Benedict_Arnold
New member
Well, I'm not turning my media room into "the black hole of Calcutta", that's for sure.
So I'm more interested in how home PJs work in reasonably darkened homes.
What some cinema in London does is about irrelevant as what Lewis Hamilton does to his Mercedes F1 car as I do to my 2008 AMG.
Same goes for hi-fi really. For sure if you're doing a comparative test you need to use the same, neutral environment, but to suggest we should all deck out our living rooms in sound deadening anti-reflective foam cones is ridiculous.
My media room has no windows, neutral decor and a fairly light proof door I could but something round, but thats about it as far as darkening it goes.
BTW the eggbox thing is what they used to do in the 40s and 50s (and 60s) when money was tight according to my late BBC SOUND ENGINEER grandfather.
Oh, and I'd be interested to see what the reflectivity of different wall treatments is. I'm not sure that surfaces need to be black, completely black, to cut down light reflection to reasonable levels.
So I'm more interested in how home PJs work in reasonably darkened homes.
What some cinema in London does is about irrelevant as what Lewis Hamilton does to his Mercedes F1 car as I do to my 2008 AMG.
Same goes for hi-fi really. For sure if you're doing a comparative test you need to use the same, neutral environment, but to suggest we should all deck out our living rooms in sound deadening anti-reflective foam cones is ridiculous.
My media room has no windows, neutral decor and a fairly light proof door I could but something round, but thats about it as far as darkening it goes.
BTW the eggbox thing is what they used to do in the 40s and 50s (and 60s) when money was tight according to my late BBC SOUND ENGINEER grandfather.
Oh, and I'd be interested to see what the reflectivity of different wall treatments is. I'm not sure that surfaces need to be black, completely black, to cut down light reflection to reasonable levels.