nopiano
Well-known member
Well said, Gazzip!
Trouble is, I imagine if you are wedded to the science you feel it is your duty to correct us mere mortals who think we believe what we hear.
When I go to a live piano recital, for example, I may not be following the score (though some will be), but it will be the interpretation, emotional impact, and structure conveyed that is debated in the interval, not how many wrong notes (unless it goes completely off the rails).
Now, I've yet to hear a dodgy amp or pair of speakers change the notes on the recording, but they certainly can convey the music in a way that gives a reasonable impression of the original performance if they are good enough. Interestingly, some of the most succesful amp designs are deliberately engineered to retain a certain quantity of noise, distortion or impedance, that a purist approach might baulk at. These apparently create a more euphonic result, and that is where the science no longer seems as relevant.
Apologies to the OP for continuing off-topic.
Trouble is, I imagine if you are wedded to the science you feel it is your duty to correct us mere mortals who think we believe what we hear.
When I go to a live piano recital, for example, I may not be following the score (though some will be), but it will be the interpretation, emotional impact, and structure conveyed that is debated in the interval, not how many wrong notes (unless it goes completely off the rails).
Now, I've yet to hear a dodgy amp or pair of speakers change the notes on the recording, but they certainly can convey the music in a way that gives a reasonable impression of the original performance if they are good enough. Interestingly, some of the most succesful amp designs are deliberately engineered to retain a certain quantity of noise, distortion or impedance, that a purist approach might baulk at. These apparently create a more euphonic result, and that is where the science no longer seems as relevant.
Apologies to the OP for continuing off-topic.