- Aug 10, 2019
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Hi folks. I have 2 problems (at least that I'm willing to talk about on here); Firstly, I've now spent as much repairing my NAD C370 over the last 10-12 years as I did buying it and now it's slowly dying, so time for a new amp but what to buy!?... My second problems is my hearing; I had a hearing test as part of the medical for my current employer; it would seem that after years of spending time in gig's, studios and in noisy factory’s I've lost a chunk of the lower bass register of my hearing. So I guess I'm looking not so much for a neutral amp but for something with a bit more low end welly; any suggestion?
My inputs are a Rega P3-24 with Pro-ject Phono Box and a PC running through an Arcam - rPAC DAC, in a room about 11'x13'. Speakers are currently Mission 750LE's on Apollo stands but I could be looking to replace these if they don't work with what ever amp I end up with next - Any system suggestions would be greatly appreciated (preferably standmount speakers as I'm shortish on room, though after Thursday's audition I have a feeling I may have to go to floorstanders to get the sound I want)
I listen to a wide variety of music from full orchestral to experimental electronica through to hip-hop, jazz, blues, funk, 60's R&B, ska, punk, techno, opera, acoustic folk; though I guess the main use will be metal; mostly either sludgy and detuned or just very heavy blues.
Thursday I spent a couple of hours auditioning an Audiolab 8200A & a Cyrus 6a through Tannoy DC6's and then Dali Zensor 7's. Didn't like the Audiolab but the Cyrus certainly had it's moments, though I found in some cases the vocals to be far to bright & in your face whilst having to strain to hear bass lines that I know so well (my dodgy ears I guess). Surprising, Godflesh sounded great through the Cyrus!
What I felt I was missing from both of these amplifiers was the oomph that the C370 seems to give; not sheer volume oomph but that low volume oomph that still delivers bass and presence when played quietly (I live in a a block of flats, you have show at least some consideration ). As for speakers only the floorstanders came close... Have I been spoilt by the 120W sledgehammer that is the C370?
I'm hoping to audition a Brio-R over the next week or 2 but having listened to the Cyrus i'm concerned that this amp may also be to neutral for my damaged ears and lack the oomph I'm craving.
I have a budget of around £1500 but was hoping to include in this amp, speakers & cables, a Rega TT-PSU and maybe an equipment rack to replace the MDF coffee table I'm currently using. Though the longer I spend hunting the more I realise I may have to compromise my list, unless of course I decide to try ebay (there's currently an old Audiolab 8000A on ebay; my memory tells me I loved the sound of the 8000A when I heard it back in the day but if the new 8200A is anything like old 8000A then I have a very false memory)
Cheers for reading folks and thanks for any and all suggestions, help, tips, etc x
My inputs are a Rega P3-24 with Pro-ject Phono Box and a PC running through an Arcam - rPAC DAC, in a room about 11'x13'. Speakers are currently Mission 750LE's on Apollo stands but I could be looking to replace these if they don't work with what ever amp I end up with next - Any system suggestions would be greatly appreciated (preferably standmount speakers as I'm shortish on room, though after Thursday's audition I have a feeling I may have to go to floorstanders to get the sound I want)
I listen to a wide variety of music from full orchestral to experimental electronica through to hip-hop, jazz, blues, funk, 60's R&B, ska, punk, techno, opera, acoustic folk; though I guess the main use will be metal; mostly either sludgy and detuned or just very heavy blues.
Thursday I spent a couple of hours auditioning an Audiolab 8200A & a Cyrus 6a through Tannoy DC6's and then Dali Zensor 7's. Didn't like the Audiolab but the Cyrus certainly had it's moments, though I found in some cases the vocals to be far to bright & in your face whilst having to strain to hear bass lines that I know so well (my dodgy ears I guess). Surprising, Godflesh sounded great through the Cyrus!
What I felt I was missing from both of these amplifiers was the oomph that the C370 seems to give; not sheer volume oomph but that low volume oomph that still delivers bass and presence when played quietly (I live in a a block of flats, you have show at least some consideration ). As for speakers only the floorstanders came close... Have I been spoilt by the 120W sledgehammer that is the C370?
I'm hoping to audition a Brio-R over the next week or 2 but having listened to the Cyrus i'm concerned that this amp may also be to neutral for my damaged ears and lack the oomph I'm craving.
I have a budget of around £1500 but was hoping to include in this amp, speakers & cables, a Rega TT-PSU and maybe an equipment rack to replace the MDF coffee table I'm currently using. Though the longer I spend hunting the more I realise I may have to compromise my list, unless of course I decide to try ebay (there's currently an old Audiolab 8000A on ebay; my memory tells me I loved the sound of the 8000A when I heard it back in the day but if the new 8200A is anything like old 8000A then I have a very false memory)
Cheers for reading folks and thanks for any and all suggestions, help, tips, etc x