I know it's a bit cliché but I think that Mozart and Beethoven are head and shoulders above all other composers. For most people the discussion starts at third place which IMO is Vivaldi. I think his string based pieces are very pleasant.
steve_1979 said:I know it's a bit cliché but I think that Mozart and Beethoven are head and shoulders above all other composers. For most people the discussion starts at third place which IMO is Vivaldi. I think his string based pieces are very pleasant.
tonky said:Concerto De Aranjuez is very good
tonky said:Not forgetting classical guitar too.
tonky said:Nice - just listened to some u tube - very technically gifted. But maybe I'm a bit too traditional when it comes to classical guitar - I just love the mellow tone - and it transposes other classical compositions (eg cello and piano) so well. Maybe better than the original instrument for which it was written.
tonky
tonky said:Concerto De Aranjuez is very good
CnoEvil said:When it comes to Classical Music, it is very important to be aware of the importance of the conductor, record label, quality of the recording and particular artist. The same piece of music can sound quite different depending on the interpretation of the Conductor, who decides tempo etc.
steve_1979 said:tonky said:Nice - just listened to some u tube - very technically gifted. But maybe I'm a bit too traditional when it comes to classical guitar - I just love the mellow tone - and it transposes other classical compositions (eg cello and piano) so well. Maybe better than the original instrument for which it was written.
tonky
I wasn't too sure about it at first but I find that I keep returning to it time and time again.
tonky said:Concerto De Aranjuez is very good
Do you have a Spotify link for this one?
tonky said:I'm having trouble linking - but if you search the title Concerto de Aranjuez john williams you will get a link I hope. - Also john williams plays a vivaldi guitar concerto. Excellent . The second movement of which is particularly beautiful.
regards tonky
Vladimir said:steve_1979 said:Does anyone know what this song is? Clicky
I saw it on an advert and liked it but was unable to find it on Spotify.
The Marriage of Figaro - comedic opera by Wolfgang Amadeus Mozart.
steve_1979 said:Vladimir said:steve_1979 said:Does anyone know what this song is? Clicky
I saw it on an advert and liked it but was unable to find it on Spotify.
The Marriage of Figaro - comedic opera by Wolfgang Amadeus Mozart.
Aha! I knew I recognised it. Thanks.
Vladimir said:This is the Concierto de Aranjuez you really want. Acoustic solo cello performance.
tonky said:steve_1979 said:Vladimir said:steve_1979 said:Does anyone know what this song is? Clicky
I saw it on an advert and liked it but was unable to find it on Spotify.
The Marriage of Figaro - comedic opera by Wolfgang Amadeus Mozart.
Aha! I knew I recognised it. Thanks.
If you haven't seen the movie/dvd Amadeus - I recommend - A very entertaining (off the wall) biopic
tonky
Vladimir said:steve_1979 said:The version of Mozart's Requiem on the Amadaus movie soundtrack is really incredible.
One of my favorite releases on DG. It's a Requiem but nothing somber like for example Barber's Adagio For Strings.
The eccentric count Franz von Walsegg commissioned the Requiem from Mozart anonymously through intermediaries. The count, an amateur chamber musician who routinely commissioned works by composers and passed them off as his own,[1][2] wanted a Requiem Mass he could claim he composed to memorialize the recent passing of his wife. Mozart received only half of the payment in advance, so upon his death his widow Constanze was keen to have the work completed secretly by someone else, submit it to the count as having been completed by Mozart and collect the final payment.[3] Joseph von Eybler was one of the first composers to be asked to complete the score, and had worked on the movements from the Dies irae[/i] up until the Lacrymosa[/i]. In addition, a striking similarity between the openings of the Domine Jesu Christe[/i] movements in the requiems of the two composers suggests that Eybler at least looked at later sections[further explanation needed]. After this work, he felt unable to complete the remainder, and gave the manuscript back to Constanze Mozart.
The task was then given to another composer, Franz Xaver Süssmayr. Süssmayr borrowed some of Eybler's work in making his completion, and added his own orchestration to the movements from theKyrie onward, completed the Lacrymosa, and added several new movements which a Requiem would normally comprise: Sanctus, Benedictus, and Agnus Dei. He then added a final section, Lux aeterna by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Süssmayr and Mozart's wife was done according to Mozart's directions. Some people consider it unlikely, however, that Mozart would have repeated the opening two sections if he had survived to finish the work.
Totally agree.....I have the 24 bit version, which I received free when I bought my DS.Covenanter said:Try the Dunedin Consort's reconstruction of the first performance on Linn. More sparse than a version like the Karajan but more authentic and to me much more exciting. It won a Gramophone award and was nominated for a Grammy. Fantastic recording too - demonstration quality. One of my favourite CDs of 2015.
Chris
Vladimir said:Agnus Dei (lamb of God) is something that should be on every classical beginer playlist.
Vladimir said:In addition, so should be Thomas Tallis - Spem in Alium.