33RPM
New member
I have been listening to music and buying hifi for 4 decades by now. In time my music collection grew, my taste in music shifted somewhat and I tried, listened to and owned alot of systems. The turning point was in the late eighties, when I heard a full Naim/linn system. That was what I wanted (but could't afford).
The last decade I could. So I gradually put together a Naim system. I didn't like their CD players so mainly stayed with my LP12/Aro/Micro Benz/Ear for listening purposes, next to a Rotel and then Sony CD.
Then I bought two or three years ago a cheapo Pioneer N50 Network player(stil didn't considered digital as a serious format). It replaced CD player and TEAC Dac and opened the world of streaming and high resolution. So I got more interested.
I was still missing something in the sound of the Naim amps meanwhile. By that time I had a Nap 250/HiCap/200 with PMC FB1i. So I tried Avondale and finally Teddy Pardo amps. Those kept me happy for more then two years. Their strong points being a wide stereo image, fantastic PRAT and slam and amazing seperation of instruments so I could really understand what was going on in recordings.
Their weak points were a somewhat 2dimensional stereo image, witch was a bit on the low side. In orchestral music, it was like looking down on the orchestra. And I also lacked athmosphere and timbre in instruments. As someone who goes to classical concerts regularly I have I think a fairly good idea how music should sound. If it were only for rock, they would have stayed for ever. Amazing!
For classical I still wanted a bit more sense of 'being there'. So I ended up very briefly with LFD. That gave me the detail, presence and stereo image I was looking for, BUT at the expense of power, slam. All my rock albums became illistenable because the guitars were gone.......
Meanwhile I went to dems of amps like Bryston and a few more, but couldn(t find anything to my taste and most of all my financial means.
I am now experimenting with chip amps: amazing sound for the money, but not really serious' enough for like say Mahler or Rammstein.
I learned that in order to get a good sound i need enough power (the Pardo was 2 100Watt monoblocks), transparency - so I bought a simple passive pre-amp and going to try some power amps. As I said I am looking for something that the grunt to play any kind of music from metal to 'classical' music, with enough isight and instrument separation, a realistic soundstage and a neutral rendition of the sound of classical instruments. With a violin some amps let your hear the strings, others the body of the violin, but both.... So a hard task there.
So now I borrowed an Abrahamsen. How does it fares till now (I have it since yesterday and the passive pre is new - needs a bit of setteling in)?
On the plus side: natural sound, very good mid-low, moderately deep and high sound stage and presence. Fine detail and hints of a sound stage, slightly warm sound, without any harshness.
On the minus side: not much deep bass, and what there is is muddled, the resolution of high tones is alsolimited. My taste is for a touch more transparency . I understand that briding and using two amps would probably help out on the bass and sound stage side, but I wonder if the veil will go off after a few days of use and warming up...
The most important thing is fun of course. My next amp will be one where I don't get distracted by its faults and just enjoy listening.
To be continued
The last decade I could. So I gradually put together a Naim system. I didn't like their CD players so mainly stayed with my LP12/Aro/Micro Benz/Ear for listening purposes, next to a Rotel and then Sony CD.
Then I bought two or three years ago a cheapo Pioneer N50 Network player(stil didn't considered digital as a serious format). It replaced CD player and TEAC Dac and opened the world of streaming and high resolution. So I got more interested.
I was still missing something in the sound of the Naim amps meanwhile. By that time I had a Nap 250/HiCap/200 with PMC FB1i. So I tried Avondale and finally Teddy Pardo amps. Those kept me happy for more then two years. Their strong points being a wide stereo image, fantastic PRAT and slam and amazing seperation of instruments so I could really understand what was going on in recordings.
Their weak points were a somewhat 2dimensional stereo image, witch was a bit on the low side. In orchestral music, it was like looking down on the orchestra. And I also lacked athmosphere and timbre in instruments. As someone who goes to classical concerts regularly I have I think a fairly good idea how music should sound. If it were only for rock, they would have stayed for ever. Amazing!
For classical I still wanted a bit more sense of 'being there'. So I ended up very briefly with LFD. That gave me the detail, presence and stereo image I was looking for, BUT at the expense of power, slam. All my rock albums became illistenable because the guitars were gone.......
Meanwhile I went to dems of amps like Bryston and a few more, but couldn(t find anything to my taste and most of all my financial means.
I am now experimenting with chip amps: amazing sound for the money, but not really serious' enough for like say Mahler or Rammstein.
I learned that in order to get a good sound i need enough power (the Pardo was 2 100Watt monoblocks), transparency - so I bought a simple passive pre-amp and going to try some power amps. As I said I am looking for something that the grunt to play any kind of music from metal to 'classical' music, with enough isight and instrument separation, a realistic soundstage and a neutral rendition of the sound of classical instruments. With a violin some amps let your hear the strings, others the body of the violin, but both.... So a hard task there.
So now I borrowed an Abrahamsen. How does it fares till now (I have it since yesterday and the passive pre is new - needs a bit of setteling in)?
On the plus side: natural sound, very good mid-low, moderately deep and high sound stage and presence. Fine detail and hints of a sound stage, slightly warm sound, without any harshness.
On the minus side: not much deep bass, and what there is is muddled, the resolution of high tones is alsolimited. My taste is for a touch more transparency . I understand that briding and using two amps would probably help out on the bass and sound stage side, but I wonder if the veil will go off after a few days of use and warming up...
The most important thing is fun of course. My next amp will be one where I don't get distracted by its faults and just enjoy listening.
To be continued