Ajani said:Better yet go to a pro store and audition some monitors yourself, then you can say whether actives are just better than passives.
drummerman said:Ajani said:@ the OP: As you can tell by how this thread has gone, only you can determine whether the KEFs or AVIs are right for you. Most people have not heard both and even if they did it would just be their subjective opinions. Clearly both the LS50 & ADM9RS are fine products in their own rights, so you just need to find the one that is right for you.
Re: the overall AVI debate - Even ignoring whether you like the head honcho at the company or not, there are still some issues that cause problems for potential customers:
1) The claim is that the typical passive route is essentially audiophoolery and that buying a pair of AVI actives will break the cycle of upgraditis. That's straight up nonsense - there are many members of the AVI forums who have upgraded from one model of the ADM9 to the next and/or to the ADM40s. So the cycle has not been broken. So rippng on other HiFi companies about their upgrade paths is just hypocricy (especially when AVI customers are not discouraged from buying the whole AVI catalog).
2) The idea that in general actives are more accurate/just better than passives. While actives generally offer great (often better value for money), you only need to visit a pro audio forum or read user reviews on a site that sells pro monitors and you'll quickly see that not all actives are great. Pro users complain about monitors sounding distorted, overly bright, rolled off, bass shy, bass heavy, etc etc etc. Better yet go to a pro store and audition some monitors yourself, then you can say whether actives are just better than passives.
Good post
regards
the record spot said:Actives don't necessarily offer better value for money Steve, as I'd suggest this is dependant on what your buying criteria is and each buyer's own definition of value for money...
steve_1979 said:Ajani said:Better yet go to a pro store and audition some monitors yourself, then you can say whether actives are just better than passives.
+1
Go to a pro audio shop and have a listen to some active speakers yourself so that you can make up your own mind.
byakuya83 said:deteriorating into the usual active/passive debate.
lecson said:I haven't followed all of this thread as it seems to have descended into the usual bashing. However I own ADMs and like them. And I find the LS50 very interesting.
If I wanted a similarly-sized passive speaker, with a similar, well thought-out engineering basis behind it, I would definitely seek out the LS50. Particularly as good power amps are not hard to find. The LS50 looks a particularly well-balanced design and I'm sure it will be easy to drive - so you can probably get away with a good quality AV receiver and have a terrific system
steve_1979 said:drummerman said:Ajani said:@ the OP: As you can tell by how this thread has gone, only you can determine whether the KEFs or AVIs are right for you. Most people have not heard both and even if they did it would just be their subjective opinions. Clearly both the LS50 & ADM9RS are fine products in their own rights, so you just need to find the one that is right for you.
Re: the overall AVI debate - Even ignoring whether you like the head honcho at the company or not, there are still some issues that cause problems for potential customers:
1) The claim is that the typical passive route is essentially audiophoolery and that buying a pair of AVI actives will break the cycle of upgraditis. That's straight up nonsense - there are many members of the AVI forums who have upgraded from one model of the ADM9 to the next and/or to the ADM40s. So the cycle has not been broken. So rippng on other HiFi companies about their upgrade paths is just hypocricy (especially when AVI customers are not discouraged from buying the whole AVI catalog).
2) The idea that in general actives are more accurate/just better than passives. While actives generally offer great (often better value for money), you only need to visit a pro audio forum or read user reviews on a site that sells pro monitors and you'll quickly see that not all actives are great. Pro users complain about monitors sounding distorted, overly bright, rolled off, bass shy, bass heavy, etc etc etc. Better yet go to a pro store and audition some monitors yourself, then you can say whether actives are just better than passives.
Good post
regards
+1 Well said Ajani
1) I could never see why people think that active speakers cure upgraditis. It's just as easy to upgrade/change an active speaker as it is with any other piece of hifi equipment.
2) I agree that actives generally offer better value for money than passives do. It's also true that there are bad examples of active speakers which are too bright, boomy, bass light or whatever. However, many actives are voiced to have a natural balance and are measurably more accurate than passive speakers - although it's fair to say this style of sound reproduction doesn't necessarily appeal to everyone.
CnoEvil said:the LS50s presentation can be made sound different, depending on the amp driving them.
Phileas said:CnoEvil said:the LS50s presentation can be made sound different, depending on the amp driving them.
Or the cables?
