Jasonovich
Well-known member
I recall when I was an impoverish student, my pinup from the centre pages of WHF 80's edition was the Spendors. You know those massive floor standing speakers you wish you could afford but you still haven't paid the landlady's rent for last week.Spendor 4/5 Classic. Some bloke’s review
So the positioning compromises obviously remain. The speakers are too high (unless I stand up, which would be weird), and the chimney breast is blocking proper integration between the two units. Plus the way they’re supported on hollow shelves is no doubt detracting from the sound. But they’re still genuinely a joy and I can’t stop listening to them. They have made me realise just how good my AEs are, which are front and slot ported, interesting given recent comments. But the Spendors have also laid bare their limitations. I’ll start with a couple of minor cons. The Spendors are super transparent (I think that’s the right word), so crappy or old digital recordings can sound a bit crappy and old. They’re defo a bit bass light, which I was fully aware of and it was part of the deal, but that’s probably being slightly exacerbated by the compromised positioning. Can’t wait to hear them on proper stands in my new place. Lots of pros of course. Resolution and clarity are different level, they reveal so much more detail that I hadn’t heard before. Bass might be light but it’s so tight and melodic. Soundstage is much wider / deeper, even with the compromised position. These little fellas just ‘sing.’ And they’re so wonderfully rhythmical. Re-listening to my music library and hearing stuff in a different way is very addictive. Plus they’re beautifully made and I’m loving the retro look more than I thought. And I got £100 off due to the 3 week lead time, result!
It's great they're still with us today and haven't departed from their traditional design philosophy and ethos.
They kind of remind me of the John Smiths for the high end, plain and simple, no nonsense but beautifully crafted.