MajorFubar said:
Someone somewhere is chewing their nails off at the thought of you pairing a microsystem with a street price of £300 to speakers whose original RRP was double that. Be interesting to know how you feel the sound compares to the Quad when you've had a few days to settle in.
The speakers were £750 when I bought them but are still just simple, chipboard, vinyl wrap cabinets with very simple paper, Vifa drivers and foam surrounds (eek!). They are 'Handmade In Denmark' according to the badges on the front. The most important thing for me is that they perform well in corners and close to walls which is where they are. They are such an easy and comfortable listen without being at all dull.
As for the Quad, I am not running away with the idea that it was so 'special'. It not only shared it's 'engine room' (TI LM3886 power amp modules) with Arcam's A18 and the A19 and the 1st generation Solo Music, BUT also with the bargain basement Cambridge Audio Azur 350A and 351A amplifiers (before we get all carried away with it's credentials as 'chip bud' with various Arcams!)
All I know about the Marantz M-CR6nn amplifiers is that they are Class D/digital amplifiers and sound absolutely fine despite Class D's status among audiophiles being akin to "something I found on my shoe" even though the technology is mature! But some Audiophiles are still having CD vs Digital debates without realising ... 1. That CD is digital and 2. You are allowed to have both.
As for unlikely Marantz M-CR6nn pairings ...
https://www.gramophone.co.uk/editorial/marantz-m-cr603-a-compact-solution-packed-with-performance
... "I finally settled on the PMC GB1 speakers (normally used on the rear channels of my surround system) for most of the testing. That’s a pair of speakers selling for over £1500, yet the Marantz system proved more than capable of both driving them and making them sound rather special."