I’m going to offer just three recordings that I use when I want to show off my system – one pop/rock one classical and one jazz. I love seeing my friends’ eyes light up when they sit down and listen to these recordings in my family room.
Classical
Respighi: Pines of Rome, The Birds & Fountains of Rome – Atlanta Symphony Orchestra – Louis Lane, Conductor
This recording is simply an aural delight. Light and airy at times and bold and big at others, it really shows off the dynamic range of your system. It’s shimmering, graceful, nuanced. Telarc’s Jack Renner is a legendary recording engineer and he does some of his best work here and the Atlanta Symphony Orchestra hit an artistic peak during the mid-1980s under conductor Louis Lane. This recording is simply superb. One of the best classical recordings of all-time.
Pop/Rock
Steely Dan – Aja
What can you say about this recording that hasn’t already been said? Donald Fagen and Walter Becker were meticulous with this recording, going over hours of takes from various musician to get just the right sound. The sonic detail in this record is still hard to comprehend, especially considering it was recorded in 1977. It won the Grammy for Best Engineered Recording and what’s really fun is watching the expression on your friends’ faces when they rediscover these familiar tunes on a killer system. The engineers really nailed it on this one. Pristine is the only word to describe this recording.
Jazz
Laurence Hobgood Quartet featuring Ernie Watts
If you worked in audio like I did in the 1980s, you’ll remember the sort of “underground” jazz recording for audiophiles was the legendary Jazz at the Pawnshop. Laurence Hobgood Quartet featuring Ernie Watts is this generation’s Jazz at the Pawnshop. Recorded live in a small jazz club in Indianapolis in 2012, the sonic elements of the classic jazz quartet are brought out in stunning detail. Hobgood and Watts are on fire and their interplay is amazing. The crowd is seriously into it, which ups the intensity. The recording is just gorgeous. Thanks to today’s digital recording technology, you can hear Watts working the keys on his sax and - like on Pawnshop - the clinking of silverware and plates as customers are served. These guys were on fire that night and fortunately engineer Ken Christianson of Pro Musica captured the evening perfectly. This one is hard to find, but seek it out if you have jazz fans you want to impress.