BenLaw said:Why are you sure they will be easy to drive? Their sensitivity is 85db and their impedance drops to 3.2ohms. This makes it significantly more difficult to drive than, say, ATC SCM11s.
CnoEvil said:Phileas said:CnoEvil said:the LS50s presentation can be made sound different, depending on the amp driving them.
Or the cables?
Yup, they might even tip the balance!
BenLaw said:lecson said:I haven't followed all of this thread as it seems to have descended into the usual bashing. However I own ADMs and like them. And I find the LS50 very interesting.
If I wanted a similarly-sized passive speaker, with a similar, well thought-out engineering basis behind it, I would definitely seek out the LS50. Particularly as good power amps are not hard to find. The LS50 looks a particularly well-balanced design and I'm sure it will be easy to drive - so you can probably get away with a good quality AV receiver and have a terrific system
Why are you sure they will be easy to drive? Their sensitivity is 85db and their impedance drops to 3.2ohms. This makes it significantly more difficult to drive than, say, ATC SCM11s.
steve_1979 said:atticus said:For thrills, kicks and to satisfy any urge to tinker, I am now seeking out the perfect pencil, which is just as time-consuming, but less expensive.
I've tried some of the more expensive brands such as Derwent but I find that the basic Staedtler 110 Tradition cedar wood pencil with either a B or 2B grade graphite is the best for general use.
Don't waste your time on the ones that have erasers on the end because the pink rubber leaves a mark on the paper. You should use a separate eraser anyway, they're much better. Staedtler make very good erasers too IMO.
Hope this information helps with your exciting journey of pencil discovery atticus.
manicm said:BenLaw said:lecson said:I haven't followed all of this thread as it seems to have descended into the usual bashing. However I own ADMs and like them. And I find the LS50 very interesting.
If I wanted a similarly-sized passive speaker, with a similar, well thought-out engineering basis behind it, I would definitely seek out the LS50. Particularly as good power amps are not hard to find. The LS50 looks a particularly well-balanced design and I'm sure it will be easy to drive - so you can probably get away with a good quality AV receiver and have a terrific system
Why are you sure they will be easy to drive? Their sensitivity is 85db and their impedance drops to 3.2ohms. This makes it significantly more difficult to drive than, say, ATC SCM11s.
Not really, ATM doesn't say what their nominal ohms are, but here are the specs - note the amp power requirements. In any event neither speaker are going to work well with a 40w amp are they??
Drivers :
HF 25mm Neodymium, Mid/LF 150mm
Matched Response :
±0.5dB
Frequency Response (-6dB) :
56Hz-22kHz
Dispersion :
±80° Coherent Horizontal, ±10° Coherent Vertical
Sensitivity :
85dB @ 1W @ 1metre
Max SPL :
108dB
Recommended Power Amplifier :
50 to 300 Watts
Nominal Impedance :
8 Ohm
Crossover Frequency :
2.8kHz
Connectors :
Binding Posts/4mm Plugs, bi-wire
Cabinet Dimensions (HxWxD) :
380x211x250mm
Weight :
8.5kg
Ajani said:I should clarify my point: I'm not only refering to bad actives, but differences in user opinions on highly rated brands. Just like how audiophiles will debate whether Monitor Audio, B&W, KEF, Dynaudio etc sound good, bad, boring, neutral, etc etc etc. I see the same kind of debates about the pro audio actives like Genelec, Dynaudio, Mackie, KRK, M-Audio, Focal, Yamaha etc. One person will claim Genelec are the best actives, another will claim that the sound is hyped up to be exciting rather than neutral and hence poor for mixing. I've read pro audio threads asking for the best $1K active monitor, that read the same way such a discussion would go on WHF about the best $1k passive - lots of totally opposite opinions on the sound of each brand and no clear consensus on which brand is the best (or even good).
steve_1979 said:At the end of the day alot of it comes down to personal tastes and preference.
Phileas said:lindsayt said:When you say that "The essential principle is entirely correct", do you mean that you think that an active crossover as used in the AVI ADM9rs will result in less THD+N than a passive crossover as used in the KEF LS50 at ALL volume levels and frequencies?
No. I mean an active configuration is always better than passive (for any particular speaker).
lindsayt said:For low level detail passive is ALWAYS better than op amp based active for a given speaker.
Are you aware of the THD+N distortion measurements for op amps over a range of power levels?