BenLaw said:In your case, if you've got an impressive willy that you've been talking about for ages and loads of people want to see, then waggle away. Or something.
Covenanter said:I saw somewhere on this forum a post which suggested that a hi-fi system didn’t need to reproduce something that sounded like the original performance. Now the “fi” part of hi-fi is short for “fidelity” which means truthfulness so hi-fi means something like “highly truthful to the original”. I seriously wonder whether posters to this forum are actually interested in “hi-fi” or in something which simply sounds good. Now there is nothing wrong with having a great sounding system but if it can’t reproduce original performances it ain’t hi-fi! Now there’s nothing wrong with that but we shouldn’t deceive ourselves! Similarly there are highly favourable reviews of speakers on this site which I know from listening to them can’t actually reproduce the sound of a piano! I know what pianos sound like, I live less than 1 mile from Symphony Hall in Birmingham and have been going to concerts for 50 years! I am willing to suggest that the reviewers on this site don't really know whay they are talking about. How can they justify giving a high rating to a speaker which can't reproduce accurate sound? They either can't hear properly or ... So, whilst I hate to be controversial, is this site simply a sham? Discuss!!! Chris
GSB said:could the same critism be levaled at PA's.....?
an accoustic drum kit sounds completley different over a PA imho.
mric said:GSB said:could the same critism be levaled at PA's.....?
an accoustic drum kit sounds completley different over a PA imho.
Absolutely - the 'musical instrument' in highly-amplified music in a venue is the whole chain out to the speakers. If you want that effect at home from a studio recording, stick your expensive hifi loudspeakers in a large bucket sitting on a tin tea tray, turn the bass up to 11, and run a recording of 2000 people talking, singing and jumping up and down.
Still, the question of how well hifi reproduces well-recorded instrumental and vocal sounds is relevant. I chose my speakers against recordings of pianos, orchestras and voices, and pretty much all the ones I tried struggled more or less - I ended up with MA Silver RX-2's, which I am very happy with, and I would agree that BX-5's sounded odd with pianos.
I am not surprised by that difficulty, though. Next to my hifi I have a grand piano - it is 6'2" long, has a soundboard of approximately 15 square foot, and costs £20,000. The pianos in many recordings are 9ft, £130,000 instruments. My decent-enough hifi isn't going to get close.
Thompsonuxb said:I read this "The point I was making about “fidelity” was that unless you have heard live performances you wouldn’t know what was or wasn’t accurate. " and had to laugh to myself, what you need is a reciever with a decent DSP - if you want that 'real sound' then you can go through the jazz, concert hall, stadium, etc modes till you get your accurate sound.......funny.
As a youth I worked in a leisure centre, which held concerts in the main sports hall, I heard Black Sabbath (minus Ozzy) , The Alarm, Transvision Vamp early 90's bands. Rock and pop bands, the hall was accousticly treated with large curtains, wooden boards and the like.
Now, placing some earbuds or toilet paper in your ears I swear made these concerts sound superb, as if it was on your hi fi, seperated and detailed - without the earbuds it was just harsh noise it could get painful.
I have heard artist sing live...hitting some duff notes and or sounding nazzle, running out of voice......Live performances imo are way overrated.
Thompsonuxb said:I read this "The point I was making about “fidelity” was that unless you have heard live performances you wouldn’t know what was or wasn’t accurate. " and had to laugh to myself, what you need is a reciever with a decent DSP - if you want that 'real sound' then you can go through the jazz, concert hall, stadium, etc modes till you get your accurate sound.......funny.
As a youth I worked in a leisure centre, which held concerts in the main sports hall, I heard Black Sabbath (minus Ozzy) , The Alarm, Transvision Vamp early 90's bands. Rock and pop bands, the hall was accousticly treated with large curtains, wooden boards and the like.
Now, placing some earbuds or toilet paper in your ears I swear made these concerts sound superb, as if it was on your hi fi, seperated and detailed - without the earbuds it was just harsh noise it could get painful.
I have heard artist sing live...hitting some duff notes and or sounding nazzle, running out of voice......Live performances imo are way overrated.
Native_bon said:I agree, cause am a music producer myself & i hear live instruments all the time. Again most HIFI systems theses days sound clinical to piont of vioding the music of soul & body. Very few systems have true instrument richness. Hence cannot really reproduce the sound of a paino note.
Most systems are disguised by warmth around instruments to make them sound fuller. This leads me back to the true reproduction of instrument sounds with active speakers. Active speakers are the closes you will get to real insruments!!. Expect u have loads & loads of money to reproduce the same sound with passive speakers.
nawty said:'scuse my ignorance. Aside from a shorter signal path between amps and speakers, what difference does it have if your speakers are active or not - I don't suppse they use active xovers too?
idc said:I certainly do not want my hifi to sound like the live version of any band. All the live events I have been to have varied from OK to awful.
As for how close to the recorded sound it is, who knows.
All I can say is after thousands and thousands of hours listening to all sorts of hifis, I know what I like.![]()
Thompsonuxb said:But Chris, surely you can see most are trying to achieve better fidelity, cleaner, more defined top end, fuller midrange and defined tonally textured low end. The basics for what could be considered a good sound. music with weight yet clean enough to sound seperated (yes, I said seperated) but also cohesive.
So the deg on a chord on an accoustic guitar or piano does not last as long as the real thing.....c'mon, who's missing the point?
Covenanter said:Thompsonuxb said:But Chris, surely you can see most are trying to achieve better fidelity, cleaner, more defined top end, fuller midrange and defined tonally textured low end. The basics for what could be considered a good sound. music with weight yet clean enough to sound seperated (yes, I said seperated) but also cohesive.
So the deg on a chord on an accoustic guitar or piano does not last as long as the real thing.....c'mon, who's missing the point?
Well you see I'm not so certain that they are or to be more precise how they will know when they have got there! (BTW I'm not sure what all your words actually mean! "Tonally textured" has me a bit worried.) The thing I'm getting at is how you know you are making progress unless you have a standard to aim at. For me I want my hifi to reproduce music that comes as close as possible to what I hear when I see it performed live. I accept that there are restrictions on that, for example I live in an apartment and volume levels have to be limited, but that's what i'm aiming for.
Chris
PS I'm not sure where your last line comes from. I haven't mentioned the "deg on a chord". What I have mentioned, indeed I started with it, was a piano not sounding like a piano.