D
Deleted member 108165
Guest
I was getting rather a lot of sibilance with the MP300, (I own too many “hot” pop-recordings), so after some lengthy trawling on the net to find a cure the recommendations were very much in favour of a fine-line stylus.
AT440MLB to the rescue…. Or is it?
Pros: A remarkable cartridge for the price, (c£130). It is recommended that the retaining nuts should be on top of the arm with the screws being inserted from the base, otherwise stylus change cannot be performed. This was not the case on my arm as with the screws fitted from above the stylus can still be removed and refitted easily. Doddle to set-up with the nice shiny cantilever – shines like a beacon under led light. Beautifully silent in operation and extracts an enormous amount of fine detail from the grooves. I’ve never heard a cart track a groove so well! Sibilance issues have now all but disappeared.
Cons: Initial reaction - where’s all the bass gone? (now filling-out nicely after 10 hours use). Mid-range is sadly nowhere near as prominent or as rosy as the MP300. The biggest problem for me with this cart is that, unfortunately, it is too damned bright - gives me a headache after an hour! It may be a resonance mis-match with my tonearm or just the nature of the cart. I’m hoping that things will change after the 30-hour fettling period but that hasn’t stopped me from fishing around for an MP500 stylus.
I did try the 2M Black again but that was a no-go, still too forward for my liking and it must be fed with perfect vinyl to avoid noise issues.
AT440MLB to the rescue…. Or is it?
Pros: A remarkable cartridge for the price, (c£130). It is recommended that the retaining nuts should be on top of the arm with the screws being inserted from the base, otherwise stylus change cannot be performed. This was not the case on my arm as with the screws fitted from above the stylus can still be removed and refitted easily. Doddle to set-up with the nice shiny cantilever – shines like a beacon under led light. Beautifully silent in operation and extracts an enormous amount of fine detail from the grooves. I’ve never heard a cart track a groove so well! Sibilance issues have now all but disappeared.
Cons: Initial reaction - where’s all the bass gone? (now filling-out nicely after 10 hours use). Mid-range is sadly nowhere near as prominent or as rosy as the MP300. The biggest problem for me with this cart is that, unfortunately, it is too damned bright - gives me a headache after an hour! It may be a resonance mis-match with my tonearm or just the nature of the cart. I’m hoping that things will change after the 30-hour fettling period but that hasn’t stopped me from fishing around for an MP500 stylus.
I did try the 2M Black again but that was a no-go, still too forward for my liking and it must be fed with perfect vinyl to avoid noise issues.