expecting the ultimate, just an improvement as discussed.
I feel somewhat ridiculous giving you advice....but feeling ridiculous is something I've got used to, over the years.
Anyway...I would strongly recommend that you don't rule out the Linn without hearing it (on the grounds of conveniance/saving money). If you feel the way I do (which you may not), there is no way you would end up with a Naim.
Do it once. Do it right. (I bet you've said that before). Sometimes, it's easier to give good advice to others, than take it yourself. *smile*
I know dave has already replied, but just had to say that this is very similar to my recent Ortofon catridge experience. Each one was fine, until you heard the extra detail, or ambient cues, or greater depth of the next one.CnoEvil said:davedotco said:Playing some Troels Hammer at the moment, beautiful ambient style to start the day, good recording too, it is hard to imagine what a Linn or Naim streamer could do to improve what I am hearing right now, and even if they could, would it matter?
You more than most, should know the answer to that. *wink*
The number of times I've said that (or heard it on here), only to have my preconceptions blown appart....the Magik DS sounds brilliant - until you hear an Akurate; which sounds brilliant - until you hear a Klimax.
As I understand it, much of the imaging and ambient info is on the recording....and the better the Source, the more "real" it sounds.
nopiano said:I know dave has already replied, but just had to say that this is very similar to my recent Ortofon catridge experience. Each one was fine, until you heard the extra detail, or ambient cues, or greater depth of the next one.CnoEvil said:davedotco said:Playing some Troels Hammer at the moment, beautiful ambient style to start the day, good recording too, it is hard to imagine what a Linn or Naim streamer could do to improve what I am hearing right now, and even if they could, would it matter?
You more than most, should know the answer to that. *wink*
The number of times I've said that (or heard it on here), only to have my preconceptions blown appart....the Magik DS sounds brilliant - until you hear an Akurate; which sounds brilliant - until you hear a Klimax.
As I understand it, much of the imaging and ambient info is on the recording....and the better the Source, the more "real" it sounds.
All the A/B dem stuff in the world falls away when you hear it yourself, and without any jiggery with hyping the volume. The length of time to swap cartridges with different outputs and weights etc., meant audio memory vanished! And I had no reason to seduced as I'm broke!
Theres a lot to be said for something more modest, that is as well matched as yours seems to be, dave. I've often found the simpler systems at shows often fare better as they aren't trying too hard, and it's similar at home. Having recently given some old KEF Coda 3 and Marantz electronics a spin at my dad's recently, all of which at least 30 year old, it sounded amazingly good (once the crackles diminished!).davedotco said:nopiano said:I know dave has already replied, but just had to say that this is very similar to my recent Ortofon catridge experience. Each one was fine, until you heard the extra detail, or ambient cues, or greater depth of the next one.CnoEvil said:davedotco said:Playing some Troels Hammer at the moment, beautiful ambient style to start the day, good recording too, it is hard to imagine what a Linn or Naim streamer could do to improve what I am hearing right now, and even if they could, would it matter?
You more than most, should know the answer to that. *wink*
The number of times I've said that (or heard it on here), only to have my preconceptions blown appart....the Magik DS sounds brilliant - until you hear an Akurate; which sounds brilliant - until you hear a Klimax.
As I understand it, much of the imaging and ambient info is on the recording....and the better the Source, the more "real" it sounds.
All the A/B dem stuff in the world falls away when you hear it yourself, and without any jiggery with hyping the volume. The length of time to swap cartridges with different outputs and weights etc., meant audio memory vanished! And I had no reason to seduced as I'm broke!
I do not really want to get on the hi-fi treadmill again and I am kind of concerned how improved resolution in the playback electronics, extra detail particularly, will fare with a less than optimal source such as spotify.
I know I will have to get out and give these options a go but I am unusually disorganised, hi-fi wise, at this point in time.
nopiano said:Theres a lot to be said for something more modest, that is as well matched as yours seems to be, dave. I've often found the simpler systems at shows often fare better as they aren't trying too hard, and it's similar at home. Having recently given some old KEF Coda 3 and Marantz electronics a spin at my dad's recently, all of which at least 30 year old, it sounded amazingly good (once the crackles diminished!).davedotco said:nopiano said:I know dave has already replied, but just had to say that this is very similar to my recent Ortofon catridge experience. Each one was fine, until you heard the extra detail, or ambient cues, or greater depth of the next one.CnoEvil said:davedotco said:Playing some Troels Hammer at the moment, beautiful ambient style to start the day, good recording too, it is hard to imagine what a Linn or Naim streamer could do to improve what I am hearing right now, and even if they could, would it matter?
You more than most, should know the answer to that. *wink*
The number of times I've said that (or heard it on here), only to have my preconceptions blown appart....the Magik DS sounds brilliant - until you hear an Akurate; which sounds brilliant - until you hear a Klimax.
As I understand it, much of the imaging and ambient info is on the recording....and the better the Source, the more "real" it sounds.
All the A/B dem stuff in the world falls away when you hear it yourself, and without any jiggery with hyping the volume. The length of time to swap cartridges with different outputs and weights etc., meant audio memory vanished! And I had no reason to seduced as I'm broke!
I do not really want to get on the hi-fi treadmill again and I am kind of concerned how improved resolution in the playback electronics, extra detail particularly, will fare with a less than optimal source such as spotify.
I know I will have to get out and give these options a go but I am unusually disorganised, hi-fi wise, at this point in time.
Mark Rose-Smith said:Also the nac172xs becomes a option for you Dave....pre amp and streamer with Spotify connect and tidal on board....quite a upgrade from the unitiqute and maybe all you ever need....a bit more expensive than the unitiqute on the used market but it will be performing the required duties needed...I believe rainsoothe has one with a nap 200.....they do come up on the well known auction site quite often, for some reason they haven't quite got that nod of approval from the naimee fraternity.lol.
Mark Rose-Smith said:Also the nac172xs becomes a option for you Dave....pre amp and streamer with Spotify connect and tidal on board....quite a upgrade from the unitiqute and maybe all you ever need....a bit more expensive than the unitiqute on the used market but it will be performing the required duties needed...I believe rainsoothe has one with a nap 200.....they do come up on the well known auction site quite often, for some reason they haven't quite got that nod of approval from the naimee fraternity.lol.
Andrewjvt said:Mark Rose-Smith said:Also the nac172xs becomes a option for you Dave....pre amp and streamer with Spotify connect and tidal on board....quite a upgrade from the unitiqute and maybe all you ever need....a bit more expensive than the unitiqute on the used market but it will be performing the required duties needed...I believe rainsoothe has one with a nap 200.....they do come up on the well known auction site quite often, for some reason they haven't quite got that nod of approval from the naimee fraternity.lol.
Sorry to op for diversions Just want to thank Mark for getting my interest in dire straits live. I brought a live CD and I forgot about my favourite song 'you and your friend' One of the most emotional solos available to human kind
Thank you love it