Vladimir said:stereoman said:Vladimir said:Why is this in off-topic? It should be in Hi-Fi.
Moved. On the other hand guys - there is this something, elusive thing that I'm trying to get the gist of. I'm really starting to be partial on these hiFi High End things and systems. I get this strange feeling that when a friend of mine plays his music on a 500€ 2.1 system it sounds so bloody good. I also noticed that I never ever wanted to change my wifi system although it cost me 250€ and though it lacks sophisticated detail and resolution it gives me this full body sound that I've been listening to it for years without the slightest desire to sell it or change. It never happened this with any of my HiFi systems that I've had for years so far. Have you also noticed that 90% of all audiophiles sell their systems on because they are not glad with their HiFi and only the rest 10% for another reasons ? There must be "something" in it. That is why I started the topic with this frequency full coverage because this is what seems to be the most critical part in any HiFi.
I have one more yammering to add.
Most audiophiles are stuck in a huge pool of mediocrity where they have to be more and more critical over minute differences to get their kicks and excitement from the hobby. So when they hear a truly Hi-End system, the actual step up feels enormous, giant. This drives prices up to insanity levels. The logic is, if I was ready to pay 15K for mediocrity, I don't mind paying 10 times more for something that feels 10 times better, although in reality it isn't 10 times better, just feels like it. There's a palpable difference.
This ocean of mediocrity is also why different sells as better by default, and if you can't get different by improving (too expensive), then you make controlled worsening. Solid state and digital created this ocean, so many are going back to vinyl, valves etc. to get their differences. They can enjoy fiddling with tonearms, carts, cables and actually hear differences and not get called out as delusional.
This line of thinking got me to recommend in another thread a Mcintosh valve beast to replace a Yamaha A-S2000 integrated. The OP didn't mention any criteria for us to base advice on, just said I want different, I'm open to any suggestion. So what's the point in suggesting him another solid state integrated?
QuestForThe13thNote said:I think what people are prepared to pay dictates prices in the determination of market price, otherwise people don’t pay, it doesn’t reach that price. In goods where the price exceeeds the cost of goods by some margin, in premium goods, it’s ever more important. But I don’t think people quite realise what goes into a business selling to a niche premium market. It will cost. Just like staying in a premium inn versus a bespoke hotel.
stereoman said:We all live in this crazy price fallacy. Imagine yourselves this. You've won an amp worth of 25.000 Pounds. You put it on your system, thinking, God it sounds great but wait a sec 25 Grand ? I'll sell them on and buy an Accuphase for 5.000 with about 20 Grand in pocket. It will be also great and sound great. The price increase has nothing to do with quality as such but with possibility of buying / selling only a few pieces to people who want to have a uniqe thing so that they know other ones won't buy them unless they are rich enough. Mind, that 80% of all HiFi systems should be about 50% cheaper than they really are.
I know I have not discovered anything new...
QuestForThe13thNote said:There will be exceptions but on the whole I doubt that, if you lived with them for a while.
id also be the last person to defend the kit I have, if something of similar quality could be consistently achieved more cheaply. But often it’s possible to say something Sounds as good as ones system or better for same price, for instance at a show, but I’d be careful as the tests needs to be done a to b where it becomes very obvious - at home.
at the cyrus event last week they demoed a stereo 200 and mono x300 power amps. To me it sounded different but not massively different to start with. But get it back home it’s a different story. Your acoustic environment, speakers, sources, cables, you’ll pick everything out. I thought my power amps were on par to much cheaper amps in the range, when in the shop, but get them home, totally different.
QuestForThe13thNote said:I always think the effects of hi Fi can be subtle on first occasion of listening, external to normal environment, and without much playing time, but when you get used to it in your own environment, it’s a totally different kettle of fish. That’s why you can hear amps in dealers with the speakers you own and not think much difference, but get them home it’s different. Also at shows you can hear all the speakers, some of which are cheaper, and think they seem to sound better than my set up, but do they really? What’s it like if you got them home. There is also an element of making a comparison and reference point. If you compare two systems at home, you can make a direct comparative judgement, but at a show or in a dealer in a different acoustic environment you have not much of a reference to compare becaus your system is not sitting there with the same room layout, at your disposal. I think this is a very important point and it’s why I’ve often thought that something sounds similar or comparable in a dealer, but not so at home. Throw into the bargain unfamiliar speakers as well, even more of this can happen. This is why I think it’s possible to think something very much cheaper can be better, but hi Fi is a fickle thing and comparative judgements need to be done properly. I think there is also an element of hearing bing not the best sense compared to our visual acuity. If you compared a 560 tv with a 1080 One it’s, a much more obvious comparative judgement, and less so with drawing disparities with hi Fi and hearing.
Vladimir said:Most audiophiles are stuck in a huge pool of mediocrity where they have to be more and more critical over minute differences to get their kicks and excitement from the hobby. So when they hear a truly Hi-End system, the actual step up feels enormous, giant. This drives prices up to insanity levels. The logic is, if I was ready to pay 15K for mediocrity, I don't mind paying 10 times more for something that feels 10 times better, although in reality it isn't 10 times better, just feels like it. There's a palpable difference.
This ocean of mediocrity is also why different sells as better by default, and if you can't get different by improving (too expensive), then you make controlled worsening. Solid state and digital created this ocean, so many are going back to vinyl, valves etc. to get their differences. They can enjoy fiddling with tonearms, carts, cables and actually hear differences and not get called out as delusional.
This line of thinking got me to recommend in another thread a Mcintosh valve beast to replace a Yamaha A-S2000 integrated. The OP didn't mention any criteria for us to base advice on, just said I want different, I'm open to any suggestion. So what's the point in suggesting him another solid state integrated?
Why would you not want to have upgraditis?Vladimir said:How not to get upgraditis is the hard part.
insider9 said:Why would you not want to have upgraditis?Vladimir said:How not to get upgraditis is the hard part.
Oh yes they would. If they are not aware of the existance of the £1k system. Or if in being aware they still choose not to buy. Reasons for this include:QuestForThe13thNote said:For cars like rolls Royce or jewellery or fine wines is what that is, but hi Fi and consumer electronics has high elasticity of demand and high depreciation so I doubt you could fit it into desirable classes of goods like jewellery or rolls Royce cars.
Price elasticity is a change in price leading to a more than proportionate change in demand, certainly if a £15k hi Fi sound could be achieved for £1k, people wouldn’t pay £15k.