Spotify Lossless

Page 2 - Seeking answers? Join the What HiFi community: the world's leading independent guide to buying and owning hi-fi and home entertainment products.
When can I start listening?

Lossless is rolling out gradually to more than 50 markets through October. Premium subscribers in Australia, Austria, Czechia, Denmark, Germany, Japan, New Zealand, the Netherlands, Portugal, Sweden, the US, and the UK have already started to get access.

 
  • Like
Reactions: Cricketbat70
And whilst I personally don't really like all of these measurements etc. to prove a point, it is a major ball drop from Spotify.

They'll have known that there are very particular nerds in the audio space who would have been pouncing on this instantly, so it entirely devalues their current implementation of a lossless proposition. They're fortunate they didn't have the nerve to charge for it (maybe this is why!) because then they could have had a bit of a problem.
 

I didn't take this video very seriously as it was solely focused on mobile/PC playback. And without an external DAC you won't get bitperfect out of Tidal or Qobuz anyway - on a phone/PC.

WHF's review however has suggested, at the same lossless bitrates, Tidal still sounds better.

Instead of these videos I'm more interested in personal feedback here.
 
Wonder where all the fuss is about.
Spotify delivers a lossless file to your renderer.
If your renderer is not able to provide bit perfect output, does that make Spotify lossy?
I'm afraid Goldensound is unable to discriminate between lossy and bit perfect.

Anyway, Spotify delivers 44.1 kHz FLAC. If you set Win (or Mac) to 44.1 kHz, no resampling will take place.
Now you still have the mixer running. It convert to float, mix (even if one stream is running), dither and convert back to integer.
If you have an old DAC, one only able to do 16 bit, this might be audible. In fact they invented dither because signals at -96 dBFS are audible. Now what if you have a more modern DAC, one able to do 24 or 32 bit?
Dither affects the LSB. Bit 24 is at -144 dBFS. (32 at -192 of course). Do you have any component in your playback chain able to resolve this?
Do you have any 24 bit recording with musical information in bit 24? You don't, 20 or 21 one is about the max a very quiet recording chain can resolve.

I'm afraid this video is a typical case of much ado about nothing.
 

TRENDING THREADS