BIGBERNARDBRESSLAW said:
I think it's a great film, a film about obsession, true love, and it makes you think about how far you would go to find out the truth of someone you love's disappearance.
I've read reviews that absolutely hate the ending, and question whether someone would willingly allow themselves to be drugged unconscious, just to find out the truth.
The film did not immediately grab me during the first few minutes, like some films do. However once past that point, it became a film where you never quite felt at ease. It was clear that the girl had disappeared, and who the main suspect was, but for a long time there was the background suspicion that she may not have disappeared, and that maybe Raymond is a 'red herring'.
I also felt frustrated at Rex, because he had a lovely new girlfriend, but drove her away because she could not live with his obsession.
Gradually Raymonds true nature unfolded, and yet there was still the nagging doubt that Saskia had not been seen dead, so maybe she was still alive, and Raymond was maybe just playing games with Rex. The possibility of this type of end to the film, did seem more plausible, as it became clear that there were only a few minutes remaining of the film, and we had still to discover if Saskia had died (or not?), and what would happen to Rex.
And then in the space of just a couple of minutes, it became clear that Saskia had died, and Rex was entombed in the coffin, waiting to die. I did find this rapid ending unsatisfactory, because it felt like the director had spent great effort, trying to build, and sustain, the suspense, and then run out of ideas/budget, to make the death scene interesting.
In hindsight the focus of the film is Rex's obsession for Saskia, and what it drives him to do - in many respects, it is unimportant how she died. The film was well regarded by other directors, for the mechanics of gradually building and maintaining the suspense, without needing to resort to blood, great violence, or explicit sex. Certainly the later 'remakes' seem to be regarded as pale imitations of this the original version.