I had an unexpected bonus yesterday evening: Mrs ESP had suddenly realised that she had a meeting to attend (hidden until yesterday by the paper clip she uses to mark the diary pages!) I found myself with a couple or so hours to while away. So, rather than do anything constructive and useful, I decided to play.
Out of exile in the front room came the Marantz CD63 Mk2 and PM66SE KI Signatures. Grasping the bull be the horns, I seized the opportunity to use the optical toslink cable (all 10m of it) I had purchased to link up the laptop (yes, the one without any digital outputs!) Before being consigned to its packaging for return to Music Matters, I connected up the Audiolab M-DAC and gave the impromptu setup a listen.
Very nice! Certainly that bit different from the presentation of the Uniti: more sense of space and delicacy. If more impact and presence is your bag, then the Uniti is your kit of choice. However, given that the combined cost of the two Marantz boxes with the Audiolab M-DAC is less than half that of the Naim Uniti, my opinion is that their performance is on a par – it just comes down to personal taste regarding how you want your music to sound and where it is stored.
Therefore, working backwards, I disconnected the M-DAC to see what the sound would lose without it. And, indeed, there was a distinct change. Whereas with the Primares, the M-DAC hardly had an appreciable effect, with the Marantz kit I became quickly aware of the boost it provided. Without the M-DAC the sound became, by comparison, thin and lacking in focus. As soon as the M-DAC was added to the equation, it seemed to act like an orchestra’s conductor: no matter how talented the performers, they need a single coordinator to bring out the best in them and that’s what the M-DAC was doing. It tightened up the sound, it enhanced details, it organised the soundstage. Impact was added to the sound whilst preserving clarity and musicality. The slight ‘fizz’ or sibilance at the top end was tamed and made crisper. Overall, a definite improvement. Take the M-DAC away and the experience is lessened.
But does the M-DAC provide value for money? Up stepped the Cambridge Dacmagic. Was there a difference? Yes, I believe there was. OK, so it was by no means an exhaustive listening session, but my initial impression was that, as often sensibly stated, diminishing returns do set in. Although I do like the M-DAC, I honestly don’t believe it goes far enough to beat the Dacmagic in terms of value for money. The Dacmagic did everything the M-DAC had done, but just not quite with the same degree of polish. But when you consider the price differential, the added extra that the M-DAC offers is not sufficient. That’s my experience and my opinion, for what it’s worth.
So, the M-DAC got packed away. The Dacmagic was put back in its usual place. I then turned to the Uniti – it has an onboard DAC. It has optical inputs. I hooked up the CD63 and fiddled around a little. The music began to flow once more. Hmmm, to be honest, I am not sure about the result. Thinking about it now, I think I would have to say that what the Naim Uniti does to the Marantz CD63 is change its character too much. Whilst the Dacmagic and M-DAC take what the Marantz has to offer and add polish, enhancing the sound, what the Naim does is stamp its own image on things. I don’t like that. Switching to the CDP module of the Uniti reinforces that opinion: the Naim Uniti sound is great, but it is different from that of the Marantz. Put them together and, to my ears, you get a hybrid that doesn’t quite work.
And that’s it. Playtime was pretty much over. All on-loan kit was packaged up, ready for return. A quick system check to ensure the status quo was re-established, and then it was time to be sociable…until the next time.